Showing posts with label Final Fantasy. Show all posts
Showing posts with label Final Fantasy. Show all posts

Monday, December 8, 2025

Fantasy and Science Fiction

I’ve made a few posts on this blog before the line between Fantasy and Science Fiction and stores that straddle that line.

But I’ve recently come to a final conclusion about how to define these genres that is important.

Science Fiction is defined by what can’t happen in it far more than Fantasy is.  Because the point of Science Fiction is to try and stay theoretically scientifically possible no matter how out there it gets. The supernatural can never unambiguously happen in Sci-Fi. 

But it goes beyond just what literal things can and can’t exist in the universe, there are certain kinds of stories that at their core are Fantasy stories no matter how Futuristic or Scientific you try to make the setting. A Sci-Fi story would never begin with “Once Upon a Time” or something analogous to that. 

Fantasy meanwhile is defined by its lack of limits, anything you can fantasize about can be Fantasy. That’s why I once argued that Sci-Fi can be in its entirety viewed as a subgenre of Fantasy, from a certain point of view. 

However nothing that is at its core a Fantasy story can become Sci-Fi by draping itself in cosmetically Sci-Fi elements like space ships and lasers.  One thing some stories want to do is start as Fantasy but reveal it all to have been Scientific later, but that simply doesn't work, once I see a story as Fantasy no amount of Technobabble can handwave it away. 

And that once again brings us to Star Wars, the most contentious franchise in this debate. 

The Midichlorenes do not make The Force scientific enough to qualify as Sci-Fi, they tie this fundamentally mystical concept to Nature in a way no different then how The Lifestream works in Final Fantasy VII, or Magic Circuits in Fate/.

But what’s really funny is when the Prequel Haters who hate the Midichlorenes for allegedly demystifying The Force also want Star Wars to be allowed to qualify as Sci-Fi.  They fail to see how their interests conflict. 

The people who really want to be allowed to classify Star Wars as Science Fiction are basically insulting Fantasy as a genre, because it’s clear however much they don’t want to outright say it, that this comes from a palace of viewing Sci-Fi as more respectable. 

And it says something about the modern world that in this unique case the younger Genre is viewed as the more respectable one, by some people at least.  Science Fiction as a distinct genre begins with Mary Shelly’s Frankenstein at the absolute earliest. Fantasy meanwhile is the oldest genre there is, The Epic of Gilgamesh, The Mahabharata and Ramayana, the Iliad and the Odyssey, Beowulf and the Eddas, the Mabinogion, the Shahnameh, 1001 Arabian Knights, medieval Arthurian and Grail Romances.  All of them are Fantasy stories in a modern genre classification context. 

Andor is the one piece of Star Wars media that feels like it could count as Sci-Fi if only it weren’t in the same Universe as all that Force stuff. And sadly I think that’s a factor in why it’s the closest to universally praised any Disney Era Star Wars project has been. I liked Andor well enough but do consider it overrated, I’d rather have more stuff like Ahsoka and The Acolyte which actually delve into Force Lore. 

So the gist of what I'm saying is, everything that straddles the line will by default be Fantasy. 

But there is a respect for Authorial intent I'm including how I apply that rule.  If the intend is clearly to be purely Scientific but what they failed to hold up to scientific scrutiny I will still classify it based on the intent rather then the success.  This is what keeps Star Trek Sci-Fi in spite of all the entities that are basically gods but who we're supposed to understand as "highly evolved" aliens. To me that trope is bad Sci-Fi but still Sci-Fi. 

Thursday, October 2, 2025

Low Church Fantasy

I’ve noticed a trend lately of YouTube videos analyzing how fictional religions in Fantasy settings often don’t feel authentic to how real Regions function, including one focusing specifically on the lack of Schisms. 

So I want to talk about something that perhaps only I care about.

Fantasy religions Aesthetically based on Christianity are always specifically based on High Church Christianity, usually quite specifically Roman Catholicism. More disorganized local spirituality in Fantasy stories are usually more inspired by Animist polytheism like you’d see from Indigenous Tribes of North America or the Sami or local Shintoism. 

This probably has to do with the simplified understanding of Christian History where there is no Protestantism till the Middle Ages are over so therefore it’s assumed Baptist or Quaker inspired communities would be out of place in a Medieval Europe inspired Fantasy Setting.  

However I have seen plenty of Fantasy settings that extend their real word inspirations into the Renaissance, Enlightenment or even Victorian period. Like all those Otome Villainess settings, or really any with a Magic Academy element.

But besides that Medieval Proto-Protestants of different kinds did exist, most relevant here would be the Waldenses/Waldensians. Talking about the Waldenses as Low Church Proto-Protestants is made more controversial than it should be because of how they factor into the imagined revisionist histories proposed by Landmarkists.  I do not believe in the core Doctrine that often lies behind Baptist Successionism theories (that being in the “True Church” requires an unbroken chain of Believers Baptism back to the Disciples), so whether or not there is direct continuity between the Waldenses and 15th Century Anabaptists doesn’t concern me. However I am convinced there is plenty of solid evidence that many Waldenses (they were probably not always all the same) were Credo-Baptists who practiced Congregational Polity. 

There's also the Lollards from English History, some of them were more Low Church then the others, Wycliff himself was certainly not a Credo-Baptist but I think some later Lollards did come to that conclusion.

But also Medieval Europe inspired Fantasy sometimes is unlike real Medieval Europe in more ways then just the Supernatural stuff. Just look at all those Fantasy Anime with Chattel Slavery as part of the setting. So who cares about the precedent, I want Fantasy Baptists. 

George MacDonald was a Congregationalist Minister who was a huge player in the origins of the Fantasy Genre being a cited influence on both C.S. Lewis and Tolkien.  The way Goblins tend to be depicted in Fantasy began with him and he also arguably wrote the first Isekai. Unfortunately his influence was filtered through a Catholic and an Anglican. His position on Church Polity is not the deviation from the Established Church of England MacDonald is most well known for, and indeed Universal Salvation is also something I’d like to see in the Fantasy Genre more often.

The major impact this could have on both the Mechanics and Lore of a Fantasy Setting is the question of Apostolic Succession.  

High Church denominations believe the Spiritual Authority Jesus gave the Apostles is only truly inherited by the Clergy, while Low Church Christians believe strongly in the Priesthood of All Believers.  Today most major Baptist denominations are Secessionist on the question of the Spiritual Gifts meaning they believe the more explicitly supernatural manifestations of that authority don’t really happen anymore. However most Pentecostal and Charismatic denominations are also Low Church in form, and the Quakers have their Inner Light doctrine. 

So you could easily still have your Catholic Church like institution be the one wielding the most political power in Society, seeking to restrict the knowledge and use of Healing Magic (and other forms of what a Final Fantasy player would call White Magic) to the Clergy, even having most Adventurer Guilds refuse to give proper Healer licenses to anyone not properly ordained.  While the Low Church Schismatics are teaching that such powers can be called upon by anyone who has Faith. 

People also criticize how passively Pro Monarchy the Fantasy Genre often seems. Well I’ve written before about how Congregationists were the harbingers of modern Democracy and Socialism, so perhaps having some Low Church Schismatics is also how to bring about a Revolution in a Fantasy World?

Baptists and Quakers also have a long history of opposing Slavery, the Southern Baptist Convention were the exception not the general rule, John Brown was a Congregationalist and Nat Turner a Baptist. A Fantasy story inspired by the history of The Baptist War in Jamaica could be interesting. 

Update May 17th 2026: I've recently learned that contrary to what I'd long assumed contemporary Japan has more Protestants then Catholics. 

This completely recontextualized the matter of why most Anime  seem like they don't know non Catholic forms of Christianity exist. And the main exceptions are specifically depicting the Anglicanism of England. 

And it means that the people who write the Web novels that become Light Novels that become Manga that become modern Fantasy Anime really should broaden their horizons. Tokyo has Baptists and Presbyterians and a Non Church Movement. They do have a frame of reference for what Low Church Christianity looks like. 

Catholics get more respect because they've been there longer. But so much else in Anime is the product of post Meiji Westernization, it's time Christianity in Anime reflected that too. 

Thursday, November 21, 2024

Characters I interpret as Ace

This is not a complete list of every character in works I’m into that can be interpreted as Asexual and/or Aromantic.  They are characters I have a particular interest in interpreting this way, and largely came to this interpretation on my own before seeing any evidence that anyone else had also interpreted them as Ace.

I’m not Ace myself and so none of this is driven by a desire to see myself in these characters and in fact some of what I say may unwittingly reflect my own lack of understanding of Aceness.

Being Ace is a nuanced identity, besides the Sexual/Romantic distinction many make, there are some who wind up in sexual or romantic relationships in spite of identifying as Ace.  So some of these may be characters who the Canon gives a partner eventually but that doesn't invalidate my reading.  Some may even be characters who I myself also Ship with another character, but Shipping to me is not inherently Sexual or even always Romantic, it’s ultimately about liking the chemistry between two characters and wanting to see more of them together.

So I’m not even going to clarify whether I think a given character is Asexual or Aromantic or both as I’m not even sure I understand the line between them.

Cassandra Cain/Batgirl:  Since Batman is my oldest Fandom I figured I should start with the Bat Family member on that list. My direct experience with this character is limited, mostly Comics after she was no longer Mute but before Infinite Crisis, and even within that time frame is by no means complete.  But she does show a lack of interest in Romance.  

She is the main reason for one of my above clarifications since I’m also a StephCass shipper, but how I view Steph’s orientation isn't solely defined by this Ship either.

Terra Branford: A good deal of her early game dialogue is about being unaffected by the flirting of the charming male character and feelings like she lacks something because of it.  She’s from Final Fantasy VI originally released in the US on the SNES as Final Fantasy III.

Paul of Tarsus: Is not a Fictional Character but I wanted to cover him here anyway. Much of my efforts to debunk Puritan and Ascetic readings of the New Testament involves stressing how in 1 Corinthians 7 Paul expresses hesitance to even talk on this subject and clearly says he’s NOT speaking with the Apostolic Authority he is on other issues. The fact is he clearly has a lack of ability to even relate to the desires that most people have.

Rei Hino/Sailor Mars in the Manga/Crystal:  Rei in the Manga canon is quite adamant about her lack of interest in men.  And as someone more sympathetic to the Manga fans complaints about the 90s Anime then most it still bugs me when they default to framing how Rei was changed as Straight Washing a Lesbian.   Rei’s wording it as not interested in “Men” does not mean she is interested in women, we live in a Heteronormative society where often the default way to express a lack of interest in Romance is to say you're uninterested in the other Sex. 

Anri Sonohara: There is a lot made in Durarara!! about her inability to Love in a traditionally romantic sense.  Made all the more awkward by her being bonded with a sentient magical Yandere Katana.

Akito Yamada: It’s particularly awkward when you are coming to an Ace reading of a Romantic Lead in a Romantic Anime, and one example of that happening to me is with the title character of My Love Story with Yamada-Kun at Lv999.  This character very heavily comes off as Asexual and the knowledge that the genre setup sees that as an issue he needs to overcome is frustrating.  

Yuu Koito: Bloom Into You is one of the most beloved Yuri Anime of the last decade, yet the Asexual vibes of its protagonist are just as thick.  Yuu isn’t the only possible Ace character in this show however. Seji Maki is definitely Ace, and there is the scene where he distinguishes his lack of interest in Romance from Yuu’s, but I don’t really think that means only one of them can qualify as Ace.

Ai Amatsu: Injuu Seisen is a Hentai series, so this might be the most baffling of all, how can I argue a Hentai character is Asexual?  Well the story involves evil Lust Demons as you might expect, and Ai seems almost completely immune to their lust inducing powers.  Now you might think that’s simply because of her own super power as one of the Twin Heroines of this series.  But her sister Mai who has the same magical gifts is absolutely NOT so immune, she is very very horny actually.

Monday, October 14, 2024

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town?

Is the name of a Winter 2021 Fantasy Anime I haven’t watched.  I recall trying to but didn’t finish even the first episode.

However I can’t stop thinking about the title.  The implication of that title is that ‘Starter Town” is functionally synonymous with being a bustling Urban Metropolis and what I recall of the first episode confirms that.

So it confuses me because these LN based Fantasy Anime are operating on a very Meta level, the title implies that because its audience would expect it to be the norm.

But my general experience with the Fantasy Genre is the opposite, the Hero’s Journey usually starts in the Boonies, from The Hobbit and LOTR starting in The Shire to Luke Skywalker growing up on a farm far from the big city on an outer rim planet to Pokémon starting in Pallet Town (which in the Games and Anime seems smaller then it’s real world inspiration) to even Zelda usually starting Link off in some obscure settlement like Kokori Forest, Outset Island or Ordon Village.

But only one of those fits all the requirements for counting as a JRPG and even it is an edge case. 

In Japan the by far most popular JRPG franchise is Dragon Quest with Dragon Quest III specifically being the main blueprint for what most of these Japanese Gamers would think of as a standard RPG formula.  And indeed that adventure does start in the Castle Town where the King lives.

Even the original Final Fantasy also has the first city you visit be the Royal Capital of a Kingdom.  And VII starts in Midgar.

In the Mairo RPGs Mario’s house seems not to be in any town but located very close to Toad Town where Peach’s Castle is located.  The Thousand Year Door starts in Rogueport, a Mos Eisley style port city.

I also notice in Anime about playing MMORPGs you usually spawn in what seems like an Urban Center so that meeting up with other players can be done conveniently.  

And I think that is why RPGs so often depart from the Tolkien set precedent.  RPGs are a kind of game where the Multiplayer form is the original and the Single Player form came later.  The Quest needs to start in a place where players from diverse backgrounds can believably happen to meet up and form a party, like the opening premise of the Anime Ningen Fushin.

The association of the Last Dungeon with the Boonies I still don't get though.

Update December 22nd 2024: Well I have watched it now.

It doesn't really confirm or deny the thesis I originally made this post for. 

The central Meta Gamer Logic Joke is that this MC comes form a late game area and so is overpowered in this early game area without realizing it because in these "boonies" the the most common monsters are stronger then early game bosses.

In a typical RPG you will reach a point where even the lowest Mooks you do battle with technically now have higher states then Bosses you fought early on.  For example in Super Mario RPG the Gu Goombas of Bowser's Keep are stronger then the Hammer Bros of Mushroom Way.  But because the player has leveled up along the way they feel just as easy to one hit KO as regular Goombas.

Update October 2025: I think I do fully get what the title is going for now. 

It's taking the common cultural perception that people who grow up in rural areas are probably tougher then city folk because they grew up in a harsher environment living a more labor intensive lifestyle.   And mapping that neatly onto those RPG conventions I talked about above. 

Thursday, January 18, 2024

Nintendo was right to stick with Cartridges for the Fifth Generation

So many YouTube videos on gaming history still repeat the old conventional wisdom that Nintendo’s refusal to jump to CDs right away was one of the greatest blunders of all time.  And I’m tired of it.

No one denies that Nintendo 64 Games like Super Mario 64 and The Legend of Zelda: Ocarina of Time were the key groundbreaking developments of true fully 3D Gaming.  The original PlayStation and Sega Saturn never made a fully 3D game like those.  And what is more well known to non industry insiders now than it used to be is that if Nintendo had jumped to CDs that console Generation they would not have been able to make those games for it.  So many 3rd Parties wanted the CDs because they wanted FMVs and less limited audio options, but there was a trade off for that which fans and journalists didn’t understand at the time.  Nintendo then like now prioritized actual innovation in how Games are played over flashy cosmetic things that look cool in a trailer.  

And the thing about Final Fantasy VII is that the FMVs are exactly the part of the game that visually hasn’t aged well.  Most of the time I find these failed attempts at “cinematic” animation ugly and would much rather have watched those scenes play out with the charming 32 bit models.  The only one that works is the opening Cinematic, but it’s so minimalist compared to the others that when I look at CutScenes in N64 Games like Jet Force Gemini and Majora’s Mask I see no reason the same scene couldn’t have been done on it.

And another thing, the Sony PlayStation launched in 1994, it was on North American store shelves in September of 95.  Yet the great Iconic PlayStation games didn't start coming out till 1997.  It took seeing Nintendo break 3D ground in the spring of 96 for them to even start tapping their own inferior console’s full potential.

Yet still so many of those 97 PlayStation Games do nothing in the actual game play that couldn’t be done on the N64, in fact I see little that couldn’t be done on the SNES.

And it’s not like only Nintendo themselves could make great games for the N64.  Rare had a slew of Classics.  And then look at what Star Wars did on the Console, Shadows of The Empire, Rogue Squadron and Pod Racer.  George Lucas had a similar innovation over superficiality spirit to Nintendo so it makes sense his IPs were among the few licensed games on the N64.

The FFVII we got was a great game, but it could have been so much better on the N64.

By the next gen things had advanced enough so using CDs wouldn't hold Nintendo back mechanically anymore. 

Environmentalist Allegories in Sci-Fi and Fantasy have a common recurring problem

From Final Fantasy VII in 1997 to Darling in The Franxx in 2018, but also in between many interpretations of how and why Krypton blew up.  The common tactic is to allegorize it so it’s that Humanity or the Evil Corporations are killing the Earth via what they take out of it, essentially being Parasites who are Vampirizing The Earth.  

That is a problem because the actual issue with real life Climate Change is the opposite, the Fossil Fuels themselves are just Ancient Prehistoric Garbage in and of itself removing them from the earth isn’t a problem.  The problem is how the Atmosphere is poisoned by the byproduct of burning those fuels.  The primary issue is what we’re putting in, not what we're taking out.

Now I don’t think a good Allegory needs to be a perfect 1 to 1 allegory, my opinion on allegory in general is similar to Tolkien’s.  For example in a JRPG type setting having the energy source also be a source of Magic makes perfect sense.

So you may wonder what the problem even is?  The problem is getting the nature of how we are harming the planet reversed makes it a lot harder to propose any useful solutions, since both scenarios also have it so we need to do more than just stop, we also need to fix the damage already done somehow.

The truth is something like The Lifestream to me would make a better allegory for the renewable energies we want to encourage. On a Metaphysical level I have trouble believing something like that could ever be depleted.

It’s not a coincidence that this mistake is made so many times however.  It’s a product of the desire to tie environmentalism to mysticism, making The Earth itself a Deity we are taking from and not giving back to.  But also way back in the day the issue of CO2 emissions caused by Fossil Fuels wasn’t even the original main concern of the Environmentalist movement, it first grew out of Conservationism, concerns about things like Deforestation.  The thing is as bad as Deforestation can be, it's not the irreversible damage that CO2 emissions are becoming, it does make that problem worse, but it isn't the main source.  [Update:  I do believe Reforestation is a vital part of combating Climate Change which is why it really annoys me when Anti-Zionists try to paint Israel Reforestation of land Deforested by the Roman, Muslim and Ottoman Empire.]

The Irony about how these tropes pop up even in Japanese media is that I feel it would actually fit Japanese Mysticism more.to make it a matter of poisoning the Life Force of The Planet rather than Vampirising it.  Shinto mysticism includes a concept called Kagere, direct references to which in Anime often get translated as "Sullied".  The concept of a spiritual pollution tied to immoral or even merely taboo acts or sometimes just negative emotions.  Plenty of Anime and Video Games have concepts that definitely feel to me like a fantastical adaptation of that concept given a new name, Miasma gets used a lot, the recent Zelda Games have Malice/Gloom, Tales of Zestiria has Maleficence, Fate/Stay Night has it's Grail Mud.  Now I consider this concept an unhealthy and toxic way to look at morality, but as a Fantastical allegory for CO2 emissions I think it would be much better.  Make it the source of your Dark Magic and the Planet’s Life Force the source of the regular Magic.

Another thing both FFVII and Franxx have in common is that in the backstory actual Fossil Fuels had been the dominant form of energy production before the villains of the story succeeded in imposing their system on the world.   And that is where the concerns I’m talking about here are parallel to the main point of my blog post titled Dystopian Science Fiction only Reinforces the Real World Status Quo.  Making your allegory for fossil fuels something that replaced what it's an allegory for makes it so many won’t see it as an allegory for that at all.  Fears that what we might replace Fossil Fuels with could turn out to be worse have long been a vital tactic of how Fossil Fuel Energy companies suppress alternatives, Nuclear Energy never took off in the United States because shows like The Simpsons present it as cartoonishly toxic and dangerous.

I imagine critics of the Compilation of Final Fantasy VII who come at it from a Leftist perspective see all the stuff about rebuilding the Fossil Fuel Industry in stories set after the original game as Recuperation, but that an Oil Industry being suppressed by ShinRa helped cause the crisis was part of the Lore already in the original game, that wasn’t something added later.

Both these stories I actually like overall, I defended the later part of Franxx in 2018 when doing so was not very popular, and FFVII’s lore intrigues me for how it can intentionally or not be read as Stoic and how I think it’s thematically more like Tolkien then any Medieval setting JRPG.  This is just one critique I felt had to be made.

Sunday, July 2, 2023

JRPGs as a concept are an American Misconception.

Years ago I watched an Extra Credits video on YouTube about JRPGs and Western RPGS and I always considered it a fairly bad video but now that I know so much more about the history of RPGs I realize their first mistake was conceding the very idea of JRPGs as being a thing in the first place.

I'm not arguing there are no differences between RPGs in the West and RPGs made in Japan caused by distinct cultural differences.  But they are the same as how every genre and medium of story telling seems different in Japan.  The only other one where the Japanese version is virtually treated as a completely different thing is Animation aka Anime.  In that case though it is increasingly well understood now that what we think of when we hear the word "Anime" is principally certain kinds of Anime that even in Japan are actually a niche interest.

When you look at the history of Japanese RPG Video Games that either never got localized, or even if they were were never as popular over here as they were in Japan, or if they did get popular over here were popular in a way that kind of compartmentalized them from other RPGs in how pop culture thinks about them.  You'll realize that what American Gamers first think of when we think of JRPGs is really much more specifically Squarsoft Games of the SNES and PS1 (and not even all of them really), Final Fantasy, Chrono Trigger, the SaGa series, Super Mario RPG ect.  Just look at that old College Humor Video parodying JRPGs, every specific game it will make you think of is Square, it's story is mostly a Parody of FF7's plot with visuals taken from Final Fantasy Tactics and Mario RPG.

The main example for that third situation is Pokémon.  I saw a Twitter argument sometime last year where some people were getting annoyed at other people not counting Pokémon as a JRPG.  And yeah Pokémon officially is one, but it's just as different from our standard perception of a JRPG as any Western RPG is.  When you compare the first Gen Pokémon games to prior Game Boy RPGs mechanically and visually it kind of is a natural development, but Game Boy RPGs were never the foundation of how JRPGs were defined, even series that started there gained their true notoriety when promoted to home consoles.

Recently I was watching YouTube videos about NES and SNES Video Games that were officially licensed Dungeons & Dragons games.  And in one the person making the video talked about not liking pseudo 3D first person Dungeon Crawlers but referred to that as being specifically a characteristic of Western RPGs in contrast to "what they do in Japan", but I'm well aware that there are plenty of Japanese RPGs that also do that.  I also dislike that kind of dungeon gameplay, but since I have such a unique history with how I learned about RPGs I never thought of it as something you'd go to Japan to get away from because my first experience with being annoyed by it was Phantasy Star for the Sega Master System, and then learning the Megami Tensei games also did that is why I never tried to play any of them.

In Japan DragonQuest is the most popular RPG franchise, it doesn't just edge out Final Fantasy it dwarfs Final Fantasy.  And there is one Trope we Americans associate with JRPGs that DragonQuest has pretty much been the exact opposite on.  The Killing God or God being Evil trope is mostly a Square and Atlus thing, in DragonQuest God is usually The Goddess and pretty benevolent.  And that is a more accurate reflection of general Japanese Spirituality where Amaterasu is arguably the centerpiece of the Shinto Pantheon.  However back in the 2000s when edgy Atheism was still the trendy thing in Online Culture the Megami Tensei and FF Tactics approach was what American internet Nerds latched onto.  The subject of Goddess Worship in Japanese Media is something I may have to go deeper into someday.

DragonQuest so thoroughly dwarfs everything else in Japan that every Manga or Light Novel or Anime set in a "generic RPG setting" is very clearly using specifically DragonQuest III as the model.  And secretly I think that's the key to why so many American Weebs be hating on these shows.  The reasons they say they don't like them I think are a little disingenuous, the truth is these American Gamers would much rather be Isekaied to a discount Final Fantasy.  Hell I personally would love an Anime set in a world modeled after SaGa Frontier.

But as is the Anime I would recommend to Final Fantasy fans are more Anime that were an influence on Final Fantasy rather then the other way around.  These include Ghibli films like Nausica of The Valley of The Wind and Castle in The Sky.  And I feel like I'm the only person who notices that Sephiroth's character design was clearly inspired by Kunzite from Sailor Moon.

But going back to that Extra Credits video, their main thesis was that JRPGs are not really the same genre but some coincidental independent development.  And that ignores how Western RPGs were and still are played in Japan, specifically the Ultima Series was a very well documented influence on early DragonQuest and early Final Fantasy as was Wizardry.  The RPG is a Western concept in origin including the Role Playing Video Game specifically, that Japanese Gaming Culture made several different distinctly Japanese variations on, but only one of those was ever popular enough in America during the formative years of Gamer Culture to really define how American Gamers stereotype Japanese RPGs.

Update: On Mastadon this interesting conversation was brought to my attention.

On Second Thought The Eminence in Shadow might qualify as a more Final Fantasy Esque Isekai.  It's resemblance to "Magic Academy" Anime breeds a similarity to Final Fantasy VIII, and then there's the very concept of a prominent background character named Cid.

Monday, June 26, 2023

Magic Academy Light Novels/Anime owe nothing to Harry Potter.

I know that sounds absurd at first, but it really isn't.  

Otaku Media is a niche subculture in Japan, and their relationship with taking influence from the west is complicated. In the formative years of the subculture in the 70s and 80s a lot clearly was taken and that's why Star Wars and Superman references never feel out of place in Anime.  But by the late 90s the culture started becoming increasingly insular, the thing Miyazaki said that got mistranslated and misquoted as "Anime was a Mistake" was all about how annoyed he is at modern Anime refusing to be influenced by stuff other then prior Anime.

Harry Potter did not invent the concept of fantastical magic themed Schools or using one as the setting for a Fantasy story.  Western Fantasy Novels with such a concept can be traced back to the 50s.  The late 90s saw an increase in such concepts because using even normal school as a setting only became it's own genre in the prior decade.

But since some of these Magic Academy Anime are technically not Magic at all but nominally some sort of SciFi ability, I could add the X-Men comics to the list of things that were kinda this Genre long before Harry Potter.

The one Anime that I do view as maybe explicitly Harry Potter influenced I like is, Little Witch Academia, but maybe not even LWA since two of the Pre-Potter magic School franchises from that video were about specially All Female Witch Schools.  Still LWA is distinct from the Light Novel trend I'm principally talking about.

My agenda here is NOT about trying to destroy the legacy of Harry Potter because of the now exposed bigotry of She-Who-Shall-Not-Be-Named.  I'm not even a fan of this genre of Anime, I've yet to get through a full cour of a single show where this is it's main genre.  However I will recommend while on that subject Chivalry of a Failed Knight since it has an explicit Trans character. 

Rather the agenda of mine this post does fit into is my desire to draw attention to how much modern Anime has it's roots in a lot of obscure forgotten 90s Media that was popular within this subculture in Japan but didn't get localized for the West or directly adapted into Anime till 10-20 years later if at all.  Like YU-NO: A Girl Who Chants Love at The Bound of This World.  

And while I still am far from an expert on that subject I've already found one such piece of hidden Otaku Media that is in fact a Magic School setting before Harry Potter.  Lunar: Sanposuru Gakuen (Lunar: Walking School) released in Japan in January of 1996, almost a year and a half before the first Harry Potter book was published.  This instalment didn't get a Western Release but it was part of an already popular series.

Even before that there was a Shoujo Manga/Anime series called Akazukin Chaka.

However these kinds of hidden pieces of the puzzle of Anime History are not of interest to Mother's Basement when he makes multiple videos on this genre calling them "Anime Harry Potter knockoffs" for clicks.  He's even aware of the differences like the Academy and Magic's existence not being an in-universe secret, and the lack of anything like the house sorting system.

However there is another piece of this puzzle that even these more Normie observers of Anime have less of an excuse to have missed.  Final Fantasy VIII released in February of 1999 but was in production already before Final Fantasy VII was even fully released yet and thus also before Harry Potter.  And just look at it's early Cut Scenes.  It's a Fantastical Academy and the unforms are clearly way more similar to what we've come to expect from LN based Magic Academy Anime then the more generic Harry Potter robes.  

Meanwhile the Japanese Translation of the first Harry Potter book wasn't published till December of 1999, Final Fantasy VIII was almost a full year earlier.

Update July 30th:  Low and behold like right after I made this Reign of The Seven Spellblades starts airing, a show seemingly calculated to make this post age poorly.  But it really only proves my point more, that's what Anime actively trying to evoke Harry Potter looks like, it exposes how not like HP at all the swarm of shows preceding it truly are, all while still managing to be better then Harry Potter in the way only an Anime version of it's premise could be.

Saturday, June 24, 2023

Wedding Peach had an All Star writing staff

[Update December 8th: I'm now worried the entire premise of this past was based on misinformation.  Regarding Terada's perceived connection to Zelda]

Thursday, April 21, 2022

Gnosticism in Anime and Video Games

TVTropes has a page called UsefulNotes/Gnosticism where it talks about Gnosticism and then lists examples of fictional stories that were or are thought to be influenced by Gnosticism.

As an Amateur Christian Theologian, I think it's a problem how often Gnosticism is defined based on it's mythological archetypes rather then the actual Philosophical/Metaphysical point.  If your view of the After Life is an intangible spirit realm where we are free of the confines of the Carnal Material World, you're a Gnostic no matter how Orthodox, Nicene and Trinitarian your Theology and Christology is.

One question that is particularly relevant to the accuracy of calling some of these fictional cosmologies Gnostic is, can you be Gnostic but not even nominally Christian?  According to Religion for Breakfast no one called themselves Gnostics in antiquity, and all the known specific groups we call Gnostics were Christian sects who identified each of these Gnostic Mythological archetypes with at least one person or concept in The Bible or some other Judeo-Christian source.  

However they are also the result of these Christians being influenced by older gentile ideas that in my opinion Christians shouldn't have allowed to influence them, Neopythagoreanism, Middle Platonism, Hermeticism, Hellenistic Mystery Religions and since they mostly started in Alexandria aspects of native Egyptian Mythology and Mysticism (thing is the "Proto-Orthodox" were also being influenced by at least the first two of those during this time period, simply to different degrees or in different ways.  The difference between whether you were called a Heretic or not was chiefly rejecting a Bodily Resurrection).  So you take the mythological archetypes that comes from those influences but subtract the explicitly Christian stuff, and you get a framework that can be compared to a number of fictional Fantasy/Sci-Fi cosmologies.

But going back to my distinction between Gnostic Mythology and the actual point of Gnosticism.  I don't think any currently existing "developed" culture is less inclined to sympathize with the point of Gnosticism then Japan.  Shinto Mysticism I actually view as fairly compatible with Stoic Metaphysics, and Stoicism was I'd say antithetical to all of the Non-Christian antecedents of Gnosticism, even if by the second century they were using a lot of the exact same Greek key words and phrases.

And so when I look at a lot of the Anime or other Otaku Media that has been or can be argued to resemble Gnostic mythology, I kind of feel like they're using the Gnostic Mythological framework to convey the exact opposite attitude.  

This is most explicit in SSSS.Gridman where the Sophia figure is trapped in an Idealized Platonic World of Forms and the Carnal Physical Real World is what she needs to return to.  But I think on some level the same is true of the use of Gnostic or Gnostic adjacent ideas in classics like Serial Experiments Lain or Revolutionary Girl Utena.  

I would not apply a Gnostic reading of any kind to most Isekai however, in modern Isekai the other world is just as much of a carnal/material world as ours, it's the culture being different that makes it often a world the Otaku/Neet protagonist feels more at home in then Modern Japan.  Sword Art Online does sometimes feel like it's making Gnostic Mythological references, but that isn't proper Isekai.

But in the case of Final Fantasy VII (and perhaps then every FF that's been argued to be Gnostic) I go back to what I said before about the Stoics and Gnostics being antithetical even in their use of a lot of the same terms.  I think every argument for Final Fantasy VII having a Gnostic cosmology is actually better explained by a Stoic reading, The Lifestream is the Pneumatic World Soul and Mako (like Mana in other JRPGs and Manga/Anime inspired by them) is a Pneumatic Substance.  The Physical world being Evil and Dirty couldn't be more the opposite of what a story like Final Fantasy VII is trying to say about Nature.  These are stories where the Spiritual and Carnal are in a symbiotic relationship with each other, it is Man's Sins (especially Capitalism) that create the problems.

The western world however has been very influenced by Gnosticism, for all the talk about the Gnostics as some minority the Roman Church persecuted into extinction, I'd argue they kind of indirectly won, all of Mainstream Christianity has become at least mildly Gnostic.  Gnosticism is essentially Platonism taken to it's logical extreme, and so that's why a lot of the Japanese media I just talked about and others get interpreted by westerners more Gnostically then I feel the Japanese could have possibly intended.

Update September 26th: It's occurred to me that I should explain the Final Fantasy VII part a bit more.

The Gnostic Reading of Final Fantasy VII in large part revolves around equating the Lifestream with the Gnostic Pleroma.  The Lifestream and Pleroma have in common being both the source and destiny of each individual Soul  However the Gnostic Pleroma is distinctly outside the physical world, the physical world is basically a prison to the pieces of it stuck here.  The Lifesream however is the World, it and the physical Earth are intimately connected, they form a Symbiant Circle what happens to one will effect the other.  It is quite literally the Soul and Spirit of The Earth.

The World Soul is a concept in a few schools of Greek Philosophy, but it is the Stoic Version that has all the same similarities to the Lifestream the Pleroma has but also is part of the world rather then separate.

Basically Gnosticism has more in common with Scientology then it does the Lore of FFVII.

Further Update October 14 2022: I just obtained Platonist Philosophy 80 BC to AD 250 by George Boys-Stones and chapter 8 talks about the World Soul and Nature.

Much of the thesis of the chapter is that while Middle Platonists and Stoics agreed on the World having a Soul, for the Stoics it was a pretty natural product of their Metaphysics as it's virtually synonymous with their God, while for the Platonists it kind of didn't fit so well and proved awkward.

So to Middle Platonists the World Soul was a lesser god at best, and to Plutarch it was actually Evil, but in-between it was also presented as a sort of force without much will or agency of it's own.  

But reading this has only strengthened my Stoic interpretation of The Lifestream and Final Fantasy VII.

I also view the Original Pre-Romanization Stoics as having been the Communists of the Hellenistic World.  And so here's a good Marxist Analysis of Final Fantasy VII.

Wednesday, January 12, 2022

Fantasy stories are better with a focused narrative.

Last year I did a post about one aesthetic problem I have with most Live Action Fantasy TV shows of the last Decade or so.  But there is also a narrative problem.

Game of Thrones had a structure that involved jumping around between various characters and plotlines that were not directly connected in any way yet apparent.  And for Game of Thrones it worked, in fact that show's downfall seemed to begin when it started rushing to tie everything together.  But the problem with so much post GoT Fantasy TV shows is emulating that aspect of GoT's structure.

I prefer my Fantasy Stories to be adventure stories, about one protagonist or group of protagonists on a journey, with the audience learning about the epic scale and lore of the world as they encounter it through those protagonists eyes.  This is why The Hobbit, The Fellowship of The Ring, the Narnia Books, the first Dragonlance book, and most Fantasy Anime (Isekai or not) I'm a fan of work so well.  And outside the realm of specifically medieval European style Fantasy I can add The Phantom Menace and A New Hope, even Star Trek when it intentionally or not starts to seem more Fantasy then SciFi, I think both Avatar The Last Airbender and Legend of Korra originally worked that way as well but I didn't watch them.  It's also essentially how Fantasy Video Games like JRPGs wind up being structured.

Now some of the sagas I just referred to will eventually split up the main cast or even jump away from them altogether.  But that's after doing a lot of build up, Peter Jackson's version gave us 3 to four hours before the Fellowship was broken, but the content of the book could have given us a full TV season with more episodes then a GoT season.  Also cutting away to villains occasionally is a different matter.

I'm well aware that the Wheel of Time books are older then the books Game of Thrones was based on, and so fans of that franchise will be annoyed at me referring to it's new Amazon Prime TV show as the product of a post GoT trend, but it was largely my thoughts on how that show played out that made me start working on this post.

However I suspect the TV show is only doing what I don't like here because of the decision to cram 4 novels into one 8 episode season.  The series splits it's initial party up at the end of episode 2, and it goes on to treat that split and their eventual reunion with a gravitas I do not feel was properly earned.  How it feels in TV form would be like if the Fellowship of the Ring split up before they even reached Rivendell.

I've referred to the film Maquia as being the fantasy Anime that most resembles the Aesthetic I would want for an Animated film or series set in the First Age of Middle Earth.  But I've also now watched 11 episodes of Record of Grancrest War, and I think in a weird way that Anime most resembles the Inklings ideologically.  It's also another example of an Anime that handles this issue better then any of these American TV shows, it only spends any significant time away from it's main couple after spending a lot of time establishing them.

Isekai Light Novel Adaptations naturally focus primarily on the POV of the Isekaied protagonist(s).

Update November 2022:  I have very mixed feelings on The Rings of Power series, most of what I don't like does come down to it forcing the GoT story structure on Tolkien. 

Wednesday, June 9, 2021

TVTrope's Standard Evil Empire Hierarchy page

I'm going to make some observations I've wanted to for awhile about the TVTropes Standard Evil Empire Hierarchy page. It's one of my favorite of their pages to revisit.

The more elaborate a TVTropes page is, the more likely it is it's mostly something the community editing that site imagined themselves and not something more general literary analysis scholars would take seriously.  And this page is a perfect example of of that.  Because I really don't think a single Fictional Empire that perfectly fits all the requirements actually exists.  But to me that makes it all the more interesting to over analyze and speculate about what created these ideas in the minds of these Internet Nerds.

This is partly related to how many of the Evil Empires that inspired these Tropes were trying to at least partly base themselves on the Nazis regardless of often not caring about their actual ideology.  But the page currently doesn't have a real life section so they aren't trying to apply it to the Nazi Regime itself.  Naturally Star Wars is a big middle man here.

It seems to me like the original concept behind this Trope was about the way the Protagonists in a JRPG or other kind of adventure story encounter the Empire rather then a truly objective view of how it's organized.  But over the years many editing it and adding examples have lost sight of that.

The Guard's role in a story is chiefly as the first significant Underboss the Heroes deal with.  He's often associated with a Fortress or Base of some sort because it's usually whichever one of those is nearest to the Starter Town.  They are referred to as one of the least sympatric because their mustache twirling villainy is what establishes the Empire itself as evil, once that's established there is then room for more nuanced characters within it.

In Star Wars this role is played by Grand Moff Tarkin, but Tarkin's rank in the Empire is not a unique one, it's a type of regional Governor basically.  Being entrusted with The Death Star may imply he's one The Emperor has particular confidence in, but the rank itself is still not unique.  In the expanded universe we do get to meet other Moffs.

For Code Geass the page designates this role to Clovis which is probably one of the most accurate to my theory of the original intent of any Gaurds on the page in it's current form.

In fiction using explicit Nazis a good model for The Guard trope is perhaps Conrad Veidt's character in Casablanca.  He's probably not a big wig in the overall Nazi hierarchy at all, but is locally who the people in Casablanca are most concerned about.  But one could also look at Klaus Barbie in 2020's Resistance.

The big evidence of how this page has lost it's way here would be it's Tolkien examples.  Sauron in the First Age and Saruman in the Third Age can be said to be guarding something, but that seems to have not been the actual original point of The Guard.  If I were to use that logic in designating a Guard for the Nazi regime the best bet would be Himmler, he did have that old Castle he ran the SS out of.

The Security Officer position was not originally part of the page, it wasn't there when I first started visiting it as recently as 2012.  And for Code Geass giving this position to Cornelia feels wrong, she was just taking over the same position Clovis held, she's really just a second Gaurd.  But is also equally as worthy as Schneizel for what The General refers to.  Historically Reinhard Heydrich (Later replaced by Ernst Kaltenbruner) fits The Security Officer probably better then any other leading Nazi fits any of these roles.

The General is described as being the opposite of the Guard in how sympathetic they are typically depicted as being.   Dennis Hopper's character in the 90s Samson movie is a pretty text book example of this kind of fictional General they are thinking of, the movie respects and sympathizes with him a great deal even though it also sees him as needing to die with the other Philistine leaders.

That role is often a General because something in the collective subconscious of many Military fixated cultures like Rome, America and at one time Japan desires to respect a good General, even an enemy one.  

This is part of why Trotsky is sometimes spoken of positively even by stanchly anti-Communist Conservatives, he was the actual Military Mastermind of the early Bolshevik victories against the Western Imperial powers who invaded Russia to try and stamp them out.  So these War fetishists can't help but admire Trotsky a little bit. Snowball is Trotsky in the Animal Farm allegory, that's why he's a Bad Ass in-spite of the cutesy name.  

And to the extent that WWII has influenced how a lot of fiction about War has been written in the last 80 years, the (many would argue manufactured) reputation of Erwin Rommel has definitely played a role there, the honorable German General who wasn't really a Nazi.  Patton's admiration of Rommel was a plot point in his movie.

But taking being THE General of the entire Empire too literally might result in one designating this to Goring.  But Goring was actually quite bad at that job and only really kept it because he was a shrewd politician, so basically the Axis Counterpart of Douglas MacArthur.

In Code Geass the protagonist's main talent is largely being a good General, so the person literally playing The General is also his "Evil Counterpart", and over the course of the story Cornelia and Schneizel both fill that role.  Schneizel isn't entirely unsympathetic, but this aspect of The General's role is clearly much better fulfilled by Cornelia, while Schneizel is more filling the Evil Counterpart role as Lelouch's aesthetic and ideological antithesis.

For Star Wars TVTrope's desire to designate this role to someone in the Original Trilogy results in it being claimed by someone who's name most casual viewers don't remember.  In the old EU (called Legends now) Grand Admiral Thrawn is the archetypical General, especially when later books give him more nuance.

The Right Hand and the Hero's Evil Counterpart are often the same person because both are partly modeled after Darth Vader's role in Star Wars.  That naturally makes it the least "Realistic" when trying to apply these tropes to Historical Empires, but there are still some historical things I could note.

In the 60s BBC miniseries The Caesars when Tiberius makes Germanicus the "Commander and Chief in the East" and then explains his intentions to Piso the Governor of Syria.  He says he intentionally wants who actually outranks the other to be "unclear".  So whenever I see a Star Wars podcast express confusion over the actual authority Vader and Tarkin have relative to each other, I think of that scene.

The part of how The Right Hand is defined about him being outside the normal organizational structure does make me when looking at the Nazis think of applying it to Rudolf Hess (and later Martin Borrman) they were the Deputy Fuhrer of The NSDAP Party but didn't technically have a government position at all, (kind of like being the Chairman of whichever Party the sitting United States President represents).  But since everyone in a dictatorship's government is a member of the Party that does make them informally the number two figure.

Britannia in Code Geass really doesn't have a proper Right Hand.  Bismarck who TVtropes designates that I would say is more a Security Officer but also an Evil Counterpart to Suzaku (while Suzaku himself was the Evil Counterpart to Kallen).

Since the page is open to new positions being added, I think something like "The Propaganda Minister" or "The Press Secretary" or "The Spokesperson" should be added.  Since I think in order for any Fictional Evil Empire to be like any modern Governmental Regime someone ought to be filling the Joseph Goebbels role, and for a not so modern setting the equivalent role could be something like "The False Prophet".  

For Apokolips in DC Comics that would be Glorious Godfrey.  In V for Vendetta (the movie version at least) that would be Lewis Prothero.  Currently many and probably most Fictional Empires don't have one, but the same is true for The Security Officer, and none of them are entirely universal.

In Code Geass I would oddly enough say Detard plays this role at the start for Britannia but then later for Zero and in the end for Schneizel.

The Oddball is defined as usually a Mad Scientist or Dark Magician, but the inclusion of Bobba Fett suggests it's sometimes just a mercenary being hired by the government.  The page currently saying this is Suzaku's role in Britannia is pretty weird, it should be Earl Lyod Asplund.  For the Nazis this is basically Mengele and other notorious Nazi Scientists, or from the Occult perspective people like Jakob Wilhelm Hauer, Karl Maria Wiligut, Savitri Devi or Miguel Serrano.  But given how some Trope pages treat this almost as the miscellaneous position, I kind of feel you could give it to Albert Speer or Julius Streicher.

"The Man Behind The Man" is who the TVTropes page most admits to being optional.  In Code Geass V.V. fits this pretty well.  In Star Wars you could say it's The Dark Side of The Force itself (or just The Force from Kreia's perspective).  In some JRPGs with a twist the Oddball and Man Behind The Man wind up being the same like Kefka in Final Fantasy VI(III on the SNES) and Dimentio in Super Paper Mario.

With the Nazis it depends on how you view them.  If you insist on saying it's a logical end point of Capitalism then you could look at Emil Kirdof, Friedrich Flick, François Genoud and the other businessmen involved in the I.G. Farben and Krupp arrangement.  People who continue to overstate the Thule Society's role would say Rudolf von Sebottendorf.  But I kind of see this being the role of Alfred Rosenberg.

Rosenberg is the only major player of the Nazi Regime who was a member of the Party longer then Hitler.  In fact everyone else who's name you're likely to remember or I mentioned in this post already didn't join till after the Kapp Putsch failed in 1920 at the soonest.  Rosenberg however was a member several months before Hitler was joining in the same month it was founded (January 1919) and had previously worked on an Anti-Semitic newsletter with two of the party's four founders, Dietrich Eckhart and Gottfried Feder.  So it almost seems justifiable to call him the fifth founder, and thus the only founder still important when the Party actually seized power.

It was Rosenberg who introduced Hitler to the works of Houston Stewart Chamberlain, making Rosenberg a key connection to both individuals who have been called "Hitler's John The Baptist".  While his power in the Government was mostly just running some bureaucracies, he was the person who's job it was to to fully define and articulate what exactly Nazi ideology was.  It kind of feels accurate to call him the High Priest of The Third Reich.

But Ulrich Fleischhauer is also worth noting.

Thursday, June 20, 2019

It's not that Japan can't do CG Animation well, Anime studios just don't.

They do do it well in Video Games.  I've already said on this blog that I do not comprehend film critics saying "looks like a video game" as a criticism when I watch the Cut Scenes in Final Fantasy XII and XIII and go "why can't Hollywood movies look this awesome".  Even on the Wii over a decade ago the cut scenes in Mario Galaxy look better then what Disney and Pixar are putting on the big screen now much less at the time.

But these are the top tier AAA Video Games, they have massive budgets and are typically in production for years.  Most Anime is made on a limited budget and schedule that doesn't allow the same amount of work to be put into it.  To many nit picky Anime critics this even hurts how good their 2D Animation looks, in TV Anime at least.  But 2D Animation is still inherently cheaper to do well and Japan's been ahead of the west at that art-form since the 70s so it's easy for even the cheapest shows to impress a casual viewer when it's 2D.

With Pokémon we can see this contrast demonstrated in the same franchise.  Mewtwo Strikes Back Evolution is going to be the first fully CG Pokémon Anime and it isn't looking good at all.  But in the games Let's Go Pikachu, Let's Go Eevee, Sword and Shield are providing some fraking gorgeous purely CG Animation.

Frankly I think if they really wanted to do this now they should have used Detective Pikachu as an excuse to take this year off from the annual Pokémon Anime Film schedule and spend twice as much time on this one.  And done it with an original story, everyone comparing this to a movie we're all nostalgic for is not gonna help it.

There are also video games that have a more explicitly Anime style.  And plenty of Dark Fantasy Video Games with an aesthetic that could have worked for something like Berserk.

Final Fantasy VII Advent Children was a Japanese CG Animated Movie made by a Video Game company with the same effort they'd put into a Video Game.  And it looks awesome, whatever your lame opinions on it's story are.

Thursday, November 1, 2018

The Legend of Zelda RPG

There have already been some Zelda fan games that are role playing games.  But these are some ideas on the subject of Zelda as an RPG I’ve had for awhile now that it’s time I shared.

One is that Final Fantasy Mystic Quest could easily be turned into a Zelda RPG with a simple patch, not even a full hack.  Just turn the MC into Link, the Dark King into Ganon and Pheobe into Zelda and the mysterious old man into the Owl.  Kylie could then be viewed as a variant of the Marin/Malon/Cremia/Romani archetype, and then Reuben could be a Goron and Tristam a Sheikah.

But more ambitious than that is the idea of doing an SNES Rom Hack/Homebrew that is basically A Link To The Past remade as an RPG with Final Fantasy elements, and with narrative influences from later Zelda games as well as various Manga adaptations of ALttP.

HP will now stand for Heart Points rather than Hit Points.  And there will now be two Magic Meters, Light Magic and Dark Magic.  Potions will be classified by colors, three can be bought in standard shops, Red Potions which recover HP, Yellow Potions recover Light Magic and Blue Potions recover Dark Magic.  There will be places you can go (mainly the Potion shop on ALttP's map) to have two potions mixed together for one potion that has the effect of both.  Creating Green Potions to recover both Magic Meters, Purple to recover HP and Dark Magic, and Orange to recover HP and Light Magic. 

But the only Item that can restore all three at once is the very expensive Lon Lon Milk.  Lon Lon Ranch will be placed on the Map in the area south of Link’s House but north of the flooded ruins.  It’s Dark World equivalent will be a Colosseum.

Mages won’t quite be the only party members who can use Magic, but they have by far the best affinity for it.  However only two characters can use both Light and Dark Magic, The Warrior/Knight and the Red Mage. 

I intend to create a party with a total of 9, but only 5 can be in battle at once.  Some of them may be found in side quests and not quite required to join your party to beat the game.

The Master Sword can only be wielded by the Warrior/Knight, but besides that all other Swords are the one weapon class everyone can use.  For example The Bow and Arrow can be used only by the Rito, Sheikah and Gerudo.  The Hammer can only be used by the Goron.  The Magic Rods and Staffs only by Mages.  One of the main differences between the Gerudo and Sheikah functionally is the Sheikah have Light Magic affinity and the Gerudo Dark magic affinity.

The Main character is Link or Linkle depending on the gender you choose, who is the Warrior/Knight class.  Zelda is the Red Mage, she is the first to join your party in the early game but the last to permanently join it.

Impa as a Sheikah will serve as the Ninja class.  She’ll be the first to permanently join your party once you reach Kakariko village.  Second will be Lana the Light Mage.

Ganti will be the name of a Gerudo who’ll join you as the party’s Thief.  Roam will be the Rito.

A Goron and Zora can also join the party, I don’t have names for them yet and am still working on what their unique features would be.

Cia is the Dark Mage.  Only three party members won’t be available till you have full access to The Dark World.  Cia, Roam, and Zelda.

In this version Ganon only has the Triforce of Power. 

The quest for the three Pendants will be replaced by a Quest for the Triforce of Courage.  The Eastern Palace will contain a relic needed to open the Desert Palace, there you obtain the key to the Tower of Hera where the Triforce of Courage is. 

For the Dark World quest the Seven Maidens are replaced with the Triforce of Wisdom being split into 8 pieces, one of which is with Zelda on Turtle Rock.  Seven of them are in versions of the Dark World Dungeons where you found the Maidens in the original game, but one you’ll have to get by winning a Gauntlet at the Colosseum.  In this version Blind will disguise himself as Zelda instead of a random Maiden.

Saturday, September 15, 2018

My Life as a Shipper

I’m not sure I can accurately name this post since it’s not an attempt to comprehensively go over every ship I’ve ever shipped.  I just wanna share some things.  And this won’t exactly be chronological either.  Some of this reminiscing is about Fan Fiction I did read, but plenty is also more about stuff I imagined, that I would have written myself if I wasn’t so lazy.

It may surprise my followers (if any exist) to learn that my earliest ships were all Het, I’ve been a Yuri shipper for a long time now, but not quite from the start.  And to a certain extent I’ve never abandoned my Het shipping, I am still ultimately a Cis-Het Male after all.

Early on I did a lot of imagining myself into shows having storylines with the female characters I was attracted to.

My first real ship was shipping Dawn and Spike from Buffy The Vampire Slayer.  It’s weird looking back on that now since it’s not the kind of thing I’m likely to ship today at all.  But I have fond memories of exploring now long dead Dawn themed fan fiction sites, where I mostly got into stories about this ship but did read others.  And for context you should know I’m exactly the same age as Michelle Trachtenberg, so I wasn’t seeing Dawn as the little girl of the show, she was rather the only character I could come close to seeing myself in.  But I shipped her with Spike not because I had any attraction to James Marsters but because she canonically had a crush on Spike and so I wanted her to get what she wanted, and they did have chemistry.

The early Het Ships I shipped that I still care about are the Zelda ones interestingly enough.  I was a big Link and Malon shipper, which included Link/Marin and Link/Romani and also Link/Cremia.  I read an old Zelda Universe article called The Girl with the Red Hair: Malon + Link, which I really liked, and it still exists.
https://zeldauniverse.net/2010/11/28/the-girl-with-the-red-hair/
I think that’s a reposting however, because it’s dated to 2010 and I’m confident I’d read this before Twilight Princess came out.  Because as we were learning more about it I felt like it was confirming the theory of that article, TP Link must descend from the Hero of Time and Malon.  YouTube videos about Malon theorizing seem to be when on her as a love interest mostly just indirectly repeating that article but then adding the TP element.

The Fan Fiction I was into back then, on both the Dawn subject and the Zelda subject, included a lot of angst.  I was into scenarios about triangles and jealousy and unrequited love.  Some of them even got pretty Dark.  I think I would have become a Non-Monogamous shipper sooner if I’d simply learned of that being an option sooner.  But make no mistake, my current desire for everyone being happy in the end stories doesn’t mean I don’t see the appeal of angsty triangle melodrama.  A number of Dawn fics were between seasons 5 and 6 or between episodes of season 6.  I was also interested in the idea of stories about a post Majora’s Mask Link having his dark side drawn out by the Fierce Deity Mask.

It’s hard to say where my Femslash interest truly began.  When I was into Dawn fics I read some Femslash ones about her, some with Buffy, some with Faith, possibly one with Tara.  But they weren’t what I actively shipped.

Noir was my introduction to Yuri.  I first stumbled upon that show by surfing my family's On Demand service and seeing it on Anime Network On Demand, where episode 9, the second part of a two parter, was the earliest episode currently up.  Watching that episode was the first time I ever saw 2D Girls Kiss.  And as I continued the show I got really into Chloe and her unrequited feelings for Kirika.  However it took awhile strangely for me to realize Kirika and Mireille were also canon, I still had some heteronormativity to get over.  I remember that the first time I saw the word Yuri was on Noir’s IMDB forum, someone had posted a thread called “Noir Yuri Pics” or something and I originally assumed it must mean something more specific then just lesbian.

Around then was also when I started actually reading DC Comics, and Stephanie Brown became my favorite Comic Book character, and it didn’t take long for me to start shipping her with Cassandra Cain.  But another niche Het Ship I supported was Tim Drake and Darla Aquista.  I also like Linkara supported the controversial Donna Troy and Terry Long relationship.  There was an old fansite I really liked that is now gone called Donna Troy Woman and Hero.

I’ve also engaged in some Pokemon shipping over the years.  More so game characters though, filling in the blank slate that is Leaf.  Anime wise that I like May and Dawn way more than Misty makes me pretty controversial.  My imagination always treated Lass as a single character rather than a class, a Fille Fatale who flirts with both Red and Leaf.  Basically there were little if any existing fanfics I found to serve my tastes there.  I did enjoy a series on FanFiction.Net about Leaf and Dawn.

I was also someone who’s interest in the Twilight ignited Vampire craze lead me to research the Pre-Dracula stuff, which lead to me reading and really liking Carmilla.  Because of Paul Feval that Vampire interest lead into and overlapped with my French Pulp Fiction interest which allowed me to learn about Eugenie Danglars and Louise d’Armilly.

The Vampire craze also lead me to The Vampire Diaries, where I found another of my top Het Ships, Jeremy and Anna, played by Stephen R McQueen and Malese Jow.  That ship was prominent in my early Tumblr activity.

Then came the era of Pretty Little Liars being my favorite TV show, I became a strong Sparia shipper and looked into other ships as well.

Back to Zelda.  Prior to Skyward Sword I quite liked how Nintendo was mostly avoiding making Link and Zelda a couple.  But then Hyrule Warriors comes along implying they’re always destined to fall in love and I was quite annoyed.  So I’ve always had hostility towards Link/Zelda shipping.  However the Skyward Sword Prequel Manga included in the Hyrule Historia (which I saw glimpses of before I properly got to read it) kinda won me over on it.  Though that’s technically Link and Hylia.

Zelda is one franchise where my Het Shipping is still strong.  But I have became a supporter of Zelda Femslash.  For both Skyward Sword and Hyrule Warriors I like to ship Zelda with Impa, and for Twilight Princess I like Zelda/Midna, and I see Ashe as a Lesbian on principle.  I also now support the theory that Cremia actually had feelings for Anju in Majora’s Mask.

I developed an interest in various Tolkien and Silmarillion related Femslash ships.  Like Nienor Niniel and Nellas, as well as viewing Nessa, Haleth and Tar-Telperien as Lesbians.

I started a Final Fantasy Femslash tumblr that I’ve mostly let die since my interests there are limited.  I ultimately view Terra Branford as Asexual and yet I still crave material about her and Celes.  I also strongly support Agrias and Ovelia from Final Fantasy Tactics.

Since getting much more actively into Anime starting in 2014 there are a lot of ships I’ve become supporters of, from Magical Girls to Cute Girls Doing Cute Things to the better Harems, and the occasional specifically Yuri show/OVA.  But I’ve supported some Het stuff too and even learned to appreciate Yaoi and Otokonoko.  But strangely nothing I’ve found in the last year and a half has really compelled me the way my old ships did.  Though perhaps they just need time, again I haven’t been rewatching stuff as much as I used to.

However recently learning about SaGa Frontier thanks to Yahweasel has made me a supporter of the Femslash potential it provides.

Monday, April 30, 2018

Are modern Elves really that based on Tolkien's?

It's commonly said that Tolkien's Elves are the inspiration for most Elves in fantasy stories written since, in novels like the Dragonlance series, or Dungeons and Dragons and other Table Role Playing Games, which leads to Role Playing Video Games including JRPGs which in turn influences a lot of Anime, Manga, and Light Novels that then get adapted into Anime.

The thing is, these supposedly Tolkien like Elves seem to me to be.... demoted in terms of their importance to the Lore.  They're now just another one of many Human like Fantasy Races, not Humanity's other half.  They're Elves but they're not The Eldar.  Tolkien's Elves are meant to be kinda similar to what Humans might have been like if Adam hadn't fallen.  While in a lot of Anime they're basically just Cute Girls with pointy ears.

I suppose to some extent it's full circle, they're back to being more like the Ljósálfar of Norse Mythology.  Tolkien's Elves are largely a product of combining them with certain beliefs about the Fae/Tuatha De Dannan of Irish Mythology.  And some older Judeo-Christian conceptions of a hypothetical Pre-Adamic race (before compromising with Evolution turned hypothetical Pre-Adamic races into Cave Men and Ape Men).

I think the most interesting take on Elves in Anime would be No Game No Life, where I'm convinced they're an unflattering allegory for The United States.  The reason I relate to Nilvalen so much is because she's an Elf who hates her own country.  But as interesting as that is, it's not very Tolkien like.

Who I do feel are similar to Tolkien's Elves are some fantasy races not called Elves.  The Cetra in Final Fantasy VII.  How the Amazons were presented in the Wonder Woman and Justice League films of 2017.  There are others I think, but they escape my memory at the moment. 

What's Problematic is how Tolkien's Elves can come off as similar to the Aryans of the racist theosophical ideas that inspired Hitler and Himmler.  But that's why I'd like to see Fantasy races with a similar mystical gravitas be depicted with more ethnic variety.  You can already find a decent amount of Fan Art depicting some of Tolkien's characters as being less white then he probably envisioned.

Fortunately we're unsure what human ethnicity the Cetra would most resemble, we only ever see Aerith, who's only half Cetra, and briefly her mother in a flashback.  Westerners are inclined to see a Caucasian when we look at Aerith but the original Japanese audience might not have (Westerners have accused Anime characters of looking White when they were modeled after specific Japanese celebrities).

I've contemplated in any fantasy story I might write depicting the Ljósálfar as white looking but the Dökkálfar as Japanese looking and the Svartálfar as Nubian (or maybe swap the latter two).

Now Biblically I don't believe in any Pre-Adamic Race, I oppose the Gap Theory.  I've contemplated having the hypothetical Elves of any fictional mythology I'd create descend from Cain in order to deconstruct the assumption that descendants of Cain were inherently Evil.  The problem is it'd also be playing into the rhetoric of certain Racists to associate any descendants of Cain with Non-White especially African ethnic features.

I know for certain that if I ever made any fiction set in the Pre-Flood world I'd depict the tribes of Enosh Ben Seth (from whom came Enoch and Noah's Family) as looking Middle Eastern.

Saturday, June 3, 2017

Nausicaa of the Valley of the Wind

I've seen my second Miyazaki film now, and first Gibli film.

I watched the Dub, because I am an unapologetic Dub Scrub.  This Dub was dubbed by Disney so it doesn't have your typical Anime Dub cast.  Instead it has Patrick Stewart, always a treat, coincidentally I watched Logan on Thursday.

I just gave the movie a 10 out of 10 on MAL.

So during the scene where they explained the Prophecy of their expected Messiah the first thought I had about him being associated with the Color Blue was "kind of like Vishnu and his Avatars in Hinduism".  A few minutes latter I noticed "hmmm, our title character seems to be wearing Blue a lot".  Then I thought "why didn't that occur to me immediately, I'm a failure as a Feminist".

I was watching this movie because I was hoping for a Messianic Archetype with a female character type of story.  But I'm so used to being disappointed by stuff I hope will do well by it's female characters, that as soon as the people in the story assumed the Gender of their Messiah my brain got distracted for a little bit.

Now even if I watched a Sub I would probably have still needed to ask this.  But I'm wondering about the wording of the Prophecy, does the Japanese use more gender neutral pronouns here?

This movie has clearly been very influential.  It's influence on future Anime I'm sure has been talked about endlessly.  So I want to comment on other things.

First is Video Games.  I believe I'd seen this mentioned as an influence on the Final Fantasy franchise before.  The air ships, Talmecia rhymes with Palmecia, the environmental theme in general. There were even proto Chocobos. Since Breath of the Wild is still a current hot topic in Gaming, the Valley of The Wind itself looks kinda like a city visited in BotW.  And I'm pretty sure that little Fox like animal was a direct inspiration for Evee, a first generation Pokemon.

But what really took me by surprise, was when we finally saw the fully formed Giant Warrior.  First good look at it's face I went "The Anitmonitor, that's the Frakking Anti-Monitor, Marv Wolfman and Geroge Perez were while writing the single most historic Storyline in all of Western Comics, influenced by a Japanese Cartoon."  That is Awesome.

So, It's a movie I recommend.

Wednesday, August 3, 2016

I've watched the Batman V Superman Ultimate Edition

I enjoyed it.  I don't know how much of it is the extra material and how much is just me being more willing to accept what bothered me on the repeat viewing, but I enjoyed it.

The movie still isn't as great as I was hoping, but it's a good movie.

Batman is not a killer in this, it's explained that the branded criminals being killed in Prison was also manipulated by Lex.

This is not a legitimate R rated, film, Warner promoted it as a R rated version and so the MPAA played along, but if this had been the theatrical version it would not have gotten an R, it shows less then The Wolverine's theatrical version did (and has the same number of F bombs).  And it is in fact a less dark film then the theatrical version of this was, thanks to how much better it paints Superman and Batman both.

I noticed something when Superman and Doomsday were killing each other.  The Score at that point really had me thinking of Dancing Mad form Final Fantasy VI, maybe it's just me.

So my advice to everyone is check it out.

Sunday, April 3, 2016

The War of The Roses, Game of Thrones and Final Fantasy Tactics

Game of Thrones, based on the Saga of Fire and Ice books, and Final Fantasy Tactics are two important parts of modern Nerdy Pop Culture (one is currently a bit more obscure then the other) that have in common drawing inspiration from the chapter of English history known as the War of the Roses.  But with some clear major liberties.

Both are also very dark pessimistic and arguably deconstructive takes on the High Fantasy Genre, I guess the War of the Roses isn't the most ideal piece of history to draw on if you wanna be Optimistic.

Both Ivalice and Westeros were originally Seven Kingdoms, just like England which was seven Anglo-Saxon Kingdoms united by Ælfrēd The Great's successors.  Aegon Targaryen being a conqueror from outside Westeros however would make a closer analogy to William The Conqueror then Ælfrēd.

One thing I wonder if anyone else has noticed is that when you apply how Westeros' geography equates to England's, The Wall that is such a big plot point is clearly inspired by Hadrian's Wall.

The scenario also involves an "Evil" Queen who's son may or may not be the son of her Kingly husband.  But how exactly she relates to the House that sides with her tends to be changed.

And both are a conflict between North and South.  Perhaps the least unique of the defining characteristics.  There was a North v South civil war in the history of my country also.  Bible scholars know that happens in the Bible twice (with Israel and with the division of Alexander's Empire in Daniel 11).  And it's part of Ancient Egypt's history.  And since we'll be talking some Japanese media here there was also a time when Japan was divided between rival branches of the Imperial Family, one based up North and the other down South.

There are some key differences in how the two draw inspiration from it.

The most superficial thing is the way Tactics geographically switches the scenario somewhat.  In both the History and GoT it's the Southern House that sides with the Queen, while in Tactics it's the North.

But the biggest distinction is that Martin was largely drawing on a popular perception of the war that viewed the Yorks as the good guys, at least before the Yorks internal conflicts messed everything up.  Richard 3rd Duke of York was largely the basis for Ned Stark, and Edward IV the basis for Robb Stark.

But in Tactics both Dukes are equally selfish pricks who care nothing for the suffering their war brings on the common people they're supposed to be responsible for.  And they're not even the most Evil characters in the story.

However, they also have a lot in common in how they change the story, which is perhaps the most interesting thing to look at.

In the real War of the Roses both houses were branches of the Royal Family.  Siding with Lancaster was by traditional standards siding with the rightful heir, they had been the main line for two generations by this point.  While the Dukes of York descended from a different son of one of the earlier Plantagenets.  The Duke of York held a relation to the Royal family comparable to the Duke of Orleans prior to the French Revolution.  The Noble who serves as leader of the Lancaster faction without sitting on the throne himself is actually Somerset and that's why their associated with the South.  [Update: So I originally wrote this not knowing about the whole Mortimer claim, the Yorks are the more senior line by Male-Preference rather then Male-Only Primogeniture.  But also Henry IV claimed the Throne by Conquest like Robert Baratheon.]

But in both GoT and Tactics the warring houses are separate Noble Houses, and the Royal family effectively going extinct is partly what causes the conflict.

In both the Queen is a member of one of the rival houses who married the King.  While historically the Queen was a foreign (French) royal who married the King of England, who was a Lancaster.

All three have in common a suspicion (though in Tactics it is very vaguely hinted at while in GoT it's blatantly confirmed) that the actual father of the Queen's son is a member of the House that sides with her.  But because of the above change this makes both fictional scenarios Incestuous, while historically it would not have been (I won't venture to guess if it's true or not).

As Fantasy stories it's not surprising that both add supernatural elements, but it's interesting how they both bring them in in a similar way.  An inhuman menace threatens to destroy the world and the internal selfish squabbling of the people who run it have them totally uninterested in dealing with that.  Like they're taking Reagan's whole "if Aliens attacked we'd all come together" slogan and saying, "no we wouldn't".

That's not necessarily the only way you could bring Cosmic Horrors into a story like this.  You could go further then Martin in siding with the North by having the Demons side with Lancaster and the Angels side with York.  But that would lack nuance I suppose.  In Homer's depiction of the Trojan War the gods all took sides in the conflict and often switched sides at random, I would probably emulate that.

Both are likely to be very different from history in how they end.  Martin's isn't over yet so we don't know for sure.  But it seems like there is hope that maybe eventually they will come together and deal with the real threat.  But as a Video Game FF Tactics has to be a story where the character you play and the party he forms save the world mostly on their own, the depressing part is in Universe no one knows what Ramza did and the biggest @##hole is remembered as a hero.

If whoever rules when the dust settles isn't exactly either side fighting each other when it all started.  Then that "winner" could be viewed as allegorically Henry VII to some extent.  In tactics this would be Delita Herial (and maybe Ovelia would be Elizabeth of York?).  But an important plot point of the game is that Delita was a complete commoner.  Henry Tudor had a distant connection to the Lancaster line, but more importantly he was a direct heir to the Princes of Wales and thus to the Kings of the Britons who ruled the Island before the Anglo-Saxons came.   Because of this he was heralded as the Mab Darodan and the return of King Arthur.

Who would make the most sense in that context in Game of Thrones?  Maybe a Targaryen since Pendragon means head of the Dragon.  And Henry Tudor was a direct descendant of Maelgwn who Gildas called "The Dragon of the Island".  Arthur means Bear but none of the houses of Westeros have a Bear as their symbol.  Henry Tudor invaded crossing the channel from France, which could fit what Daenerys is planning to do.

Also GoT doesn't have an allegorical vilification of Christianity.  It has religious themes, but not so blatantly anti-religious.

They are no doubt not the only works of fiction to draw inspiration from the War of the Roses.  Though I'm hardly an expert on the subject.  But I know that the first such example would actually be Le Morte d'Arthur, which has to a large extent defined Arthurian legend ever since.  Thomas Mallory was actually contemporary with the War of the Roses, so for his time the influence of that War on fiction was more like WWII and Vietnam are for us.  The actual geopolitical scenario in the story makes far less of a direct analogy, the parallels that do exist are ones you may have to be a contemporary to get.

There has also been fiction that directly depicts the history involved.  Starting with Shakespeare's Tetrology, (the Henry VI trilogy and Richard III).  I rather enjoyed The White Queen TV Series, haven't read the books.

Monday, December 14, 2015

The "Church" of Yevon in Final Fantasy X

In the West, Christianity remains the mainstream default religion (no mater how much my fellow Fundamentalists insist "True Christians" are a minority).  So any work of fiction looking to be Anti-Religion (or at least anti Organized Religion) in general is bound to have Christianity specifically in mind more then any other.

Thing is, this perception often filters how we view media from other non Western Countries.  Especially from Japan which has made a very notable mark on American pop culture thanks to Godzilla, Video Games, Power Rangers and Anime.

Christianity is known enough in Japan that you see it referenced a lot.  But still only 1% of the population identifies as Christian.  The vast majority of those are Catholic though the LDS Church has enough clout in Japan to get three Temples built there including one in Tokyo.  Still Catholic tends to be the default in how Japan views Christianity.

Japan doesn't even really define religion the way we do in the modern West.  But the main faith in Japan remains Shintoism, with a strong Buddhist presence/influence.  And Shinto is an organized religion with the Imperial Family being at it's head.

Religious/Spiritual themes are quite common in the Final Fantasy games (they are fairly unavoidable in the Fantasy genre) often in ways that seem to come down against at least Organized Religion.  However Matt Pat of Game Theory argues it's against religion in general, often with the idea that if a God/gods does exist, It/they'd be Evil.

Sometimes Christianity is very specifically in mind in Final Fantasy's religious themes, especially Final Fantasy Tactics who's Evil Church is clearly based on the Medieval Catholic Church.  In fact the game allegorically makes Jesus himself Evil and Judas Iscariot a defamed hero.  But that's a game inspired by English history, the War of the Roses (it's the Game of Thrones of video games).

Final Fantasy X and it's Yevon religion is often viewed as the harshest of all Final Fantasy games in how anti Religion they can be.  And because of that people in the West discussing it constantly bring up Christianity.

The only Christian references I see in Final Fantasy X are the purely superficial uses of the words "Church" and "Sin".  And that's going off the English translation, who knows how accurate that even is.  But I'll give the Dub the benefit of the doubt on that for now.

Applying the word Church to religious contexts outside Christianity has become common, the term "Separation of Church and State" is not meant to apply only to Christianity.  And the word "Sin" is not even necessarily Christian in origin.

The overarching theme of Final Fantasy X involves the Church of Yevon condemning technology and insisting technology getting out of control causes us to become out of touch with Nature.

Western Atheists love to see Christianity as Anti-Science because Fundamentalists often disagree with mainstream modern Scientists on cosmological theories like Evolution.  (And some fringe elements will argue the Earth is Flat, my thoughts on that are here.)  And from that will try to insist Christianity is bad for technological advancement.

But that accusation simply doesn't hold up.  The first book printed on a printing press was The Bible.  And that wasn't just a token gesture, the invention of the Printing Press was driven by the desire of Protestant Christians to end the Catholic Church's Monopoly on access to God's Word.  And even in modern history, a Young Earth Creationist invented the MRI Machine.

The Nature worship aspect of the Yevon religion is actually quite in conflict with Christian values.  Paul in Romans 1 defines Paganism as the worship of the Creation instead of the Creator.  Many Christians have felt sympathy for such Nature worshiping sentiments, like J.R.R. Tolkien and maybe also C.S.Lewis.  But that tends to be partly why those same Christians get heavily criticized by radical Christians for being way to Paganized (Jack Chick's infamous Dark Dungeons tract condemns them both).

The beliefs of the Yevon religion really do seem way more Shinto to me.  Yuna and other female Summoners seem to be modeled after Mikos.

And the whole technology is bad for nature sentiment that Final Fantasy X is seeking to deconstruct seems to be exactly what Final Fantasy VII came down in favor of.  Which was definitely influenced by Shinto sentiments in doing so.

And even Superficially, all the Priestly Robes affiliated with this religion seem far more Eastern then Western in style.