Infinite Crisis and it’s tie-ins

Almost every DC Comic Book writer I consider myself a fan of comes with some catch, a part of their body of work I hate just as much as I love the stuff I like. 

Geoff Johns is someone I'm a fan of because I love his Teen Titans run and Infinite Crisis and a few other things. But I hate his contributions to Green Lantern and The Flash’s histories and most of his impact on Superman.  

The irony is Infinite Crisis is great in part because it’s a critique of Toxic Nostalgia, and yet what I don’t like about Johns work is when his own weirdly Toxic Nostalgia for the Silver Age comes in. And 2005 is the year he made Hal Jordan the main Green Lantern again, pandering to Silver Age nostalgia at the same time he’s vilifying Golden Age nostalgia, maybe that’s actually perfectly consistent from a certain POV?

The thing about Infinite Crisis is it’s one of those Events that is viewed as needing all its tie-ins to work, but in my opinion they don’t, certainly not all of them. But the tie-ins can add to the experiences.  Some of my favorite scenes from the DC Comics come from unnecessary but awesome infinite Crisis tie-ins. 

It’s a sequel to Crisis on Infinite Earths, but not in a way where you need to have actually read that to follow what’s going on. 

The build up to Infinite Crisis arguably begins with Identify Crisis or more directly things that happened in the aftermath of Identity Crisis. Identity Crisis itself stands alone perfectly, it’s informed by when in the then currency continuity it takes place, but everything you need to know it explains on its own. 

Identity Crisis shares the theme about Nostalgia.  And while CoIIE isn't as a whole about Nostalgia it's eventually sequel being a story with that theme is foreshadowed by it's very last page. 

There were four concurrent miniseries that DC promoted as being the Countdown to Infinite Crisis. 

The OMAC Project written by Greg Rucka.

Villains United written by Gail Simone

Day of Vengeance written by Bill Willingham

Rann-Thanagar War written by Dave Gibbons

But in my view the only one even close to qualifying as necessary, as being the main story of what’s going on in the DC Universe at this time, is the first of those. For one thing the bottom two I still to this day haven’t read and don't feel like I’m missing anything. Villains United is great. I absolutely highly recommend it on its own merits, but the main protagonists it’s following don’t even appear in Infinite Crisis. 

The OMAC Project is the only one featuring DC’s Big Three as prominent characters, it provides what serves as the equivalent to the Red Skies during Infinite Crisis. But most importantly it bridges the gap between Identity Crisis and Infinite Crisis while building on their shared theme of Toxic Nostalgia. It is a great story on its own in my view, and also the second most important storyline to Infinite Crisis after Infinite Crisis itself. 

The Infinite Crisis Companion Trade Paperback collects DC Specials that were epilogues to those stories going on during the events of Infinite Crisis. They were needed precisely because Infinite Crisis itself did not tie up all of those storylines loose ends. But the one for OMAC Project is needed mainly just to cap off Sasha Boredeaux’s storyline. 

An Auteurist would suggest other stuff written by Johns are what should be considered most important.  I haven’t read his JSA run or his Green Lantern stuff. His Powergirl story from the first four issues of JSA Classified included in the Powergirl Trade Paperback do set up where she is when Infinite Crisis starts and does also add to that theme. JLA Crisis of Conscience is similar, dealing with the aftermath of Identity Crisis in its own way and ending right before Infinite Crisis starts. 

His Teen Titans run’s main tie to what happens in Infinite Crisis is because of Connor Kent/Superboy’s importance since that’s where his character arc played out which had been his arc since the start of the run in 2003. 

The Future Is Now Trade Paperback first collects a Time Travel arc Teen Titans Vol 3 16-19 which takes place before Identity Crisis (these are as far as I can tell the only comics featuring Time Drake that seem to take place between the deaths of Stephanie Brown and Jack Drake), but it then finished with issues 20-23 an Arc that takes place after Identity Crisis and I would argue is the first real direct Aftermath of Identity Crisis as well as our chronologically first glimpse of the Secret Society of Super Villains. After that comes Teen Titans/Outsiders: Insiders, then The Return of Donna Troy then the framing device of Teen Titans/Outsiders Secret Files and Origins 2005 and then Teen Titans: Life and Death is events happening concurrent with Infinite Crisis. 

Superman is the main lead character of the DC Universe. So here are the main Superman Trades to recommend. 

Superman: The Healing Touch by Greg Rucka

Superman: In The Name of Gog by Chuck Austen and J.D. Finn

Are the Superman books from right after Identity Crisis. The Day of Vengeance Trade Paperback includes some Superman issues that take place about here as well. 

Superman: Sacrifice ties directly into the biggest climatic event of OMAC Project. 

Also regardless of how the cover dates may confuse you, Supergirl:Power the first 5 issues of Supergirl Vol 5 written by Jeph Loeb ends before Infinite Crisis starts, in-fact it’s what explains why Lex is where he is at the start of Infinite Crisis. 

Superman: Ruin Revealed 

Superman: The Journey by Mark Verheiden

Superman: Strange Attractors by Gail Simone

Are the Superman books the lead into and were concurrent with Infinite Crisis. 

Superman: Infinite Crisis collects the last Superman comics before the One Year Later leap forward. 

For Wonder Woman this is all happening during Greg Rucka’s run and the concurrent period is collected in Eyes of The Gorgon, Land of The Dead and Mission’s End. 

JLA: World Without a Justice League collects the JLA books during Infinite Crisis which were the end of JLA Vol 1.

The Batman books don’t feel as relevant, references happen but Batman’s mostly in his own little world. Under The Red Hood and War Crimes were the key Batman events this year.  Detective Comics mostly was doing City of Crime, a story that seems like it has to be set before War Games to make sense. Gotham Knights was doing Hush stuff which is best ignored. 

For Tim Drake/Robin the Robin/Batgirl:Fresh Blood, To Kill A Bird and Days of Fire and Madness Trades cover this period, and for Cassandra Cain/Batgirl also Fresh Blood then Kicking Assassins and Destruction’s Daughter. 

Someone Nerdier than I will have to deduce the ideal reading order for all the Comics I mentioned here. 

No most modern Jokers are not bad rip offs of Heath Ledger's.

At most I would say maybe The Joker we got briefly in The Batman and it's deleted scene can be criticized that way.  But given how little we have to go off there I'm reserving judgment. 

The high profile Joker we've gotten most egregious criticized this way in Jared Leto's in Suicide Squad.  I've already talked about how Jared Leto's Joker is supposed to be Cringe, and pointed people to both Jack Saint's video on the topic and 16 Attempts to Talk to You about Suicide Squad. 

But as far accusing the performance on ripping off Ledger's goes, i really don't see it, he doesn't o that thing his tonge. At most the fact that both sometimes annunciate certain words weirdly could be seen as similar. 

The perception that so many post Ledger Jokers are just pale imitations on Ledger's Joker is really just people saying quietly that they're upset the Joker hasn't gone back to being more of the same they usually got before Ledger's Joker. 

Caesar Romero's Joker, Jack Nicholson's Joker and Mark Hamil's in Batman The Animated Series, as different form each other as they may seem in execution are each in my view the same basic kind of Joker.  For each of them the Clown/Comedy gimmick antics are a means to an end of conventional criminal goals.  And The Joker's has been written like that in The Comics sometimes, he was like that in A Death in The Family much to my personal disappointment when I first read it. 

And those three were the only particularly mainstream popular takes on The Joker well known to most non Comic Readers before 2008. The Dark Knight was the first time we got a Joker for whom the Madness was the ends and the conventional criminal activity was the means. 

But The Comics had introduced takes on The Joker who didn't have conventional criminal goals at least by the 80s with The Dark Knight Returns and The Killing Joke.  These stories were quite philosophically different from each other, Miller and Moore allegedly had an argument about The Joker with Moore saying The Joker is Insane and Miller saying The Joker is Evil. There's also Grant Morrison's Arkham Asylum A Serious House on Serious Earth.

But even non Comic Readers had gotten a few tastes of this kind of Joker, just off the beaten path of the mainstream. Kerry Shale's performance in the 90s BBC Radio Drama adaptation of Knightfall. Andrew Koenig in the 2003 fan film Batman: Dead End. Even Mark Hamil arguably got his first shot at becoming a better class of criminal in Batman Beyond: Return of The Joker. It is Koenig's performance in particular that I suspect people would be calling a Ledger's Joker knock off if it came after 2008 rather then before. 

The irony is Jared Leto's Joker in terms of what we can see of what he usually does is arguably back to being the regular Criminal with a gimmick take on The Joker that dominated what we got before 2008. But with the added flavor that he's a cringey edgelord who likes to think of himself as something grander then he actually is. 

My point is every time people talk about the history of The Joker in a way that implies Ledger's take is the sole source of every remotely "Edgy" Joker to come since, they are demonstrating their ignorance of how "Edgy" The Joker already was. 

That includes when some makes a deep philosophical video essays founded on this premise treating the Crigeyness of Leto's Joker as a failure rather then the intention. 

DC Stuff I watched in August 2026

I've now watched Batman Nightfall Part 1.

I've never read the original Knightfall comics, the prior version I'm comparing this to is the BBC Radio Drama from the 90s. 

I'll start with the main positive, it was great finally seeing Tim Drake in animation. The DCAU's Tim was in name only and the Tim in the Unlimited movies was forgettable. 

What made Tim special among the Robins back when he was being written by Marv Wolfman and Chuck Dixon and Geoff Johns and Bill Wilingham (I haven't really read much from the Jon Lewis run yet or Peter David's Young Justice) is that he was being set up to be the Bat Sidekick destined to one day surpass Bruce as the World's Greatest Detective. Looking back on that now results in my making Shinichi Kudo comparisons. And in that area this Knightfall film didn't disappoint.

Now for my criticisms.

First of all they cut Film Freak.  Cowards.

Secondly I have mixed feelings on the Artstyle, why not actually try to evoke the arstyle of 90s DC Comics? 

To amend what I said earlier i have read something Knightfall adjacent, the Robin Flying Solo Trade.  This is not that Artstyle. Is Red River can successfully look like a 90s Anime, why can't this look like a 90s Comic come to life?

Third, I'm amazed by how structurally disappointing it felt.

This end about where Hour 1 of the 3 Hour Radio Rama ended, but it felt like less happened not more. In that both the set up of Jean Paul Valley and Bruce's deterioration felt way more successfully fleshed out.

The Caped Crusader season 2 failed to engage at all, couldn't finish one episode.

I've also watched the new Supergirl movie now.  It's a good movie, it's entertaining, but it's not the kind of movie I want for Supergirl.

It felt more like a Star Wars movie much of the time.

I like the bronze Age Supergirl. 

I've also been watching Lanterns since my family currently temporarily has HBO for free. It's good so far.

Maybe an Adaptation is never too late after all?

A number of years ago I wrote a post on this Blog titled When An Adaptation is Made too Late. Where I singled out Magic Kaito, YU-NO: A Girl Who Chants Love At The Bound of This World and Boogiepop and Others as examples of 90s source materials that didn't get a proper Anime adaptation till the 2010s where I felt it had become impossibly for them to aesthetically feel true to their source material because Modern Anime simply can't look enough like Classic Anime because of how much the very stuff it's made out of has changed. 

But 2026 has released some Anime with Artstyles that feel surprisingly true to older classic art styles.

Red River is based on a 90s Shoujo Manga older even then Inyuasha, somehow this Summer 2026 Anime has captured that vibe. 

Goodbye, Lara is a current Original Anime but also feel like a very Classic Anime style. 

The Spring season had The Klutzy Class Monitor and The Girl with the Short Skirt which a very a Pastel Color Pallet, like that kind I'd just recently seen an AniTube video say has not really been possible in the Digital Era. 

Petals of Reincarnation doesn't particularly remind me of anything old, but it was different form the standard in the Color Pallet in a way I found interesting, but I had to drop it because the story just felt like discount Fate/. 

There was also this Japanese Commercial this year that seemingly perfectly recreated 1979 Gundam Animation. And speaking of Gundam two episodes GQuuuuuuX last year also recreated the feel of Classic Gundam in a similar way but while still feeling polished in a way the retro style commercial doesn't. 

Fall 2025's My Status as an Assassin Obviously Exceeds The Hero's was also described by other as looking stylistically like a 90s Fantasy Anime, though I didn't quite see what they were talking about.

This makes me really want to see new attempts at both Boogiepop and YU-NO.  I doubt they'd do this with Magic Kaito since that franchise when it does new Anime likes to remain consistent with Detective Conan.

But also what other old Otaku media is long overdue for an Anime?

Shizuka and Kizuato are the original Visual Novels should be on the list.  Tsui no Sora and Cross Channel as well. I'd also love to see early Overflow Games get Anime made like these, even if they are Censored a bit. 

Or heck, go back even further to some of the 70s Classic Manga of the Year 24 Group. 

I'm late to talking about Watanare.

Full name There's no freaking way I'll be your Lover! Unless...

This was somewhat hyped in 2025, but that it was going for an actual Poly resolution was not something I recalled coming up. As much as I am a long time Yuri fan I have spent the last few years feeling less obligated to watch every Yuri, especially when so many are still not even being Dubbed. 

I have talked on this blog before about by enthusiasm for Polly Anime of all form but also wanting them to come in more forms then just some variation of 1 guy and multiple girls. Even the excellent Dusk Beyond the End of The World as much as it wants it's world building to be about more then that the main trio we're following is still 1 guy and two girls. 

So a Yuri Anime with a true Threesome resolution is something I wish I'd heard about sooner. 

This is still only the start.  I want more Yuri Polycules but I also want Yaoi Threesomes and Polyandry and a Polycule form of Anime's common 3 girls and 2 boys School Club dynamic. And also some with Non Binary characters. 

I would like to see an Anime adaptation of the Light Novel/Manga Kono△Love Comedy wa Shiawase ni Naru Gimu ga Aru by Chihiro Haruna it is a 1 guy and 2 girls Threesome in the end but the girls are explicitly unambiguously also in love with each other (there is some slander going around right now that this is a Homophobic story turning the girls' straight, that is not what happens).  It is a good story, you can argue the Threesome nature of the resolution felt abrupt, but I think it worked. 

Getting back to Wartnare. Besides having this satisfying ending it's a good build up, lots of Comedy and Drama and all the characters are fun. Where the Anime currently ends it's just a Threesome but it seems like it could expand to a full 5 person Polycule. 

So this is now tied with In Another World With My Smartphone for being the best Poly Anime. 

Lucky Star is set in 2006

I find it interesting how many YouTube videos about Lucky Star the 2007 TV Anime as being a time capsule depicting what Otaku Culture was like in 2007.

But the show isn't set in 2007, it's clearly set in 2006.

The first season of The Melancholy of Haruhi Suzumiya is clearly currently airing, one scene depicting Konota's reaction to the episode Someday in The Rain which aired May 28th 2006, neither she or the people she talked to online had seen it before.

Another show presented as current is Code Geass.

Full Metal Panic is presented as no current but still pretty big.

The only 2007 show I recall being mentioned in any capacity was El Cazador de la Bruja but that was only a promotional poster, it aired in spring 2007 and was hyped as a spiritual follow up to Noir and Madlax so it could have had prominent posters already in 2006.

To be honest I don't think there is a coherent timeline if you overmilitarized everything. But this show is also a Spring 2007 show so it likely entered production before 2006 was over.  it's a product of vaguely 2006 Anime culture. 

The Ribbon Hero is a Masterpiece

It more then lived up the Hype.  It made me Cry more then once. 

I don't have the ability to judge it as an adaptation, I don't think adaptation is the best word anymore, more like Reimagining. It does justice to the legacy of the original in exactly the metatextual way I was hoping.

There is no exposition about Saphir having a Heart of Both a Boy and a Girl, but she is still called a Knight, from my perspective the original Androgyny is still there. It's just a lot of the traits that were inherently masculine for a Anime Girl in the 60s have been more commonly Anime Girl traits since. 

I love the line that's an Attack of The Clones reference. 

There are also parts of this film that look like what an Anime adaptation of The Fall of Gondolin could look like. 

I gave a 10/10 and am currently listing it as a Faveorite on my Anilist.