Sunday, June 27, 2021

Things are changing for Summer 2021

Combatants Will Be Dispatched episodes 5-6 were enjoyable.  But I think this show might be a little outside my taste in certain areas.

I finished the second season of Slime Incarnation and it was fine.

Okay as of episode 3 I think I’m about fed up with Full Dive.

So I’m A Spider, So What Episode 18 was very interesting.  The whole sequence with baby Sofia revealing these reincarnations have fully developed self awareness as infants is kind of scary in a way.

The religion stuff can get confusing, both worship the same Goddess it seems but only one references the Goddess in what they’re usually called.

So I've been pretty sure for a while now that the SpiderChan and Shun storyline take place at different time periods.  But in this episode when they’re cutting aware from either main group it makes me very confused about when we currently are.

I’ve decided to drop both Combatants will be Dispatched and Full Dive.  Maybe I’ll give them a second in the future but they certainly aren’t what I like to watch weekly.

I think I’m starting to get a little bored of 300 Slimes.  I like Slice of Life and Isekai, but I think usually not at the same time.

Episode 2 of 86 was interesting.  Now that I know more of what the premise is, I can watch it more properly.

First here is the introductory post for this series.

https://mithrandirolorin.blogspot.com/2021/04/anime-torah-year-introduction-post.html

Friday, June 25, 2021

Fate/Kalied Liner Prisma Illya is the Most Anime

This show is Anime's most Memetic Franchise taking on it's most thematically important genre.  And all draped in the most unapologetic Otaku Degeneracy you'll find outside of literal Hentai.

So it's really definitely NOT for Normies or newcomers.  But once someone starts self identifying as an Otaku, their reaction to this show is how you should test them.  If they can't accept it the first time they try it, they might be able to latter after sliding further down the rabbit hole of Weeb Degeneracy.

The big climatic moment of 2weiHerz I consider one of the best Eucatastorphes in fiction and a perfect example of how the Magical Girl Genre and other Anime line up with my understanding of The Gospel. And this moment was set up with a lot of intense emotional build up.

And yet it did that in-spite of the first half of the season being all Slice of Life Fanservicy nonsense.  The kind of fanservice that I usually prefer shows to tone down.  But in one that does everything I love about Anime this well I consider it more then worth it, and kind of wouldn't want it any other way.

And since it's also Pride Month, this show is really really Yuri, filed to the brim with Yuri.  And it also has an episode devoted to Fujoshi.

What I love about this show was already there in season 1, and it stayed for 3wei, and the prequel movie was also decent.  I can't wait till I get to see the upcoming movie.

I want someone to make some fanart of Illya and Miyu recreating the "who's got you" moment from Superman:The Movie, fans of season 1 should get why.

I also do mostly like it's English Dub cast, it always takes some getting used to after spending most of my Fate/ watching time with the mostly LA based Aniplex cast which is usually my ideal.  However there is one character where I prefer her Prisma Illya English voice to the Aniplex one, and that's Lady Luvia Edelfelt.  You simply can't beat Shelley Calene-Black at the Ojousama voice.

Unfortunately the Dub stopped after 2weiHerz.

If the whole thing was redone with the standard English Fate/ Cast I would watch it, their Luvia isn't bad.  But the thing is the titular character is so different in this universe I almsot think she shouldn't have the same voice.  Stephanie Seh certainly can be a Magical Girl protagonist, she has become The Definitive Usagi Tsukino to my ears.  But Prisma Illya while having the same core as all Magical Girl protagonists, has a certain Vibe to her that has me thinking the most fitting Sailor Moon VA would be Terri Hawkes.

Basically, this show is pure concentrated Otakuness, and I Love It.

Sunday, June 20, 2021

86 got off to a rocky start with me.

On June 20th I watched the first episode of 86 since it’s Dub has finally dropped, and I’m a bit confused.

So as the episode started I assumed this was about an unnamed Drone and suggesting their A.I. have become genuinely self aware.  And I was thinking of commenting on how that is one way AI are used as Slaves in fiction that is not applicable to real world Slavery, since actual Slave societies know better then to army or militarily train their Slaves.  For example, regardless of what revisionist Lost Causers will tell you, the Confederacy strictly forbid Slaves from serving in the army.

So when the reveal came at the end that the 86 are actually Humans, I could now only think about the impossibility of this speculative scenario.  Ancient Rome would have members of peoples they conquered serve in their Army, but that service gave them citizenship.  

I don't know if the show intended to mislead me on the A.I. thing or if that was just my brain jumping to conclusions.

Saturday, June 19, 2021

More Spring Seasonal Anime for 2021

 I watched the first episode of that Full Dive VRMMO Anime and it was pretty intriguing.

So I’m A Spider, So What episode 16 begins with exposition about how everyone reincarnated was given a form that suited their personality.  Then later in the same episode we are reminded that the Red haired girl was Assigned Male At Birth back in Japan.  So I think they just snuck in some Trans representation.

300 Slimes episode 3 was very good.

Combatants will be Dispatched episode 4 was amusing.

Slime Incarnation season 2 episode 11 was very good.

Episode 2 of Full Dive was also pretty entertaining.

Record of Ragnarok is a really Ugly looking show, so I couldn’t even finish one episode of it.

So I’m A Spider, So What episode 17 was excellent, this show is proving to be quite awesome.

Episode 4 of 300 Slimes was fun.

Tuesday, June 15, 2021

Sailor Moon's Solo Adventures

In many ways the 90s Anime version of Sailor Moon is closer then The Manga to what the Magical Girl Warrior Genre would become.  Not so much because the Manga was unknown, in Japan Manga is more widely consumed then Anime.  It's more because for awhile almsot every other Anime in this sub-genre had overlapping creative staff with the 90s Sailor Moon Anime, either writers or directors or both.

However there is one area where even the most blatant 90s Anime imitators will follow the Manga structurally.  And that is how when it's a 3-5 person team, that team will be fully assembled by episode 5 or 6.  Wedding Peach, every PreCure season about a team rather then a Duo, and even the other time Sailor Moon's Dark Kingdom Arc was given a massively expanded adaptation, the Live Action show commonly referred to as PGSM.

I imagine the more individualist perspective of many western fans think there should be a decent time period of the title character working alone, especially since the title of this show is of an individual protagonist not the name of a team like Pretty Cure.  But what makes Usagi Tsukino a character worth building a 200 episode saga around is how good of a Friend she is.

Now the Sailor Moon 90s Anime didn't make this decision because of any western individualist values, but because the Anime was being made concurrent with the Manga, and the Manga makes one episode a month instead of 4 or 5 (if this was a YT video a certain Gintama clip would be used as B roll here).  The irony is Takeuchi made Sailor Moon a team based story rather then the Solo Heroine Codename Sailor V was because Toei wanted a team to sell more toys.  But once that decision was made she kind of built the entire Lore of Sailor Moon around her being a Heroine who has helpers.  

Still in-spite of everything these solo adventures aren't entirely bad.  Of the 6 episodes in question 3 I consider above average must watch episodes, and there's only one I kind of hate.  I don't want to talk about the one I hate (it's the Fat shamey one), but I shall briefly discus the 3 I recommend.

First is the 3rd episode of the show overall, but second episode of the DiC Dub which gave it the more memorable name of Talk Radio (the other two are oddly enough both episodes DiC skipped).  And it's also the first episode written by Katsuyuki Sumisawa as well as the first directed by Takenouchi Kazuhisa.

Sumisawa is my favorite writer of the Sailor Moon Anime, and why starts with him getting the best first impression here with this episode being way better then either of the two that came before it.  It is arguably the episode where the 90s Anime first finds the formula that is going to work for it, and I think this writer and director are perhaps both responsible for that.  This director is one of the two who leaves after the Doom Tree Saga and I think that loss did permanently effect the show's overall quality.

Next would be the Chanela episode which was episode 5.  Things happen that make it arguably not filler, but either way it's a lot of fun and quite hilarious, perhaps topping Talk Radio to be the best episode up to this point.  I also kind of recommend it to anyone who enjoys The Trouble with Tribbles.

The final one is Episode 6, the Smooth Jazz episode.  The second episode written by Katsuyuki Sumisawa and the first directed by Kunihiko Ikuhara, and thus their first time working together.  Ikuhara as episode director and Sumisawa as writer are similar in that they've done a lot of my all time favorites and none of the worst episodes.  In total half the Ikuhara episodes of season 1 would be written by Sumisawa, they make a pretty good team.  Their last episode together would be the one that properly introduces HaruMi in Sailor Moon S.

This episode is plenty enjoyable even to watch without those meta motives, it was the most unique episode so far.  But for fans of Ikuhara's distinctive style you can definitely see hints of it already forming here.

Wednesday, June 9, 2021

TVTrope's Standard Evil Empire Hierarchy page

I'm going to make some observations I've wanted to for awhile about the TVTropes Standard Evil Empire Hierarchy page. It's one of my favorite of their pages to revisit.

The more elaborate a TVTropes page is, the more likely it is it's mostly something the community editing that site imagined themselves and not something more general literary analysis scholars would take seriously.  And this page is a perfect example of of that.  Because I really don't think a single Fictional Empire that perfectly fits all the requirements actually exists.  But to me that makes it all the more interesting to over analyze and speculate about what created these ideas in the minds of these Internet Nerds.

This is partly related to how many of the Evil Empires that inspired these Tropes were trying to at least partly base themselves on the Nazis regardless of not caring about their actual ideology.  But the page currently doesn't have a real life section so they aren't trying to apply it to the Nazi Regime itself.  Naturally Star Wars is a big middle man here.

It seems to me like the original concept behind this Trope was about the way the Protagonists in a JRPG or other kind of adventure story encounter the Empire rather then a truly objective view of how it's organized.  But over the years many editing it and adding examples have lost sight of that.

The Guard's role in a story is chiefly as the first significant Underboss the Heroes deal with.  He's often associated with a Fortress or Base of some sort because it's usually whichever one of those is nearest to the Starter Town.  They are referred to as one of the least sympatric because their mustache twirling villainy is what establishes the Empire itself as evil, once that's established there is then room for more nuanced characters within it.

In Star Wars this role is played by Grand Moff Tarkin, but Tarkin's rank in the Empire is not a unique one, it's a type of regional Governor basically.  Being entrusted with The Death Star may imply he's one The Emperor has particular confidence in, but the rank itself is still not unique.  In the expanded universe we do get to meet other Moffs.

For Code Geass the page designates this role to Clovis which is probably one of the most accurate to the original intent of any Gaurds on the page in it's current form.

In fiction using explicit Nazis a good model for The Guard trope is perhaps Conrad Veidt's character in Casablanca.  He's probably not a big wig in the overall Nazi hierarchy at all, but is locally who the people in Casablanca are most concerned about.  But one could also look at Klaus Barbie in 2020's Resistance.

The big evidence of how this page has lost it's way here would be it's Tolkien examples.  Sauron in the First Age and Saruman in the Third Age can be said to be guarding something, but that was never the actual point of The Guard.  If I were to use that logic in designating a Guard for the Nazi regime the best bet would be Himmler, he did have that old Castle he ran the SS out of.

The Security Officer position was not originally part of the page, it wasn't there when I first started visiting it as recently as 2012.  And for Code Geass giving this position to Cornelia feels wrong, she was just taking over the same position Clovis held, she's really just a second Gaurd.  But is also equally as worthy as Schneizel for what The General refers to.  Historically Reinhard Heydrich (Later replaced by Ernst Kaltenbruner) fits The Security Officer probably better then any other leading Nazi fits any of these roles.

The General is described as being the opposite of the Guard in how sympathetic they are typically depicted as being.   Dennis Hopper's character in the 90s Samson movie is a pretty text book example of this kind of fictional General, the movie respects and sympathizes with him a great deal even though it also sees him as needing to die with the other Philistine leaders.

That role is often a General because something in the collective subconscious of many Military fixated cultures like Rome, America and at one time Japan desires to respect a good General, even an enemy one.  

This is part of why Trotsky is sometimes spoken of positively even by stanchly anti-Communist Conservatives, he was the actual Military Mastermind of the early Bolshevik victories agaisnt the Western Imperial powers who invaded Russia to try and stamp them out.  So these War fetishists can't help but admire Trotsky a little bit. Snowball is Trotsky in the Animal Farm allegory, that's why he's a Bad Ass in-spite of the cutesy name.  

And to the extent that WWII has influenced how a lot of fiction about War has been written in the last 80 years, the (many would argue manufactured) reputation of Erwin Rommel has definitely played a role there, the honorable German General who wasn't really a Nazi.  Patton's admiration of Rommel was a plot point in his movie.

But taking being THE General of the entire Empire too literally might result in one designating this to Goring.  But Goring was actually quite bad at that job and only really kept it because he was a shrewd politician, so basically the Axis Counterpart of Douglas MacArthur.

In Code Geass the protagonist's main talent is largely being a good General, so the person literally playing The General is also his "Evil Counterpart", and over the course of the story Cornelia and Schneizel both fill that role.  Schneizel isn't entirely unsympathetic, but this aspect of The General's role is clearly much better fulfilled by Cornelia, while Schneizel is more filling the Evil Counterpart role as Lelouch's aesthetic and ideological antithesis.

For Star Wars TVTrope's desire to designate this role to someone in the Original Trilogy results in it being claimed by someone who's name most casual viewers don't remember.  In the old EU (called Legends now) Grand Admiral Thrawn is the archetypical General.

The Right Hand and the Hero's Evil Counterpart are often the same person because both are partly modeled after Darth Vader's role in Star Wars.  That naturally makes it the least "Realistic" when trying to apply these tropes to Historical Empires, but there are still some historical things I could note.

In the 60s BBC miniseries The Caesars when Tiberius makes Germanicus the "Commander and Chief in the East" and then explains his intentions to Piso the Governor of Syria.  He says he intentionally wants who actually outranks the other to be "unclear".  So whenever I see a Star Wars podcast express confusion over the actual authority Vader and Tarkin have relative to each other, I think of that scene.

The part of how The Right Hand is defined about him being outside the normal organizational structure does make me when looking at the Nazis think of applying it to Rudolf Hess (and later Martin Borrman) they were the Deputy Fuhrer of The NSDAP Party but didn't technically have a government position at all, (kind of like being the Chairman of whichever Party the sitting United States President represents).  But since everyone in a dictatorship's government is a member of the Party that does make them informally the number two figure.

Britannia in Code Geass really doesn't have a proper Right Hand.  Bismarck who TVtropes designates that I would say is more a Security Officer but also an Evil Counterpart to Suzaku (while Suzaku himself was the Evil Counterpart to Kallen).

Since the page is open to new positions being added, I think something like "The Propaganda Minister" or "The Press Secretary" or "The Spokesperson" should be added.  Since I think in order for any Fictional Evil Empire to be like any modern Governmental Regime someone ought to be filling the Joseph Goebbels role, and for a not so modern setting the equivalent role could be something like "The False Prophet".  

For Apokolips in DC Comics that would be Glorious Godfrey.  In V for Vendetta (the movie version at least) that would be Lewis Prothero.  Currently many and probably most Fictional Empires don't have one, but the same is true for The Security Officer, and none of them are entirely universal.

In Code Geass I would oddly enough say Detard plays this role at the start for Britannia but then later for Zero and in the end for Schneizel.

The Oddball is defined as usually a Mad Scientist or Dark Magician, but the inclusion of Bobba Fett suggests it's sometimes just a mercenary being hired by the government.  The page currently saying this is Suzaku's role in Britannia is pretty weird, it should be Earl Lyod Asplund.  For the Nazis this is basically Mengele and other notorious Nazi Scientists, or from the Occult perspective people like Jakob Wilhelm Hauer, Karl Maria Wiligut, Savitri Devi or Miguel Serrano.  But given how some Trope pages treat this almost as the miscellaneous position, I kind of feel you could give it to Albert Speer or Julius Streicher.

"The Man Behind The Man" is who the TVTropes page most admits to being optional.  In Code Geass V.V. fits this pretty well.  In Star Wars you could say it's The Dark Side of The Force itself (or just The Force from Kreia's perspective).  In some JRPGs with a twist the Oddball and Man Behind The Man wind up being the same like Kefka in Final Fantasy VI(III on the SNES) and Dimentio in Super Paper Mario.

With the Nazis it depends on how you view them.  If you insist on saying it's a logical end point of Capitalism then you could look at Emil Kirdof, Friedrich Flick, François Genoud and the other businessmen involved in the I.G. Farben and Krupp arrangement.  People who continue to overstate the Thule Society's role would say Rudolf von Sebottendorf.  But I kind of see this being the role of Alfred Rosenberg.

Rosenberg is the only major player of the Nazi Regime who was a member of the Party longer then Hitler.  In fact everyone else who's name you're likely to remember or I mentioned in this post already didn't join till after the Kapp Putsch failed in 1920 at the soonest.  Rosenberg however was a member several months before Hitler was joining in the same month it was founded (January 1919) and had previously worked on an Anti-Semitic newsletter with two of the party's four founders, Dietrich Eckhart and Gottfried Feder.  So it almost seems justifiable to call him the fifth founder, and thus the only founder still important when the Party actually seized power.

It was Rosenberg who introduced Hitler to the works of Houston Stewart Chamberlain, making Rosenberg a key connection to both individuals who have been called "Hitler's John The Baptist".  While his power in the Government was mostly just running some bureaucracies, he was the person who's job it was to to fully define and articulate what exactly Nazi ideology was.  It kind of feels accurate to call him the High Priest of The Third Reich.

Tuesday, June 8, 2021

Anime Seasonal Simuldubs for June 2021 so far

First here is the introductory post for this series.

https://mithrandirolorin.blogspot.com/2021/04/anime-torah-year-introduction-post.html


So I’m A Spider, So What Episode 15 was okay.  It’s interesting how SpiderChan’s story takes place at a different time period because those who reincarnated as humans still had to wait till they were teenagers in order to be able to do anything.


The second episode of 300 Slimes was pretty funny.


I tried Dragon Goes House Hunting, but it really isn’t what I’m into.


I watched the first 3 episodes of Combatants Will Be Dispatched, they were fun but I don’t know if it’ll keep my attention.


To Your Eternity is good, but it’s not a show I want to watch.


That Time I Got Reincarnated as A Slime season 2 episode 10 was kinda dark.

Saturday, June 5, 2021

Wedding Peach and Pokemon.

Two years ago I commented on this relationship in a post that now feels fairly disorganized.  Wedding Peach is in my opinion one of the most underrated Magical Girl shows, so I want to keep reminding Pokémon fans why they should check it out.

Both the Wedding Peach and Pokémon Anime were produced by a studio called OLM which stands for Oriental Light and Magic.  As far as individuals go that begins with Producers Iwata Keisuke and ShÅ«kichi Kanda.  But the creative key player was director Kunihiko Yuyama and his right hand Norihiko Sudo.  

Takeshi Shudo and Junki Takegama, two of the top Writers on the Pokémon Anime, weren't Wedding Peach alumni, but they had worked with Yuyama previously on the Minky Momo franchise.  They are probably the most important creatives working on the early Pokémon Anime who weren't involved with Wedding Peach.

Sayuri Ichiishi was a Character Designer for Pokémon and an Animator on Wedding Peach who was promoted to co-character designer for the DX OVAs.  Other important overlap would include Art Director Katsuyoshi Kanemura, Sound Director Mima Masafumi, Photography Director Motoaki Ikegami and then Norihiro Yoshikawa & Tsuyoshi Watanabe who drew backgrounds.

In recent years my revisiting of the early Pokémon Anime has frequently gone along side my enjoyment of Suede's Pokemon Journey series on YouTube.  The main differences between my opinions on Pokémon and his are that I'm less critical in general, I'm notoriously easy to please especially where Pokémon is concerned.  The second episode is a good example of one where I can't relate to any of his criticisms, I enjoy it's chaotic structure.  However the ones he considers the best are generally also ones I consider top tier, and the ones he seems to most dislike are generally ones I would not recommend as being good first impressions, at least as far as Kanto and early Orange Islands go. In one video done looking back on the Kanto era he specially talked about what he liked about early Pokémon's backgrounds and as I said above two key background artists came from Wedding Peach.

Suede particularly likes to praise Yuji Asada as a Storyboarder and Msaaki Iwane as an Animation Director, especially them as a team.  On the subject of Asada I'm envious of his ability to know enough about Animation to know specifically what to give credit to the Storyboards for, remember usually the Episode director is also who does the Storyboards.  Asada also worked on Wedding Peach, he did the Storyboards for 8 episodes the first of which was episode 3 and the last of which was the penultimate episode.  While Iwane didn't get promoted to Animation Director till somewhat deep into Pokémon, he was working as an Animator before then, and even back in Wedding Peach the episodes he worked on were usually the same ones as Yuji Asada.

Suede mostly only seems interested in naming the writer of an episode he's reviewing when it's one of the two I mentioned above who weren't from Wedding Peach.  However Yukiyoshi Ohashi is a former Wedding Peach writer who's Pokémon episodes tend to also be ones Suede likes, seemingly specifically for their writing.  On Wedding Peach it's not till episode 5 we get one he wrote, which is quicker then their Pokémon debut being episode 7.  Ohashi also wrote a lot of Macross 7 and three episodes of Cutey Honey Flash which is interesting.

However the other Wedding Peach writer to come over to Pokémon was Hideki Sonoda, and at least in the very early period of Pokémon his episodes tend to be ones Suede considers not well written, for reasons I consider understandable even if I'm not as hard on them.  However Sonoda must have gotten better because he co-wrote the 3rd movie, Spell of the Unown, which Suede and Linkara seem to like me consider the best movie by a significant margin, then he was the sole writer of the next several movies, some are better then others but I enjoy all to some degree, I don't currently know what Suede thinks of Heroes and up but I tend to favor the odd numbers all through that first decade.  Sonoda's pre Wedding Peach experience was mostly Shoujo stuff, so perhaps doing a Shonen like Pokémon was something he needed more time then other writers to adjust to.  His first Wedding Peach episode like his first Pokémon episode was the 4th.

Some other overlap between Wedding Peach and Pokémon creatives include Yoshitake Fujimoto and Toshiaki Suzuki as Directors/Storyboards, Izuma Shimura another Animator and Hisashi Kagawa who also worked on Sailor Moon.

I can understand why even some Magical Girl fans have trouble getting into Wedding Peach, it certainly starts off not seeming all that unique, in fact the way it uses wedding related Tropes can at times remind me of one of my least favorite Sailor Moon episodes, you really have to give it time to find it's footing.  Episode 6 played an important role in selling me on the show, that's twice the usual 3 episode test and still a ways from when it really gets good.

I wish the show had also been Dubbed by the same people who Dubbed Pokémon, the same voice actors at least.  I know to some people "you'd prefer 4Kids" sounds like the most offensive thing ever.  But I will take cringy censorship/localization decisions with VAs I like over a more strictly faithful script with weaker VAs any day. The Wedding Peach Dub was distributed by ADV but doesn't seem to have the same Voice Actors usually associated with old ADV Dubs either.  If the Wedding Peach Dub VAs are people I've liked in other Dubs, I wasn't able to recognize them.

Update June 2022: Suede's Pokémon Journey is gone.

I'm actually way late in making this update, given it happened not long after I made this post.  It's frustrating I was planning to make this months before I did and always planning to use Suede's series as a key reference point, and then it was suddenly gone.

Good news is he's going to try starting over in a new format. it will take over a year to redo all of the Kanto episodes I had in mind writing this, and that's IF it doesn't also get taken down.

https://www.youtube.com/c/SuedesPapermonJourney/featured

Update December 2022: There is a Torrent that should contain all the episodes now.

https://www.youtube.com/watch?v=I1ap4HGmyiA

It's also worth reminding people how episode 26 of Seude's Pokémon journey (which fortunately has a re-upload on YT at the moment) is what informed me of the Wedding Peach and Pokémon connection in the first place, I was already a fan of this obscure show so learning this connection inspired me to dig deeper.  

This episode was one of the Hideki Sonoda episodes which again Suede was pretty critical of and I'm inclined to agree that Celadon should have gotten a whole mini-arc.  It did make sense to use Erika's Gym as the opportunity to explicitly reference their prior show, it being the Girl Power Gym was already established in the Games and most Wedding Peach girls were named after Flowers, plus a literal Peach based Pokémon would probably also be a Grass Type.

Thinking about Suede and the Erika episode again has reminded me that I didn't discus the voice actor connections in this post.  I consider the behind the scenes talent more important to explaining why the Pokémon Anime was the way it was, especially given how Japanese Animation is done differently then in the west where the Voice Work is recorded after all the Animation is done.

Still the voice of Momoko, Kyoko Hikami being the voice of Erika in both her original episode and the 2017 I Choose You movie is a cool connection.  In 2017 it's safe to say few would have noticed or cared if Erika had a different voice, plus her being the only Gym leader to get a Cameo in the film was kind of random itself.  I think Kinihiko Yuyama might have been intending that film to be his swan song originally and that working with the star of Wedding Peach again may have been the whole reason Erika is even in that film.

But she's not the only Voice Actor the two shows have in common.  The two male leads of Wedding Peach are also the Japanese voices of Brock and James (Takeshi and Kojiro), and the third most prominent human male character in Wedding Peach shares a voice actor with Todd Snap (but he's perhaps most famous for being the voice of Shinichi Kudo the true form of Detective Conan).  Each of the other three Love Angels would also get to be a one off Pokémon character eventually but they took longer.  The voice of Aphrodite was eventually cast as Brock's mother Lola.  It may also interest some to know that the voice of Sailor Moon, Kotono Mitsuishi was a Wedding Peach antagonist and a few Pokémon characters.

Update March 2023: And now Suede's journey is being restored via Google Drive Links on Patreon.

https://www.patreon.com/m/87441/posts

https://www.patreon.com/m/87441/posts?filters[tag]=Pokemon

https://www.youtube.com/watch?v=6B-_p8MMRpg

Update April 2023: And it's finally up on the Internet Archive, this link leads to the first 34 episodes but more are uploaded as well.

https://archive.org/details/SPJ-Season1-Suede

Thursday, June 3, 2021

MahouShouJune Week 1, including Sailor Moon Eternal initial thoughts

Well I started my MahouShouJune Anime viewing on the first of the month by finally watching the first episode of Action Heroine Cheer Fruits.  It was not what I expected but it could be a fun show.

I watched the first episode of To Your Eternity and it was interesting, not sure I’ll watch this one to completion but I think I might know who to recommend it to.

I decided to check out the first two episodes of Mysterious Nile Girl Thutmose on YouTube, a Live Action Toei Tokusatsu Superheroine show that aired in 1991.  It’s predecessor in the Toei Fushigi Comedy Series from 1990 La Belle Fille Masquee Poitrine created by Shotaro Ishinomori I’d already watched the first two episodes of on YT sometime last year, since it’s now a well documented influence on Codename Sailor V and Sailor Moon, both the Manga and 90s Anime.

This show looks interesting, some of the Music feels like what you’d hear in a vaguely Egyptian themed Video Game level or dungeon.  And it has some special effects that feel right out of Ghostbusters. But it’s also amusing to me how when you combine the Toku Transforming Hero formula with an Egyptian theme, you definitely wind up with something that looks like you could put it in the Fawcett/DC Shazam mythos.

I then watched episode 15 of Kamikaze Kaitou Jeanne, this and Corrector Yui I'm taking my time going through.  I feel like I’d enjoy it more without the Sinbad character.  The reason I prefer this to the other 90s Magical Thief show Saint Tail is having a girl playing the Zenigata role which suits my Yuri bias.  The only thing I conceptually prefer about Saint Tail is that it has more of a Robin Hood element.

Speaking of Corrector Yui, I could not finish episode 5.  First of all I may just have to accept that I actually dislike this Dub cast.  But more so this episode’s moral quickly started feeling like the worst fake environmentalism.

The main event for this post however is that I watched both Sailor Moon Eternal movies as soon as I could on June 3rd.  They were very good, the difference between this version and SuperS is night and day.  Everything frustrating about the 90s Anime version is gone.  Yet I still can’t help but feel like this version could have benefited from at least a half hour or so more runtime.

The Dub while having the same cast as all the prior Viz Dub content was approached differently.  Now they’re including Honorifics, which is generally my preference, but seeing them suddenly included here after all of Crystal not using them felt a little jarring.

Wednesday, June 2, 2021

Sailor Moon seems to have originated the Toast of Tardiness trope.

That I seem to be the first person to propose this theory is interesting.  Because AniTubers putting together montages of famous examples of this trope in videos mostly about something else seem to know they can’t find an older example, if there is one it must be some super obscure old High School Anime forgotten by everyone but someone working on the 90s Sailor Moon Anime, and thus Sailor Moon was still clearly what popularized it.

The origins of this Trope is worth investigating since it’s actually NOT accurate to real world Japan.  In Japan, even casually walking while eating is considered Taboo because it’s disrespectful to the Labor put into producing it.  I learned about this interesting fact from reading the article linked below this paragraph.  Some things are common in Anime precisely because their Taboo in real life, but this is an oddly specific thing to be rebellious about, so there must be more to it.

https://honeysanime.com/editorial-tuesday-anime-and-real-life-running-with-a-slice-of-toast-in-their-mouth/

Project A-Ko does feature the lead running to school late, and shows her eating some food earlier, but not at the same time.  So maybe it played a role in inspiring this visual, but it’s not fully formed.

Here’s the thing I find interesting.  Every example of this cliché since the Spring of 1993 has either been in a pilot episode, or a parody of what a Generic High School Anime pilot looks like (such as it’s use in the finale of Neon Genesis Evangelion), or both at the same time like Attack on Titan Jr High.  But for Sailor Moon it’s not originally a pilot trope, it’s in no version of Usagi’s origin story, not the Manga or the 92 Anime Pilot or Crystal’s.

In Sailor Moon we first see this happen in episode 39 Let’s Become a Princess: Usagi’s Bizarre Training, which in the DiC Dub was episode 37 and titled Little Miss Manners, written by Shigeru Yanagawa and directed by Hiromichi Matano.  This gag actually bookends the episode appearing at both the beginning and end.  

However a few months later the first episode of Sailor Moon R, the beginning of the Doom Tree Saga, and episode 47 of the show total (41 of the DiC order), is very much a reboot, it’s like a new pilot repeating many beats of the original pilot.  But now the running late with Toast in Mouth is added, being a visual that must have stuck with someone after seeing it in the Princess episode.  

This episode was named Moon Returns: The Mysterious Aliens Appear and by DiC The Return of Sailor Moon.  It was written by Shigeru Yanagawa and directed by Kazuhisa Takenouchi (it would be this exact same combo who would end the Doom Tree Saga).  So the common denominator here is Shigeru Yanagawa.

Given that homevideo was only starting to take off in the early 90s, it wouldn’t surprise me if for a while after that episode aired in 93 many people misremembered this visual as having also been in Sailor Moon’s pilot, like an Otaku Mandela Effect.  And in turn influenced what High School Anime pilots are “supposed” to be like in their collective subconscious.

I consider this an interesting example of how Sailor Moon has been an influence beyond just the Genre she started or Shoujo in general.

Another example would be how many Teachers in Anime are basically just Miss Haruna, like Miss Yukari in Azumanga Daioh and Mis Kuroi in Lucky Star.

Or heck even Noir which uses it’s Golden Pocket Watch with an Iconic sentimental Melody near the end in exactly the same way, and by a Blond character voiced by the same Seiyu in Japan.

Tuesday, June 1, 2021

Mahou Shoujo is the most important Genre in all of Anime

If there is a thesis to what I will be doing for MahouShouJune 2021 it’s that statement.  I don’t expect to prove it beyond any reasonable doubt, but superficial arguments will be made.

The reason I feel this way is because I feel a lot of Anime that do not fit even one element of the technical definition of being a Magical Girl Warrior show, are kind of just trying to do the same thing but with different tools.  Like 50% of Trixie’s old “Otaku Hero’s Journey” premise was basically the same as the Magical Girl’s Journey.

People half jokingly sometimes say they want to see a Magical Boy Anime.  But the thing is I would argue your standard male Anime protagonist is often basically a Magical Girl protagonist simply not a girl, and sometimes not Magical.  We even see it in some of Japan’s Live Action media considered related to Anime in it’s appeal.  The protagonist of Kamen Rider Fourze is basically a Pretty Cure protagonist but male.

And that’s part of why what qualifies as this genre is so often debated.  It’s precisely because I know how to see the Mahou Shoujo influence everywhere that I am, It seems, more pedantic than most about what I will actually classify as a Magical Girl show.  

Utena is a show most Magical Girl fans will probably also like, but it doesn’t count as one.  Kill la Kill’s reasons for why it doesn’t count are virtually the opposite of Utena’s.  And when I once tried to explain that if all it took was having a “girl” who is in some way “magical” then you could technically count Slayers as an obvious absurdity, someone told me they do count Slayers, and at that point I lost all hope.

A lot of the time the argument for something like Utena qualifying on more than just a Technicality is that it appeals to the same people for similar thematic reasons.  But to me all Anime has a similar appeal.  Every Anime that I significantly like, I on some level like for at least one of the same reasons I like the Magical Girl genre.

Basically if any male Otaku who insists the Magical Girl Genre has no appeal to them still exist, they’re going to have to face the fact that the Anime they do like has been directly or indirectly influenced by Mahou Shoujo.  Because the great pillars of 21st century Seinen Anime are clearly the product of people who were watching Shoujo in the 90s.