Showing posts with label Code Geass. Show all posts
Showing posts with label Code Geass. Show all posts

Sunday, July 19, 2026

Code Geass, Nina and Racism

Nina Einstein is by the end of the R2 not at all Racist anymore. Which is not unique to her, the show is filled with Britannian characters who were being quite racist to the Japanese early in the show and aren’t at all anymore by the end. None of them have a particular moment where they repent of their past racism and denounce it, it simply becomes apparent that they clearly aren’t racist anymore.

Her primary sin is creating and then at first consenting to use of the Fleija. But she’s far from the only person complicit in that, we’re introduced to the plotline via Lyod learning about it and encouraging her. But more so it is Sechenizal's manipulation of her that really drives that plotline.

But let’s return to the topic of racism.  Why is it in a show filled with people who are racist at the start and not by the end is it Nina alone whose early racism is treated as a defining character trait and an unforgivable sin? 

Racism seems to have been a more passive character trait in a lot of other characters.  But they are also people in real positions of power. It is how casual they are about it that in my opinion makes it worse. Characters like season 1 Cornelia and Jeremiah whose use of Racist rhetoric is more a means to an end in their political power playing are not materially speaking less racist because of that, they’re Herman Goring. 

Nina at the start of the show is a teenage girl with severe social anxiety in a highly systemically racist society, and also a repressed Homosexual in a pretty systemically homophobic society. She didn’t choose to be living in a colony rather than the homeland, that was her parents decision. By the time she actually does anything significant in the plot her Racism is no longer a primary motivating factor in her actions but at most a filter in how she’s directing them. Finding out Zero isn’t Japanese wouldn’t make her not want to kill him anymore. 

I’ve seen people say they wish there was more of an explanation for why Nina is this way, a specific thing to happen to her to cause it. But I feel that misses the point of viewing Racism as a systemic issue. Nina is Racist for the same reason everyone else is, but innate issues with who she is as a person makes it harder both for to change when presented evidence contradicting that world view, and to hide it.

There are a number of YouTube videos I started watching but didn’t finish because they open with a rant about how “most” Gay Representation in Anime isn’t great, such sentiments annoy me since I feel exactly the opposite. One uses footage of Nina among its visual B roll for this which I found interesting. With Nina it is definitely backwards, to me Homophobia and Misogyny is clearly a huge factor in why she is such an irrationally hated character. 

This is not about making excuses for anything, it’s about having coherent standards in how we judge people. If some former Racists can be forgiven for their past Racism while others can't, that's fine. But Nina’s circumstances should clearly make her the easiest to forgive not the most unforgivable. 

Thursday, April 2, 2026

The Best Year in the History of Anime?

This is a follow up to a post I made at the start of 2026 where I made the case for 2006 being the best year of Anime History while doing my usual, “look back on Anime that turn 20 this year” thing I started doing in 2024.

The thing about years in Japan however is that in every way but nominally Japanese society really functions as if years begin with Spring and end with Winter, the first month being April and the last being March. 

So the thought entered my mind that maybe an even better year could be created by swapping out Winter 2026 for Winter 2027? 

It so happens that would correspond to exactly the year that Nana was airing.  So we could call it the Year of Nana, or Nana Year or Year Nana. 

I already said in that first post that the Spring season is where the argument for 2006 really kicked off. Some of what was airing in Winter 2006 were multiple cour shows still airing in Spring. 

So the full shows we lose from dropping Winter 2006 are mainly Kashimashi Girl Meets Girl and Neirma Kaidun Brothers. Both shows I like a lot but wouldn't call either the best of its genre, Kashimashi is closer to being an essential viewing of its genre(s) but is also arguably surpassed by later 2006 shows. 

On the subject of Detective Conan we do lose what I consider perhaps the single best episode of that show in 425. But the trade off is getting Shadow of The Black Organization and The Unsmashable Snowman. We also switch out the 6th OVA for the 7th, they are all about equal in quality. 

What we gain by adding Winter 2007 includes Shattered Angels which I consider a very underrated Jem, Hidamari Sketch which is a show I haven’t seen yet but know is considered important to the Slice of Life/CGDCT genre, and Venus Versus Virus which I haven't finished and haven’t seen what I did see for awhile.  Plus the start of Yes! PreCure 5, a show that proved important to setting the tone for Pretty Cure going forward. 

Looking more at stuff I haven't seen there is a Shuffle sequel called Shuffle Memories I didn’t know about till recently. And the start of that Les Miserables Anime.  

And then there’s Loving Angel Angelique which I should look into as an early Otome Game Anime, and it was a sequel whose first part aired in Summer 2006 so is a show I should have known about back when making the first 2006 Anime post, it looks like it was the first TV Anime based on an Otome Game adding more to the argument for this being a particularly important year for VN Anime.

And for Shounen fans the start of Naruto Shippoden (it occurs to me that means the closing arc of the original Naruto Anime must have also aired during this year). I’m afraid I can’t bring myself to care about standard Battle Shonen enough to find out what was going on in the other two of the “big three”.  Maybe someone else trying to follow up my thesis could do that. 

The other major Four Cour show connected to 2006 was Blood+, it changes from three fourths airing during the year in question to just the second half, but that’s still enough to matter. 

And we also gain the second cours of a lot of Fall 2006 shows like Kanon and Le Chevalier D’Eon. There must have been some delays in the original broadcast of Code Geass because I expected it to end in late March but it was actually in late April, same with Death Note, I expected episode 26 to air in the first week of April at the latest but it didn’t.  Still for both those shows adding Winter 2007 adds a lot of why they are considered great. Same with early Pokémon Diamond and Pearl, episode 25 aired in Japan on March 29th

In the OVA department Winter 2007 had the Burst Angel OVA and the first episode of Murder Princess. And some Maria-Sama OVAs.

Something I should have mentioned in the original 2006 post is Summer Days from June.  It’s not on the Anime Database websites due to how it’s released being a Visual Novel but like School Days the prior year it was Animated, seemingly even more so. I, like many Americans, have only been able to play the censored version of its later remake titled Shiny Days, but it seems a lot of what I like was already there in the original, but there is a lot of Shiny Days content that wasn't there originally (not just the Inori routes).  It’s the Anime where my favorite Anime character gets to be the lead, so it’s important to me. 

The annual Lupin III TV Special during this year was Seven Days Rhapsody in September.  But I haven’t seen it or most 00s Lupin specials since they aren’t among those Dubbed, so I can’t say if it was even above average for the time. 

I considered looking at what source materials for future Anime came during this year, but there wasn't much.  2004 might be the better year for that, containing a number of source materials for what got animated during this year as well as some that came even later.  But I didn’t think to look into that back in 2024.

Four of what I’m currently listing as my top 23 Anime on Anilist are from this year, no other single year is that overrepresented. Those are three shows I consider the best of their genre, Nana, Kanon and Higurashi, and one that in the past I’d labeled my second favorite of all time, Code Geass.  Add to that the importance shows like Haruhi, Death Note and Gintama have, and a few other best or most important of their genre candidates like Strawberry Panic, and the case for this being the best year is pretty easy to make.  [Update: Black Lagoon is another pretty popular Anime from Fall 2006 I forgot to mention before.]

Talking about all the hidden gems adds some nice flavor to the argument but every year has those so they aren’t the crux of it. 

Of the 2006 shows I consider the best of their genre, Kanon is probably the most controversial. Yes they’re all gonna be disputed by someone, Strawberry Panic is hated by people with very different priorities for what they want in a Yuri Anime (some of them might like Simoun the best) and Higurhshi is hated by VN purists who don’t like it being classified as Horror in the first place and others who think no Anime has ever been good at Horror. But with Kanon it tends to be nearly universally viewed as surpassed by its own spiritual successor Clannad and Clannad After Story

I do love Clannad and place it just below Kanon.  Some of why I prefer Kanon is more my personal tastes then anything remotely objective, but I also think getting the entire story in one single Anime instead of across two counts for something. Clannad fans I’m sure at least respect the fact that Kanon made Clannad possible both as a VN and an Anime. And with Kanon it has been argued the KyoAni Anime is an improvement over the source material while Clannad is still viewed as falling short of the VN. Since as an Anime specifically is the point of comparison here, I think you can even argue Knaon is better animated with a better art style. 

Haruhi, Death Note and Code Geass are important to Anime culture as a whole in ways that transcend whether or not they are the best of their "genre" or not. Haruhi created her genre, making her important regardless of if you think something like Bunny Girl Senpai has surpassed her. Code Geass and Death Note can’t be considered the best of any Genre simply because they aren’t pure manifestations of any Genre you could slap onto them since they are Genre Mixes ultimately, they are compared to each other more often then they are the rest of their genres. If any Anime is as important to the 00s as Eva was to the 90s it’s one of these three.  Clearandsweet has a video on how Haruhi is singularly important to redefining what most Anime looks like.

Saturday, March 16, 2024

Some more Anime Writers

So there are some Anime Writers I've taken note of now that I don't think I've spotlighted on this Blog before.  For all of them I still haven't seen everything they've written.

Code Geass was for a long time my second favorite Anime, and it still securely has a place in my top 10, and since it's an Anime Original I figured I should take a look at it's writers.

Ichiro Okouchi was probably the head writer of Code Geass, more recently he was the head writer on Mobile Suit Gundam: The Witch From Mercury.  He wrote 5 episodes of RahXephon and 10 episodes of Angelic Layer and Princess Principial.  He also wrote much of Lupin III Part V which seems to be most people's favorite Lupin project of the last decade.  Two things he's written for I haven't watched yet but which are notable are Lupin Zero and Kabenari of The Iron Fortress.

Another notable writer for Code Geass was Hiroyuki Yoshino, he also wrote the Anime for My-Hime and My-Otome, and some of the notable Anime original content for Raildex like the Miracle of The Endymion movie and much of the Febri arc.  He has the Series Composition credit for Izetta: The Last Witch but no individual episodes.  He's written a lot of stuff I still haven't seen yet but might in the future.

Another key writer on Witch From Mercury was Yasuhiro Nakanishi who was also a lead writer on My Love Story with Yamada-Kun at lv999 probably the most underrated RomCom Anime of 2023 and an upcoming Isekai called No Longer Allowed In Another World.  Also Kaguya-Sama Love Is War but I don't know how much Anime Original Content that series even has.

Friday, March 8, 2024

Shakespearean Anime

I’m going to list these by how Shakespearean they are, not how much I generally like them.  They are all stuff I recommend.

Romeo x Juliette

This Anime is not an animated staging of the Play, in fact it’s far from the only Shakespearean Play this Anime is drawing on.  It uses lots of random quotes and vaguely Shakespearean language.  But for the specifics of other plays it’s story could be compared to the first that comes to mind is Juliette being put in a Hamlet situation, however Romeo is arguably in a Prince Hal situation.  The presence of a Senate can remind one of the Roman Plays.

I’m not the biggest fan of how it ends, but that only affects the last 2 out of 24 episodes.

Requiem of The Rose King.

For this one I recommend the Manga more so then the Anime, in fact I was originally very harsh on it’s 2022 Anime but I gave it a second chance just recently and while the pacing of the early episodes still bugs me it eventually either gets better or I got used to it.

It’s based on the Henry VI plays and Richard III, but again not a direct adaptation.  Its starting premise is reimagining Richard’s deformity as being Intersex and deconstructing his popular demonization.  

The tells that it is still partly filtered through Shakespeare are things like William of Suffolk having been Margaret of Anjou’s Lover rather than Beaufort (the Beauforts aren’t mentioned at all).  And its use of Joan of Arc.

First of all the name itself, this is the only Anime that says “Joan of Arc” rather than ”Jeanne d’Arc”, there is a lot of Jeanne d'Arc in Anime and usually even the English Dubs keep that more properly French Pronunciation.

However, on the subject of Joan, there is one cut the Anime made from the manga I do still have to complain about.  Having Joan’s ghost haunt Richard feels a lot more random when they’ve removed the reference to it being Richard of York who burned her at the stake.  And that itself is a deviation from the history that comes directly from Shakespeare, every other fictionalization of Jeanne doesn’t mention York because they know he didn’t come to France till years later.

This is a Shoujo Anime, where Richard has a pretty large Pansexual Harem.

Now it is still Problematic, not by ever endorsing any Transphobia (or whatever you call Bigotry against Cis Intersex people) towards Richard, but in its Internalized Misogyny.  The only Female identifying characters who aren’t ever vilified are Anne Nevill and Elizabeth of York.

Now I really like this take on Margaret of Anjou, she can be read as a manifestation of Internalized Misogyny even more potent than Cersei Lannister.  I could take or leave its handling of Elizabeth Woodville.  But what bugs me is the decision to slander even Catherine of Valois to explain Henry VI’s trauma, I happen to really like the historical Catherine.

Code Geass: Lelouch of The Rebellion.

This show gives me Shakespearean vibes more so than any objective reason to say it was definitely influenced by the Bard.

Death Note is similar to Richard III in a very different way from Requiem, rather it’s like how House of Cards is compared to Richard III in how it kind of makes the audience an accomplice to Light.

Gundam The Witch from Mercury of course draws on The Tempest as much as it does Utena.

And that’s it, there’s kind of shockingly little of Shakespeare in Anime.

There are random references here and there, a movie with "A Midsummer Night's Dream" as it's subtitle but no actual connection to that play I could notice.  Shakespeare is himself is a character in Fate/Apocrypha but he doesn't amount to much.

It definitely gets me to thinking how I wish there was more.  What unique takes on Shakespeare could only Anime do?

Henry V should be adapted as a Mecha Anime since it is the Shakespeare Play most about War, and at least can be interpreted as Anti-War.  Other plays have battles but they're just plot points, in the Henry VI plays they only serve to explain why who's in control has changed.  In Troilus and Cressida the Trojan War is a framing device but what its actually about is Netorare.

I'm not even joking, I totally think PoRo should make an adaptation of Troilus and Cressida.  Of course it's not the only Shakespeare play with NTR, given the abstract nature of how NTR Hentai can work I'd say it would count to have Richard III seduce Anne Neville on her dead Husband's Coffin.

And remember I have in older posts quoted Much Ado About Nothing to demonstrate that the basic concept of the Tsundere is nothing new, (I suppose I should acknowledge that I got that from TVTropes before Hbomberguy comes after me).  So imagine having Beatrice played by an Anime Voice actress with experience voicing Tsunderes interpreting the character through that lens?

Update May 2024: I really should included Fate/Zero on the same grounds I did Code Geas but even stronger.  

Spoiler Alert

A particularly potent example would be how Lancer's dying words in episode 16 give off strong Mercutio vibes.

Update April 16th 2025: I just watched Mobile Suit Gundam The 08th MS Team and it has a Romeo and Juliet element to it.

Update March 2026: Mamoru Hosoda's newest film Scarlet is kind of a take on Hamlett. 

Friday, November 12, 2021

The 2000s were Anime's most Revolutionary Decade

I don't think Anime has changed more in any single decade then it did in the 2000s.

At the start it looks a lot like the late 90s and by the end it looks almost like what 2010s Anime has been.  That's normal of course.  My point lies more in how radically different the 90s are from the 2010s.  In a lot of ways the early 90s only looks a couple upgrades different from the late 70s.  However comparing what was airing in December of 1999 to January of 2010, it can be hard to believe that took only 1 decade.  

The 2010s meanwhile as much as I've loved the Volume of Anime they've given me (about half of everything I've watched), do feel like they've mostly been defined by a handful of trends.

The 2000s were the most experimental decade, a decade where seeds planted in the 90s were nurtured and cultivated to eventually fully blossom into what we see now.

How did the Magical Girl genre go from Sailor Moon and Card Captor Sakura to Madoka Magica and Yuki Yuna?  Well stuff like Magical Girl Lyricla Nanoha fills in the gaps.  But in the world of Magical Girl shows that stayed strictly kids' shows, the first 6 years of Pretty Cure laid the foundations of everything that franchise has been doing since.

When it comes to the really out there trippy stuff, yeah everything in the 2000s may be standing on the shoulders of Eva, Utena and Lain, but that just helps them reach greater heights.

Is Mecha dead?  That's a question that's been haunting Anime discourse for awhile now, and I'm not interested in answering what most people mean by that question.  What I miss about the late 90s and 2000s was how Mecha just sorta popped up in shows that weren't mainly Mecha shows.  Like oh you're gonna do Futuristic Space Opera Anime Count of Monte-Cristo, of course the duel is gonna be with giant robots instead of swords or guns.  And even among stuff that Mecha could be considered the main genre classification, today they are usually one of three things, trying to be Eva, trying to be Gundam, or very rarely trying to be Mazinger Z.  It's only in the 2000s that we had a lot of Mecha shows that don't easily fit into any of those.

The nature of these transitions were complicated.  Partly in how often Anime is behind it's source material.  A lot of the trends that have defined mid to late 2010s Anime were already flourishing in these more niche mediums in the late 90s and early 2000s.  Remember when the Sword Art Online Anime debuted it's source material's original publication was already a full decade old, older then some well known franchises that got animated a lot sooner.

Light Novels have existed and been an occasional source material for Anime longer then Visual Novels have.  But in the 90s and very early 2000s the kinds of stories an Anime fan would associate with the term "Light Novel" were completely different.

You could conceivably take any year from the 2000s and argue it to be a key transitional year.  But for the rest of this post I shall focus on arguing for 2006, simply because some shows from that year have been on my mind.

Prior to 2006 no Visual Novels got any 2 cour Anime adaptations, AniDB may list some but I'm pretty sure those are based on games that don't properly count as VNs under the strictest definition.  But in 1 year 2006 saw the debuts of three 2 cour Visual Novel Anime, Higurashi, Fate/Stay Night and KyoAni's Kanon.  Two were instant hits that were in some way followed up immediately.  The one that didn't quite take off as immediately eventually dwarfed the rest to become one of the most all consuming brands in all of Anime.

And in the world of Anime adapted from Light Novels, The Melancholy of Haruhi Suzumiya single handedly changed everything.  Though The Familiar of Zero also got it's Anime that year.

In addition to shows that were seemingly giving birth to the 2010s in that year, there were also shows that were in some ways send offs to trends of prior eras.  Nerima Daikun Brothers isn't technically the last Nabeshin Anime, but I feel it was mostly the last gasp of the style of Anime comedy popularized by Excel Saga.  Meanwhile Strawberry Panic felt like the Magnum Opus of everything the Yuri Genre had been for the prior half century.

And Pokémon quite literally transitioned from Advance Generation to Diamond and Pearl.  At the same time it's English localizers made some production transitions.

There was also plenty of stuff that feels just as related to what came before as to what came since, but still while being innovative.  Code Geass, Death Note, La Chevlair D'Eon, Kashimashi: Girl Meets Girl.  And then there was a show that wound up making a good case study in Anime obscurity.

Update: On my Twitter thread promoting this post I wound up talking about an interesting 2007 show.

https://twitter.com/KuudereKun888/status/1459123983417229338

Wednesday, June 9, 2021

TVTrope's Standard Evil Empire Hierarchy page

I'm going to make some observations I've wanted to for awhile about the TVTropes Standard Evil Empire Hierarchy page. It's one of my favorite of their pages to revisit.

The more elaborate a TVTropes page is, the more likely it is it's mostly something the community editing that site imagined themselves and not something more general literary analysis scholars would take seriously.  And this page is a perfect example of of that.  Because I really don't think a single Fictional Empire that perfectly fits all the requirements actually exists.  But to me that makes it all the more interesting to over analyze and speculate about what created these ideas in the minds of these Internet Nerds.

This is partly related to how many of the Evil Empires that inspired these Tropes were trying to at least partly base themselves on the Nazis regardless of often not caring about their actual ideology.  But the page currently doesn't have a real life section so they aren't trying to apply it to the Nazi Regime itself.  Naturally Star Wars is a big middle man here.

It seems to me like the original concept behind this Trope was about the way the Protagonists in a JRPG or other kind of adventure story encounter the Empire rather then a truly objective view of how it's organized.  But over the years many editing it and adding examples have lost sight of that.

The Guard's role in a story is chiefly as the first significant Underboss the Heroes deal with.  He's often associated with a Fortress or Base of some sort because it's usually whichever one of those is nearest to the Starter Town.  They are referred to as one of the least sympatric because their mustache twirling villainy is what establishes the Empire itself as evil, once that's established there is then room for more nuanced characters within it.

In Star Wars this role is played by Grand Moff Tarkin, but Tarkin's rank in the Empire is not a unique one, it's a type of regional Governor basically.  Being entrusted with The Death Star may imply he's one The Emperor has particular confidence in, but the rank itself is still not unique.  In the expanded universe we do get to meet other Moffs.

For Code Geass the page designates this role to Clovis which is probably one of the most accurate to my theory of the original intent of any Gaurds on the page in it's current form.

In fiction using explicit Nazis a good model for The Guard trope is perhaps Conrad Veidt's character in Casablanca.  He's probably not a big wig in the overall Nazi hierarchy at all, but is locally who the people in Casablanca are most concerned about.  But one could also look at Klaus Barbie in 2020's Resistance.

The big evidence of how this page has lost it's way here would be it's Tolkien examples.  Sauron in the First Age and Saruman in the Third Age can be said to be guarding something, but that seems to have not been the actual original point of The Guard.  If I were to use that logic in designating a Guard for the Nazi regime the best bet would be Himmler, he did have that old Castle he ran the SS out of.

The Security Officer position was not originally part of the page, it wasn't there when I first started visiting it as recently as 2012.  And for Code Geass giving this position to Cornelia feels wrong, she was just taking over the same position Clovis held, she's really just a second Gaurd.  But is also equally as worthy as Schneizel for what The General refers to.  Historically Reinhard Heydrich (Later replaced by Ernst Kaltenbruner) fits The Security Officer probably better then any other leading Nazi fits any of these roles.

The General is described as being the opposite of the Guard in how sympathetic they are typically depicted as being.   Dennis Hopper's character in the 90s Samson movie is a pretty text book example of this kind of fictional General they are thinking of, the movie respects and sympathizes with him a great deal even though it also sees him as needing to die with the other Philistine leaders.

That role is often a General because something in the collective subconscious of many Military fixated cultures like Rome, America and at one time Japan desires to respect a good General, even an enemy one.  

This is part of why Trotsky is sometimes spoken of positively even by stanchly anti-Communist Conservatives, he was the actual Military Mastermind of the early Bolshevik victories against the Western Imperial powers who invaded Russia to try and stamp them out.  So these War fetishists can't help but admire Trotsky a little bit. Snowball is Trotsky in the Animal Farm allegory, that's why he's a Bad Ass in-spite of the cutesy name.  

And to the extent that WWII has influenced how a lot of fiction about War has been written in the last 80 years, the (many would argue manufactured) reputation of Erwin Rommel has definitely played a role there, the honorable German General who wasn't really a Nazi.  Patton's admiration of Rommel was a plot point in his movie.

But taking being THE General of the entire Empire too literally might result in one designating this to Goring.  But Goring was actually quite bad at that job and only really kept it because he was a shrewd politician, so basically the Axis Counterpart of Douglas MacArthur.

In Code Geass the protagonist's main talent is largely being a good General, so the person literally playing The General is also his "Evil Counterpart", and over the course of the story Cornelia and Schneizel both fill that role.  Schneizel isn't entirely unsympathetic, but this aspect of The General's role is clearly much better fulfilled by Cornelia, while Schneizel is more filling the Evil Counterpart role as Lelouch's aesthetic and ideological antithesis.

For Star Wars TVTrope's desire to designate this role to someone in the Original Trilogy results in it being claimed by someone who's name most casual viewers don't remember.  In the old EU (called Legends now) Grand Admiral Thrawn is the archetypical General, especially when later books give him more nuance.

The Right Hand and the Hero's Evil Counterpart are often the same person because both are partly modeled after Darth Vader's role in Star Wars.  That naturally makes it the least "Realistic" when trying to apply these tropes to Historical Empires, but there are still some historical things I could note.

In the 60s BBC miniseries The Caesars when Tiberius makes Germanicus the "Commander and Chief in the East" and then explains his intentions to Piso the Governor of Syria.  He says he intentionally wants who actually outranks the other to be "unclear".  So whenever I see a Star Wars podcast express confusion over the actual authority Vader and Tarkin have relative to each other, I think of that scene.

The part of how The Right Hand is defined about him being outside the normal organizational structure does make me when looking at the Nazis think of applying it to Rudolf Hess (and later Martin Borrman) they were the Deputy Fuhrer of The NSDAP Party but didn't technically have a government position at all, (kind of like being the Chairman of whichever Party the sitting United States President represents).  But since everyone in a dictatorship's government is a member of the Party that does make them informally the number two figure.

Britannia in Code Geass really doesn't have a proper Right Hand.  Bismarck who TVtropes designates that I would say is more a Security Officer but also an Evil Counterpart to Suzaku (while Suzaku himself was the Evil Counterpart to Kallen).

Since the page is open to new positions being added, I think something like "The Propaganda Minister" or "The Press Secretary" or "The Spokesperson" should be added.  Since I think in order for any Fictional Evil Empire to be like any modern Governmental Regime someone ought to be filling the Joseph Goebbels role, and for a not so modern setting the equivalent role could be something like "The False Prophet".  

For Apokolips in DC Comics that would be Glorious Godfrey.  In V for Vendetta (the movie version at least) that would be Lewis Prothero.  Currently many and probably most Fictional Empires don't have one, but the same is true for The Security Officer, and none of them are entirely universal.

In Code Geass I would oddly enough say Detard plays this role at the start for Britannia but then later for Zero and in the end for Schneizel.

The Oddball is defined as usually a Mad Scientist or Dark Magician, but the inclusion of Bobba Fett suggests it's sometimes just a mercenary being hired by the government.  The page currently saying this is Suzaku's role in Britannia is pretty weird, it should be Earl Lyod Asplund.  For the Nazis this is basically Mengele and other notorious Nazi Scientists, or from the Occult perspective people like Jakob Wilhelm Hauer, Karl Maria Wiligut, Savitri Devi or Miguel Serrano.  But given how some Trope pages treat this almost as the miscellaneous position, I kind of feel you could give it to Albert Speer or Julius Streicher.

"The Man Behind The Man" is who the TVTropes page most admits to being optional.  In Code Geass V.V. fits this pretty well.  In Star Wars you could say it's The Dark Side of The Force itself (or just The Force from Kreia's perspective).  In some JRPGs with a twist the Oddball and Man Behind The Man wind up being the same like Kefka in Final Fantasy VI(III on the SNES) and Dimentio in Super Paper Mario.

With the Nazis it depends on how you view them.  If you insist on saying it's a logical end point of Capitalism then you could look at Emil Kirdof, Friedrich Flick, François Genoud and the other businessmen involved in the I.G. Farben and Krupp arrangement.  People who continue to overstate the Thule Society's role would say Rudolf von Sebottendorf.  But I kind of see this being the role of Alfred Rosenberg.

Rosenberg is the only major player of the Nazi Regime who was a member of the Party longer then Hitler.  In fact everyone else who's name you're likely to remember or I mentioned in this post already didn't join till after the Kapp Putsch failed in 1920 at the soonest.  Rosenberg however was a member several months before Hitler was joining in the same month it was founded (January 1919) and had previously worked on an Anti-Semitic newsletter with two of the party's four founders, Dietrich Eckhart and Gottfried Feder.  So it almost seems justifiable to call him the fifth founder, and thus the only founder still important when the Party actually seized power.

It was Rosenberg who introduced Hitler to the works of Houston Stewart Chamberlain, making Rosenberg a key connection to both individuals who have been called "Hitler's John The Baptist".  While his power in the Government was mostly just running some bureaucracies, he was the person who's job it was to to fully define and articulate what exactly Nazi ideology was.  It kind of feels accurate to call him the High Priest of The Third Reich.

But Ulrich Fleischhauer is also worth noting.

Tuesday, March 23, 2021

Britannia of Code Geass is the only Fictional Evil Empire truly based on the Nazis

The Galactic Empire of Star Wars may cosmetically look more like the Nazis with their 1940s style formal Military uniforms and completely ahistorical use of the term "Stormtrooper".  But they like most other alleged "Space Nazis" have no elements of actual Nazi ideology. The Cardasians of Star Trek are a good fantastical Analogue for proper Fascism, but that's actually a different ideology.  

Britannia of Code Geass cosmetically looks more like it's based on the 18th-19th Century British Empire.  But it's Social Darwinism and Biological Racism make it the only SciFi Evil Empire I really see as at all resembling Nazi Germany.  The original concept behind the Pure Bloods (before Jeremiah's motivations got retconned) could even be compared to the SS.  The Honorary Britannian status is clearly modeled after the Honorary Aryan status.

It's Socio-Economic system looks like a continuation of Feudalism with Capitalist elements, which at face value doesn't seem to contradict it being based on the British Empire.  But unlike Brittan of the last 400 years there is not a trace of Democracy or Constitutionalism, no Parliament or Prime Minister.  And unlike any real period of the British Monarchy's history there is no attempt to adhere to any strict form of Primogeniture, which child of the Emperor will succeed to the Throne seems to be based on Meritocracy.

[Update: I've been reminded on Twitter that Schneizel holds the title of Prime Minister.  But he seems to have that position because he was appointed it, there is no evidence of a Parliament.  Being that and also a top General does make his position similar to Goring in Nazi Germany who was Prime Minister of Prussia.  But also no real world British Prime Minister has ever been a member of the Royal Family.]

The relationship between the Nazis and the old German Nobility was complicated.  The majority of Nobles never liked the Nazis, and the Nazis very specifically didn't like the ones they blamed for losing WWI particularly the deposed Kaiser Wilhelm II.  Their anti-clericalism tended to make them unpopular with the Catholic Nobles of southern regions like Bavaria and Austria.  And their relationship with the Prussian Junkers (who largely supported the DNVP and dominated the Wehrmacht) was shaky.

Still some Nobles did join the Party, one of the first of them was Karl von Eberstein who was Important to the SS which one could argue Himmler envisioned as becoming a new Nobility.  A number of the Nobles to join were from the families I like to call the Lutheran Aristocracy, descendants of the leading founders of the Schmalkaldic League.  Many Princes of Hesse, Charles Edward of Saxe-Coburg-Gotha, Georg of Saxe-Meiningen (probably also his brother Bernhard), Georg Morits of Saxe-Altenburg and his father.  Ernest Augustus Duke of Brunswick never joined the party but was a key ally.  Prince Bernhard of the Netherlands relationship with the Nazis has long been a subject of controversy, less disputed is his cousin Princess Marie Adelheid of Lippe.

And while Hitler was opposed to ever putting the former Kaiser back on his Throne. there are reports that at one point he'd arranged for Prince Alexander Ferdinand a grandson of the Kaiser (his father was the 4th Son and only one to join the NSDAP) to be his successor.  So I do think it's plausible that the Third Reich may have become a Social Darwinist form of Neo-Feudalism if it had survived.  They were after all obsessed with romanticizing Germany's past including the Teutonic Knights and the Holy Roman Empire.

Meanwhile within Britain both Fascism and Nazism were more Feudalistically inclined then in Germany or Italy, even Mosley supported the Monarchy, but his more Aristocratic Father In-Law was more Nazi inclined. The Nordic League and the Right Club were lead by Nazi sympathizers in the Aristocracy like Arthur Wellesley The 5th Duke of Wellington, Hugh Grosvenor The 2nd Duke of Westminster, Hastings Russel 12th Duke of Bedford and Lord Lymington 9th Earl of Portsmouth.

The Nazis complicated relationship to Christianity is also interesting to compare here.  Christianity does seem to be nominally still the religion of the Holy Britannian Empire, but The Emperor also publicly denounces The Ten Commandments with basically the same Slave Morality reasoning as a certain German Philosopher who's ideas the Nazis selectively co-opted.

Friday, October 2, 2020

What are good Entry Point Anime for Western Superhero Comic Book Nerds?

It's kind of surprising to me how much these two fandoms don't overlap.  I tried to make a variation on the Dio meme that was about the Captain Atom/Monarch fiasco and nobody got it.  Plenty of people who are deep into one of those rabbit holes is familiar with the most well known Normie examples of the other, but that's about it.

As someone who's DC fandom is far older then my Anime fandom, and yet has come to now view Anime as what I'm more of a fan of then anything else.  I'm perhaps uniquely qualified to try and identify how to reel others in.

The Anime that are most explicitly made to evoke Western Superhero aesthetics, stuff like One Punch Man and My Hero Academia, actually don't appeal to me.  They're just Battle Shonen (one of my least favorite Anime genres) with more Capes and Masks.

The Magical Girl Warrior Subgenre was influenced by Superhero comics in a very particular way.  If you're of the opinion that Wonder Woman was only great in the Marston era and everything since Denny O'Neil has been a hollow shell, then Sailor Moon or Wedding Peach might be exactly what you've been looking for.  But I know there will be others that won't be able to get into that genre, at least not without being phased into the Bishoujo first.  So my focus today shall be more Seinen.

For me the show that wasn't my first Anime but the one that really felt like a unique and interesting approach to tropes and ideas I was already into from my prior Nerdiness was Code Geass.  There was a thread on IMDB once about comparing Lelouch to Simon Bolivar, I wasn't as familiar with that piece of history as I am now (which is still not a whole lot), but I left a comment on how I liked to compare Lelouch to Alexander The Great and Paul Atredes and Batman and Spiderman and Ozymandias, but there was also overlap with what I loved about the Star Wars Prequels.  Later when I started getting into Paul Feval his John Devil was added to that list.  The show also had Shakespearian qualities in some of it's dialogue exchanges that are more subtle then literal Iambic Pentameter.

But one thing I kept noticing when I rewatched the show earlier this year was how many Anime tropes and clichés it had that I wasn't prepared to recognize as such when I first watched it.  This was my first Absurdly Powerful Student Council, my first School Festival and even my first taste of some of Anime's special kind of degeneracy (wasn't my first sample of Yuri though).  It introduced me to those things but not in doses unbearable for someone who'd prefer not to have them.

Thing about Code Geass is while it was great for me others might need something even less perverted.

Death Note is a show I watched because it's lead was often compared to Lelouch.  The show provides a great Holmes vs Moriarty style battle of wits, for a certain kind of Comic Book Nerd it's exactly what they want.  But I'm more looking for what will appeal to those who's tastes are less dark.

For people like Linkara, I really recommend starting with A Certain Scientific Railgun (but skip the second episode on your first watch) and then the show it spun off from A Certain Magical Index.  Railgun is a Seinen show that could easily pass for Shoujo, and at times I feel like it has an appeal that is very similar to why Teen Titans is my favorite DC franchise yet I can't really explain why.

Railgun is better then Index at least in their Anime versions for a number of reasons.  The main thing that makes it a better entry point for Normies is having none of Index's egregious fanservice, only the most G rated allusions to that aspect of the culture.  

But also during Railgun T especially it proves to be a show where the battles actually put thought into making interesting use of the characters' various powers and abilities.

Once you are into this universe, you probably will want to check out Index and Accelerator eventually, because there are aspects of the universe only those shows can get into.

Update January 2022:  I wish I'd watched some Detective Conan before I wrote this, it's a show I was aware of but it's different then I expected.  Some of the shows above involve dual identified but how they function is a bit different.  There are occasional episodes of Detective Conan where Ran is very much on to Conan being Shinichi, and they way they play out constantly reminded me Lois Lane in the first act of Superman II.

Update Again: Months later and Conan is still holding up, it combines the Teen Drama Superhero antics of Spiderman with the Gadget wielding non leathal Detective antics of Batman.  And in time it develops an interesting cast of recurring villains.  

Also magic Kaito which it spun off from is good too, it's Manga is older but the Anime is newer.

The movies are often more action orientated then the show, and have on average gotten less cleverly written as time as gone on, but I find mostly all of them, even the dumbest Conan film is smarter then any MCU film.

Update August 31st 2024: I also now want to add Durarara! to the list, it has a lot of qualities that remind me of those DC Comics where you just kind of hang out in the DC Universe.

Thursday, May 21, 2020

"You can't change the world without getting your hands dirty"

This quote comes from Lelouch near the beginning of episode 3 of Code Geass season 1, right before his first murder.

The thing about revisiting Code Geass now in the wake of my spending a lot of my post 2016 years engaging with DC fans who are really absolute on not wanting Superheroes to ever kill.  Is how that mentality, that desire for Superheros to remain pure in their battle agaisnt Evil, kind of overlaps with the same Centrist principals that hold back real Revolution, the idealizing of MLK and Gahndi's "non violent" resistance over the Black Panthers and the violent Indian rebels who's names I don't even know.

I know full well the appeal of murderous vigilantes like The Punisher and Death Wish is to a very Conservative mentality, and that's why many Leftist media critics don't want a Batman who kills.  I like Death Note for how it deconstructs that mentality and so no I don't think Batman should become an executioner of street thugs and mental patients.

But the real deeper Leftist critique of the Superhero genre is that the perpetual status quo always has the Superheroes fighting only the symptoms of society's problems and never bringing about any real systemic change, and if anything the worlds they protect seem to become more dangerous the longer they exist in them.  Code Geass appealed to me over a decade ago because of how it had a lot of the trappings of a Costumed Superhero story but didn't have the perpetual status quo, Lelouch actually does change the world.  And back when I first watched it I hadn't even developed my current Leftism yet.

Code Geass is also willing to criticize those who would abuse this sentiment to justify anything, like when Detard uses it in episode 18.  I do feel it's important the next real life Revolution avoids the mistakes of The French Revolution, we don't want another Reign of Terror.  I strongly oppose Capitol Punishment and that includes of the "Kings" we overthrow once the Revolution is victorious.

However a sentiment I sometimes see applied to historical analysis of the French Revolution is that The Terror somehow became inevitable as soon as the Revolution condoned any "political violence" at all, typically what happened when the Bastille was stormed.  This sentiment also applies to Extra Credits critique of the history of the Gracchi brothers.

That absurd notion that you damn yourself to complete homicidal madness once you get any blood on your hands at all is exactly the common "explanation" for why Batman can't kill even once not even The Joker or Lex Luthor, that it would somehow be impossible for him to do it even once without inevitably becoming no different then who he killed.  I've hated that logic since I first saw it expressed in Under The Red Hood but now that I see it's connection to how people condemn violent Revolution I better understand why it's so insidious.

There are good reasons why not killing should be part of Batman's character, especially as long as he's fighting "crime" rather then those who really make the world suck.  But more often then not this "if I do it even once I'll go insane" is the reasoning Batman writers and fans prefer to default to, putting that dialogue from Under The Red Hood into their anti Snyder videos as if it's a serious legitimate reason.

Something I commonly see in the discussion around the killing of Zod in Man Of Steel is that many people upset about it do not deny how justified it was, they are upset at the writers for writing Superman into that situation.  They are so used to Superman being allowed to maintain his innocence that to them it's a contrivance only when he can't, when the truth is fighting the kinds of threats he fights it is far more contrived that he can in some timelines do this for years or decades and never be in that kind of situation.  And it's fine to prefer those kinds of stories for Superman, I don't mind stories being contrived to suite what I prefer to see, but don't then insist there is an evil value in "contriving" the story differently then what you want.

KyleKallgrenBHH throws that scene into his video about the "Fascist" tendencies in modern Superhero and Action films.  The problem is that whether you like Zach Snyder's personal politics or not Zod is the one being a Fascist (and unlike most fictional characters refereed to as "Space Nazis" he can legitimately be called a Nationalist) in this movie, having proclaimed his desire to kill every single human being on Earth.  Saying Superman shouldn't have killed him is like saying it'd be wrong to kill an SS officer who is in the process of massacring Jews.

Suzaku can't really be compared to the kind of No Kill policy DC Superheroes usually have since he's a soldier fighting in a war.  But season 1 Suzaku is as close as you can get to that in this context with his absolutist rejection of the ends ever justifying the means, his stated motivation is to prevent people from dying, for some writing him that is the same way Batman's driving motivation is described.  He fits in very well with Linkara's preference for comparing Superheros to Medieval Knights as they are presented in the Musical version of Camelot (this Anime is kind of a reverse White Savior in how this Eleven is a more Chivalrous Knight then any actual Britanians).  Thing is Suzaku is a pretty brutal deconstruction of that, much better then any western Superhero deconstructions that instead remove the aversion to killing when trying to say "Superheroes would be a bad thing actually".  When you think about it, Suzaku is the ultimate deconstruction of Captian America.

Code Geass is a truly nuanced story, Lelocuh makes bad decisions, but that's how any Revolution will inevitably go, there isn't going to be a successful one that is perfectly innocent of anything for later generations to condemn.  Though there will inevitably be defenders of it who will seek to deny those sins as we see in how American conservatives view the American Revolution.

Lelocuh does try to minimize civilian casualties as much as he can.  This quote came from episode 3, it is however in episode 1 we get two quotes from Lelouch that will be brought up again later which really show why Lelocuh was an ideal leader for a Revolution.  "How can the king expect his subordinates to follow if he doesn't lead" and "the only people who should Kill are those who are prepared to be killed".

Saturday, May 16, 2020

Heroes on both sides

It's not easy to find a bigger fan of the Star Wars Prequels then me.  But even I have to admit that this most memorable line of the Episode III opening crawl isn't really lived up to by anything seen in the films, or really for that matter the Clone Wars episode named after it.  It's only the Prequel era content that even pretends to have such nuance to how it depicts the War in question so this doesn't change that I like the Prequels more then the OT.

But it is a good reminder that as much as I am a fan of the Star Wars Prequels I still ultimately don't consider any Star Wars content the best at the kinds of things I like the Prequels for.

If you wanna see what "heroes on both sides" should look like then look no further then Code Geass.

Code Geass is an Anime I considered my second favorite Anime back when I still hadn't actually seen enough Anime for being one of my favorites to mean anything impressive.  I made a post last year where I wondered if the show really is still that important to me in the wake of all the new Anime I've gotten into.  But I then spent a good deal of the last few weeks re-watching Code Geass, some episodes up to three times, and it holds up phenomenally well.

In this show there is no real ambiguity that Britannia is wrong, and the only truly completely unsympathetic characters in the show are relatively minor Britannian characters.  But all the major and even secondary characters have depth, and truly heroic qualities are associated with plenty of Britannian characters.

Other works in the Mecha Genre are similar, especially in the Gundam franchise for which I still consider Gudnam 00 the best installment.

I finally watched Dawn of The Planet of The Apes the other day.  It was in fact much more nuanced then the impression the trailer gave.  I'll be watching War for The Planet of The Apes before I give any final judgment on that trilogy.

The point remains, it is incredibly rare for Hollywood to come even close to the true nuance that Anime regularly brings to stories about War and Terrorism and Revolution.

I may be making more Code Geass relevant posts in the future.  I have lots of thoughts about it.

Saturday, May 2, 2020

Making sense of the ideology of Suzaku Kururugi

I'm a lot more forgiving of Suzaku then is average for the Code Geass fanbase.  But the fact remains one of the main flaws that plagued R2 was the increasing inconsistency and hypocrisy of this character.

It's not so much that I think any specific decision he made was inherently out of bounds.  It's the way he justifies and explains himself that feels incomprehensible.

I've been re-watching some season 1 episodes, wanting to refresh my memory before giving the new movie it's third viewing.  And in episode 8 Suzaku says something off hand and innocuously that is perhaps a better explanation of his worldview then anything he says in the dramatic ideological arguments.

I'm of course going off the Dub here, but he said he trusts "the logic of systems over the emotions of individuals".

If the show had more consistently stressed this as the crux of his ideology instead of wasting so much time moralizing about the ends not justifying the means then he might have been able to come off as much more consistently written.

Suzaku should not be viewed as the "Conservative" of the Code Geass universe, that's more Britannia itself.  He's much more of a Neo-Liberal, someone who would have voted for Biden in this last primary.

Sunday, April 12, 2020

Code Geass: Lelouch of The Resurrection

I was naturally a little apprehensive about the prospect of bringing back Code Geass, of potentially ruining what I consider the best most satisfying ending in all of Anime and perhaps all of Speculative fiction.  And when it was made clear only a year had passed I got worried.

But in the end the movie was very good.

I watched the Dub of course.  Early on a couple VAs were sounding like maybe they were having trouble getting back into these characters.  Of course in my most recent re-watching of Code Geass material Kallen kind of doesn't feel the same to me anymore as I've gotten used to that voice in other Anime usually playing older characters.

Mostly though once any character was fully back in action it felt like a old friend returning, but still changed by their development.

I recommend it to all Code Geass fans.  Now for the Spoilers.


Wednesday, January 1, 2020

The Clone Wars is the closest thing Western Media has to a Mecha Anime

It doesn't quite officially qualify because there are no humanoid giant robots piloted by human pilots.

But it does feature Droids of various sizes fighting in a war (called Clankers by the Clones), and ace fighter pilots, and being Force sensitive is a little like being a Newtype.

And the stories it tells are frequently about how war is bad, how it's usually not worth it even if one does have a good cause, and this war's cause is quite questionable.  It features Heroes On Both Sides but also evil everywhere.

This war is like the One Year War in that the Antagonists are the secessionists.  And like in some Gundam timelines we know the Protagonists' side's victory will only result in them becoming a totalitarian dictatorship later on.

There are many female characters in Sunrise shows of the last 20 years I feel were based on Padme Amidala, though some perhaps are more like Duchess Satine.

Ahsoka Tano is practically an Anime Girl, she even has a vaguely Japanese sounding name (not the only one in Star Wars).  And the fanbase does plenty of Yuri shipping her with Barris Offee (the first part of the Forces of Destiny - Ahsoka & Padme comic feels like a Doujinshi that had the H scene edited out).  And there are some other Lightsaber wielding Waifus as well, like Aayla Secura, Luminara and Shaak Ti.

Star Wars as a whole has been drawing on Japanese Media from the beginning, first and foremost the films of Akira Kurosawa starting with The Hidden Fortress.  And Japan has returned the favor with the Real Robots sub-genre of Mecha having Star Wars influence right from it's 1979 beginnings.  I see no evidence of specifically Anime influence on the Original Trilogy, but it wasn't long till Anime started being a factor.  Grand Admiral Thrawn I suspect was inspired by the aliens in Space Battle Ship Yamato and maybe also Macross, both had localizations Zahn could have been exposed to in the 80s.  And my theories about Anime influence on the Prequel Trilogy may be the subject of a future post on this Blog.

The inability of other Star Wars to work this way isn't just because of less literal Mecha, but the fact that once everything becomes Rebels vs Empire or Resistance vs First Order everyone's perception is too wrapped up in the perceived Nazi allegory to allow any actual nuance.

The Clone Wars is unlike most Anime in that it doesn't much matter if you watch it in order.  For the first three seasons the release order wasn't the chronological order anyway.  Some may find it weird how I'm more okay with watching this show out of chronological order then the Six Episode Movie Saga.  But that's because this show is all filler to the Skywalker saga anyway.  Those who think it actually fixed problems in the Prequel Trilogy are morons.

And the movie isn't the best first impression of the show, it isn't as bad as some make it out to be but it doesn't work as a theatrical film and is far below the show's high points.  I can't just compare it to the filler movies many Anime have because it's also the beginning of Ahsoka being Anakin's Apprentice, including the reason he calls her Snips.  But there isn't much you need to know, the gist is Anakin's assigned a Padawan and is at first not thrilled with the idea but warms up to her.  Actually all that happens in the first 28 minutes and 10 seconds, the rest is basically just a filler movie.

My biggest divergence from most Clone Wars fans is I don't support bringing Darth Maul back, fortunately that doesn't really come into play till the end of season 4.  And I'm not big on the Ventress and Nightsisters stuff either.

I wish I could share other fans' excitement for Disney bringing the show back.  But the main reason Clone Wars is like a Mecha show is something I'm afraid Disney will tone down, Disney doesn't like it when people think Capitalism is bad.

The main selling point of the show was Ahsoka, and they kinda wrote her off.  I suppose they could do stuff with her, maybe show how she starts on the path that takes her to where she was on Rebels.

I'd like to see more spotlight episodes for Aayla Secura, and an explanation for what happened to Barris.

YouTube has some MashUp trailers of Star Wars trailers and Code Geass that are pretty cool.

Tuesday, April 2, 2019

It's hard for me to truly settle on a 3x3

I made one recently, based mostly on the mood I was in at the time.
I simply really like too much stuff to easily settle on 9 shows to call my definitive absolute favorites.  On MAL I've given out 66 10 out of 10s so far.  Digibro has completed almost three times as many shows as I have but has given out less then half as many 10s.

For one this was a 3x3 of just TV Anime, no movies otherwise Nausicaa would certainly have had to be on it.  I was working on a 3x3 of just movies at the same time I worked on this, but I couldn't settle on one, and had trouble finding the right size images for some I knew I wanted to include.

Index and Railgun was something I'd only just recently discovered when I made this, a year from now will it still be so dominant in how I think about Anime?  I have no way of knowing.

Code Geass is perhaps the opposite problem, I feel the need to include it for how important it was to my early history with Anime, but it's been awhile since it'd really been an active part of my fandom.  Maybe that'll change when I can finally see the new movie.

My mind also continually changes on whether I prefer Fate/Zero or Fate/Stay Night: Unlimited Blade Works to be my top installment of the Fate/ franchise.

And am I overrating Smartphone just a little bit because of how much I feel the community at large underrates it? and because I wanted to include something recent? Is it even really my favorite Isekai?  The fact that I only have 12 episodes to go on is what holds it back, but my other top Isekai is also only 12 episodes so far, No Game No Life.

And one show missing from the current 3x3 is a show that had once temporarily topped even Noir as my absolute favorite, Revolutionary Girl Utena.  It remains what I consider the most important Feminist Anime.

The Lupin The 3rd franchise is also missing, it's provided 2 movies that would be likely to make a 3x3 of just films, and a miniseries that is perhaps the 2nd best Feminist Anime, and plenty else I've enjoyed. 

When I made this I felt the need to limit myself to only one Magical Girl show, but I certainly feel like the Magical Girl genre currently makes up more then just a 9th of my interest in Anime.  I wound up settling on Nanoha at the time I made this.  For awhile I was considering Yuki Yuna Is A Hero my favorite, but before I watched that I would have said Madoka Magica which played an important role in my becoming more of a full time Anime fan.

And then there is Sailor Moon, it's very important to my history with Anime, and in theory certainly should be a favorite.  But there are currently so few single installments of Sailor Moon I'm willing to give a 10, currently I only give the first movie at 10.  All of the main arcs have me too much thinking about how the different versions have their own different imperfections.

Thing is I can basically say the same thing about Pokemon, where on MAL I only quite give a 10 to the 3rd movie.  Yet for both Pokemon and Sailor Moon it'd be highly rare of me to rate anything below a 6, and fairly rare for one to get below an 8.

There is also a genre completely missing, and that's the Yuri Genre.  Now Yuri content exists in arguably almost everything on that 3x3 or that I've talked about at all so far in this post.  But primarily Yuri shows like Citrus and Strawberry Panic and others have trouble earning a perfect score or competing with my long time faves, but they are still pretty important to me.

And that's just scratching the surface of shows I feel are quite important to defining what kind of Anime fan I am, yet that I have trouble definitively calling better enough then other shows to make them undeniably an absolute favorite.

Tuesday, February 13, 2018

Code Geass Season 1 is nearly Perfect

Code Geass in general is one of my favorite Anime, it was number two for a long time, and it's still high enough to almost certainly make my 3x3 if I ever made one.

What issues I have with it are pretty much all in R2, much of it coming down to how Suzaku was handled.  A lot of people didn't like him much in season 1 either, and there were certainly some inconsistencies in how he was written already.  But mostly I felt he worked as a foil to Lelouch.

But in-spite of the flaws I still enjoyed a great deal of R2, especially at the end.  I feel the last episode is one of the most perfectly executed series finales in Anime history, which to begin with has a better series finale track record then western television.

But season 1 was nearly perfect.  I say nearly only because it falls short of being as masterful as something like Noir.

The rest of this post is me defending Season 1.  And there will be Spoilers.


Monday, February 12, 2018

The growing Hostility towards Redemption narratives in some circles.


I already hinted at how this bugs me briefly in my last post about The Last Jedi, called Subverting Expectations is not a substitute for actual Imagination.

The "some circles" I mean right now are largely SJW ones, but not all SJWs.  But it's ironic cause long ago, before I started these BlogSpot blogs, it was mainly a Conservative thing to complain about sympathetic villains in fiction.  While people on The Left were arguing we need to reject such superficial classifications as good and evil.

So the issue tends to be that redemption narratives are often a Privilege of Cis-Het White Males.  And like my feelings on other subjects, the answer to this should be making more redemption stories for Queer and Non-White characters.  Though those narratives can become problematic when it's primarily white people leading them to the right path.  Or when redemption for a Queer villain requires rejecting their Queerness. 

Plenty of these people are not against any redemption narratives.  But feel there are certain lines you can't come back from. My concern is that making people believe there is a certain line you can't come back from, will simply become a self fulfilling prophecy.

Actions have consequences.  A redemption story should not mean it's like that character's sins never existed, or that people have to trust them now.  And just as recovering alcoholics need to stay away form alcohol, people who have a history of abusing their significant other should stay out of romantic relationships, especially with the specific people they abused in the past.  Forgiving a lover who wronged you in the past does not mean you should then start a new relationship with them.

This subject can kind of be divided into two categories.  1. Villains repenting of their sins and being forgiven by the narrative represented by the protagonist in the end before they die or something else ends their role in the narrative.  Maybe while also doing some heroic redemptive act.  2.  A Villain flat out becoming a Hero.  I'm a supporter of both, the latter is a much more difficult thing to pull off well, which is exactly what makes the former often feel lazy.

There are times when Sexism makes it seem easier for female villains to be redeemed, the High-Heel-Face Turn as TVTropes calls it. Plus the endless number of Femme Fatales who changed sides from falling in love with the Hero they were sent to seduce.  The frustrating thing is when the now more virtuous version of the character loses the cunning she had before, like what happens to Ellen Palmure in the Rocambole novels.  Also every Zelda Villianess has been pretty soft compared to the major male ones.

On the subject of Star Wars.  Some people feel in The Last Jedi specifically Kylo Ren passed the point of no return.  And I can't call that wrong in the sense that I half way feel like that's what the film was saying.  But logically I don't really buy it.  Kylo (and the First Order as a whole) do not surpass the evilness of what they did in TFA, only in TFA were there attacks on civilians (if anything Rose and Finn's actions on Craite may have endangered more civilians).  TFO's actions are wrong in TLJ only in so much as they are on the wrong side of the War.  Kylo certainly hasn't done worse then Vader in either film. Vader also killed his father-figure, and was much more directly involved when a super weapon was used to blow up an entire planet.  And that's going off only Vader's OT Sins, just what audiences were expected to forgive him for in in 1983, not including what was added by the Prequels.

And once again I have to talk about Anime.  My love of Anime has a lot to do with how often enemies are forgiven.  Because in Japan the West's simplistic Good vs Evil dichotomy has only recently become an influence.

It's frequently been a big part of the Magical Girl genre.  Sailor Moon didn't do it all the time, but Wedding Peach, and PreCure do it frequently, and so do the Darker Ones.  So Rey setting out to try and save Kylo Ren because of the good she senses in him, and then that totally back firing on her.  Feels to me like far more of a Meanspirited deconstructive slap in the face to Magical Girl convention then anything Madoka or it's imitators have done.  And Rian Johnson could have been doing that intentionally, given how I saw a blatant homage to Magical Girl Lyrical Nanoha episode 6 right in that very confrontation.

It's also a big thing in the Mecha Genre, where the message is often that War itself is the real villain.  And my love of the Prequels has been that I felt it was saying something similar, that The Empire was created because The Republic fought a war it shouldn't have.  When I started watching Mecha shows like Code Geass and Gundam 00, they reminded me of my love of the Prequels from day one.  So the Sequel Trilogy doesn't just bug me that it's staying stuck in the simpler OT formula.  It's the subtext that what happened between episodes VI and VII was that the First Order rose to power because the New Republic was too passive.  As an Anti-War person, that is a very problematic message to me.

I consider myself an SJW, (and also a Communist).  Maybe you want to question my status as one simply because I don't agree with TheMarySue 100% of the time.  But I've been banned from Christian Forums and Facebook groups for saying Homosexuality isn't a Sin, when I wasn't the one who brought the topic up.  The only stance I take on any major modern political issue that would be classified in modern America as a Conservative one, is not a Social Justice issue directly though it does come up on those websites, but I feel confident in saying it should not be part of the definition of what SJW means.  For the most part when I get into disagreements with other SJWs, from my POV I'm to the left of them.

I used to not be as much of an SJW as I am now.  Much of that transition happened before I even started these blogs, but since starting them I've moved to the Left on Abortion and a few other things.

It is not really relevant to mention that I'm a Universalist, this topic is about fictional narratives where characters change their moral enlightenment during their mortal life, and what real life lessens they teach.  Some of the people I'm disagreeing with here may not believe in an after life at all.  And probably would prefer Christians who reject Eternal Damnation.

The Christian value that is relevant is that you should always forgive those who wrong you, even if they never apologize.  And that you should love your enemies and pray for those who persecute you.  For most of my life this seemed to be the most unambiguously Liberal of all Christian Values.  It's the main area where Conservative Christians fail at being Christian, and the main area where Liberals might quote The Bible whether they're believers or not.  It saddens me that this has changed about the Left over the same time period that I've moved to the Left.

But perhaps even that second Biblical subject may not be directly relevant.  The question is, are there Biblical narratives of villains who become heroes?  Well there is Saul aka Paul, who defined himself as the Chief of all Sinners.  But perhaps a better parallel for saying that yes you can reach even Hitler level villainy and turn back would be King Manasseh of Judah.  He made the streets of Jerusalem flow red with Blood from one end to the other.  But Second Chronicles records that he did repent and turn things around before the end.  It's interesting that the compilers of II Kings chose to ignore that part of his story.  But in the New Testament I think Matthew is siding with Chronicles here, since Manasseh isn't among the bad kings he skips in his genealogy in chapter 1.

Thursday, August 3, 2017

I enjoy the Batman Unlimited movies

Last month I was pretty negative towards some Animated DC projects.  And since I like to be Mr Positive in general, I'm gonna talk about some I find underrated today.

The Batman Unlimited cartoons are made to promote a Toyline.  So have a lot of good cartoons.  This is a take on Batman that is kid friendly rather then super dark, but not in the obvious Silver Age or Adam West way.

I haven't watched the series of shorts, only the 3 movies, the third of which I watched today.  They are a futuristic vision of Gotham reminiscent of Batman Beyond.

Bruce Wayne/Batman is voiced by Roger Craig Smith, who's Batman voice I already praised in my Arkham Origins post.  He's also been since 2010 Sonic the Hedgehog.  That should say something about his range, Sonic and Batman voiced by the same actor.  He's also done some Anime dub work, most notably to my tastes Guilford in Code Geass.

My main criticisms of the series are that I wish they'd include female members of the BatFamily instead of all the non Batman characters.  And I don't like Red Robin/Tim Drake being written as kinda dumb.

The first movie, Animal Instincts, has The Penguin as the main villain.  This is his first time being a main villain of an animated feature.  He was kinda prominent in Mystery of The Batwoman, but was ultimately of equal prominence to two other Mob Boss characters, and then Bane took the spotlight in the final act.  So for someone who for decades was one of Batman's "big four" that's a bit overdue.  He was done fairly well I feel, though I wish Nolan North had done the voice since they used so many other actors from the Arkham games.

It also has a good Manbat storyline.

The second movie, Monster Mayhem, has The Joker as the main villain.  The Joker wasn't in desperate need of another animated spotlight, but every Batverse needs it's take on The Joker and this was an adequate one for Unlimited.

The Joker was voiced by Troy Baker, who again reprises the role from Arkham Origins, and was also The Joker in the Assault on Arkham movie that's in the same universe as the Arkham games.

Troy Baker has also done some Anime Dub work, in fact he was Schneizel El Britannia in Code Geass.  He hasn't done any Anime since 2012 however, might be the same for Smith.  Perhaps it's for the best if the Dub voice actors I like don't start getting a lot of better paying work elsewhere?  Schneizel and Guileford could both return for the new Code Geass series.  What if they are the only two whom the Dub can't bring back their old actors?

Troy Baker has also been Batman in some other projects.  Like some of the Lego movies but not the theatrical ones.  And the Teltale series.  Has anyone else been both Batman and The Joker?  I can't even imagine Mark Hamil doing a Batman voice, or Kevin Conroy a Joker voice.

The third movie Mechs vs Mutants.  Should have been called "Mechs vs Kaiju", it's a lot of fun.

It brings back to some degree the villains of both prior films, making it all work kind of as a Trilogy.

So all three are fun movies and I recommend them.

Saturday, July 1, 2017

Summer Season Anime preparations

This may change.  But after going over the expected Summer shows on MAL, I think the only one I'm likely to follow is Netsuzou Trap.  And even that I may drop, my feelings on the Manga are mixed.  It will be my first time watching an Anime I'd read the Manga for first.  I had wanted that honor to go to Citrus, but whatever.

Some movies expected to come out I will watch, the new Nanoha movie for example.  And the third Yuki Yuna Prequel film.

For the most part I'm kinda relived.  I want to spend more time this season watching more older Anime I haven't seen yet.  And re-watching ones I already know I like.

I may soon be changing some of what I've rated on MAL.

Very recently I have watched the Girls und Panzer film, which was awesome.  And Code Geass Akito of the Exiled again since the Dub just dropped.  And now I'm definitely much more certain that it's an Anime I liked.

I suspect the Dimensional Supervisor and that Skull thing that gave Shin his powers will be relevant to the upcoming Code Geass R3.

As for the Spring shows I'm not actually done with yet due to following the Simuldubs.

I wound up putting Clockwork Planet on hold.  I had been more optimistic for that show then most, but during episode 6 I got kinda tired of it.

Which leaves me with only Attack on Titan season 2.  Which I'm enjoying but also wishing was a bit slower paced.

Update: I learned between posting this and the day even ending that Digibro and that other guy will be covering a Summer show to follow up their Eromanga-Sensei series. That I'll probably watch for it's sake.
https://www.youtube.com/watch?v=YwVKjtPVxaQ&t

I don't know what I'll think of Fate/Apocrypha.  But anything they say dissing Fate/ in general I will respond to.

I was gonna wait for the Dub for Fate/Apocrypha. But if they cover it then I can't do that.

I really love the Fate/ franchise. I say this not just as an Anime, it is the best take on Arthurian/Grail legend done period in well over  a 100 years. And yes I include the Indiana Jones film in that. I also really love the characters and the use of Hermetic Magick. Fate/Zero is the best so far.

Netsuzou Trap again is the only show this season I'm guaranteed to at least start. I read a good deal of the manga and i enjoyed it but ti's not as good as Citrus.

Sunday, April 2, 2017

Anime Mash Up Trailers on YouTube

I talked about Fan Trailers last year.  Mash Up Trailers are something different, basically the Audio of a movie Trailer put over different visuals, usually from an Anime giving it a Pseudo Fan Dub quality.

I first discovered them years ago via some Mash Ups of The Dark Knight to Code Geass.  Then last year I found that Dual of The Fates Utena AMV, which was done to the Music Video giving it a trailer like quality.

The only one not to Animation I've really enjoyed is the Pretty Little Liars Suicide Squad one done by one of the BrosWatchPLLToo people.

Then I started seeking them out more regularly and found quite a few.  I watched some of Code Geass to The Dark Knight Rises, some Death Note to the Dark Knight films.  Some Code Geass to the Star Wars Prequels ones, as well as Evangelion to Star Wars.  And Some Mean Girls ones, mainly one to Lucky Star.  They are included on my Anime Playlist.

So I want to mention some Mash Up trailer ideas I'd like to see that haven't been done yet.  And that I'm not talented enough to do myself.

Smile Pretty Cure/Glitter Force to The Dark Knight.  With Joker as The Joker, that's obvious, that's where this idea starts.  Reika as Batman, since she's the one with a one on one confrontation with Joker.  Pop as Alfred, and Nao as Rachel Dawes since she's who Reika is usually shipped with, (according to TVTRopes anyway).

Returning to the subject of Code Geass and Star Wars, I'd like to see that Padme focused Phantom Menace trailer that has already been done to Code Geass once, done to Akito of the Exiled, with Leila as Padme.  And I'd love to see some Gundam/Star Wars mash ups, if they exist already I'm having trouble finding them.

Related to that would be doing Gundam to Star Wars, for me the most meaningful would be 00.  But it's an overdue idea since Gundam is called Japan's Star Wars.

And another Anime that could be fun to see done to Mean Girls would be Yuru Yuri.

And as I said before I'd like to see some using Noir and Madlax.

Update:  I’d really like to see Yuki Yuna is a Hero done to some Star Wars trailers, specially The Force Awakens and The Last Jedi.  Those scenes of Karin practicing on the beast with her wooden swords particularly feel made for John Williams music to me.

Tuesday, May 24, 2016

I've watched Code Geass: Akito of the Exiled

The decision to tell it as 5 hour long OVAs makes it effectively a 5 act play, which I find awesome.

Akito is the title character, but I feel like Leila is the real lead, in both the POV character sense and who the story's about sense.

I'm always intrigued by the Japanese interest in the French Revolution.  In this case it is the legacy of an alternate history version of the Revolution that lingers over much of the plot.

The story was good and I highly recommend it.

But it is much darker in tone then the Series.  Not as much of the fun scenes.  But doesn't feel like it's egregiously doing that for the pretentiousness of it the way Batman V Superman did.

I watched them Subbed because that's all we have right now.  The Code Geass series I've still only seen dubbed.  The first thing I notice in that regard is how kind of weird it is to see characters expressing racist attitudes towards the Japanese, when they're speaking Japanese.

I also find it amusing that the Eleven designation it used outside Britannia, by people at war with Britannia.  That doesn't seem logical to me.


Spoilers Ahead!!!!!!






I'm really unsure whether or not the story might have been better if they didn't shoehorn Suzaku and Lelouch into it.

They only contribute anything substantial to episode 3, and even there could have been done differently.  They never interact with the protagonists, just the villains, they are basically there for the Worf Effect, and to reference things potential new viewers wouldn't get.

Still the potential is there for their scenes to be really good for their fans.  From what I can gather in Japan they have the same voice actors they always did.  But for me I won't really be able to connect them to the characters I know and decide if they're in-character or not till I hear Johnny Yong Bosch and Lowenthal perform these scenes.

Thing is, C.C.'s scene is the ideal way to do a Cameo from the original main cast in an EU spin off, for something of this genre with this kind of lore.  But her Cameo may have felt more meaningful if they hadn't already dangled the other two stars in front of us.

Then Rollo shows up at the very end to help sell the idea that this bridges the gap between R1 and R2.  I never perceived there to be a gap, but whatever.