Sub Eras of The Isekai Era

I feel like I have a unique perspective on understanding this timeline of events. 

First I’m aware there is a long history of Anime that can be described as Isekai before this era.  This is about the distinctly modern trend of Isekai as we currently know it being one of the most prolific and defining genres of the current state of Anime. 

Winter 2013 through Spring 2017 is a time when there is already a visible increase in Anime that can be described as Isekai, as well as non-Isekai Fantasy Anime becoming increasingly more beholden to JRPG Gamer logic. 

But from what I recall the English speaking fandom wasn’t using the word “Isekai” all that often yet, all the AniTube videos talking about shows we now call Isekai that I’ve seen did not use the word, it wasn’t in videos on relevant shows from TrixieTheGoldenWitch, Mother's Basement or Gigguk.

This was also an era when there not only were still Fantasy Anime without this Gamer Vibe but they weren't inherently less common either. Spring 2017 has two highly underrated Fantasy shows I would not even remotely classify as even Quasi-Isekai, Grimoire of Zero and WoldEnd: What do you do at the end of the world? Are you busy? Will you save us?. It’s not that those kinds of Anime ever stopped, some like them still get made, but I do think this was the last time we got two in one season.

And almost every proper Isekai from this era is among those that most who’ve seen them consider among the good ones, whether it’s the highly popular instant classics like, Log Horizon, No Game No Life, Overlord, Konosuba, Re:Zero, and Tanya The Evil, or very distinct hidden Gems like Problem Children, Outbreak Company and Grimgar: Ashes and Illusions.  The most disliked Isekai from this era is Gate, which was so not for being seen as “generic” but for its politics, and even then Gate was still a very popular show. 

Summer 2017 was the beginning of the Isekai era in full force, In Another World With My Smartphone is the first Anime to truly have all of the vibes of a "generic Isekai” which I say as someone who unconditionally loves it. And it was while it and Restaurant to Another World and Knights and Magic were airing that I recall the English Speaking fandom first really started using the word Isekai. And that is when the state of discourse about Isekai entered the form we now know it.  

And I find it fascinating how quickly during that season the narrative became that Isekai is an overused premise people are sick of even though earlier the same year no one was complaining about it. 

I started writing this thinking Fall 2017 was the last season without an Isekai, nor did it have anything I’d call a Quasi-Isekai.  So for that reason you could argue this was still a transitional period and Deathmarch to a Parallel World Rhapsody in Winter 2018 was the start of the full non-stop Isekai bombardment. But the early part of an era can have some stumble in getting off the ground so I was still willing to start this era in Summer 2017 regardless of that.  

However I’d forgotten about Ancient Magus Bride, that show is an Isekai but is like the pre 2017 shows in how pretty highly regarded it is, though I still haven’t watched it. It’s also a Shounen Manga adaptation rather than starting as a Light Novel, so it does still feel like part of the modern Isekai discussion purely by technicality.  There was also Recovery of an MMO Junkie which is part of the undeniably connected yet distinct trend of Anime about playing an MMORPG.

And then double checking myself saw that there wasn’t an Isekai in Spring 2018, at least not among what I watched, just the somewhat JRPG like Fantasy show Last Period. 

Either way Summer 2017 was still the turning point in my opinion.

And I’d say this era continued into the start of the Pandemic.

About 2021 is when the discourse mutated into a state where some were hoping the trend must be finally almost over while others entered resigned acceptance that this being a consistent part of each season is here to stay.  It’s also in this era that Isekai’s own Sub Genres started being defined in common use even if some of the roots of them were already there. 

Ancient World Fantasy

The most common default setting for a secondary world Fantasy is a Medieval Europe inspired setting, some Fantasy Anime might have a Medieval East Asia aesthetic. 

But settings besides the Middle Ages do exist. We have Space Fantasy or Futuristic Fantasy, the kinds of Fantasy that get confused for Sci-Fi. We have Gaslamp Fantasy which is the Fantasy counterpart to SteamPunk. And Urban Fantasy refers to stories set kind of in the modern world.  And of course the settings inspired by the Ancient World also exist. 

But what I wanna talk about here is how Ancient World Fantasy so often defaults to the Bronze Age, at least in the Vibe they give off, they might be using Iron weapons but the Vibe is Bronze Age. From old Italian Sword and Sandal films, to the 90s Sam Raimi Hercules and Xena shows, the obscure 1991 OVA Majuu Senshi Luna Varga, the 2018 Isekai Anime The Master of Ragnarok & Blesser of Einherjar. And then the Fate/Grand Order Babylonia Anime also fits into this lineage. 

The Bronze Age is the largest age of Antiquity, it is about Two Thousand years from over 3300 to 1184 BC, Biblically that’s The Tower of Babel down to the end of Judges. The thing is the sub ages that can obviously be divided into are not all that distinguished by these kinds of Fantasy Stories. Those Sword and Sandal films will mix and match the Heroic Age of Greek Mythology with Sumeria and Egypt’’s Old Kingdom will look the same as the New Kingdom. 

Exceptions exist, I own some of them, but none of those have made huge impacts on Pop Culture.  At most we could have Classical Antiquity references being meshed into an otherwise Bronze Age aesthetic like 300 or all the Rome stuff in Xena, Xena’s timeline will not ever make real world sense and that’s what’s fun about it. 

One of the key early Trope Codifiers of Ancient Secondary World Fantasy was Conan The Barbarian and other works of Robert E Howard.  Howard was to Ancient World Fantasy what Tolkien is to medieval Europe Fantasy. And that includes how both were not strictly secondary worlds originally, they both technically set their stories in a prehistoric distant past of this world.  But they make a transition into modern Secondary World Fantasy because of how the detailed world building made their world seem distinct in ways prior stories doing technically the same thing more vaguely like William Morris stories could not. 

Fantasy Stories were originally drawing inspiration from the less well documented periods of human history (that’s what the term “Dark Age” originally meant, a period we don’t know much about), and the Bronze age was once even less well documented then it is now. Only once the transition to full Secondary Worlds was complete did writers of Medieval Fantasy realize they could start moving upward into the High Middle Ages and Renaissance for inspiration. But why didn’t Ancient World fantasy do the same?  

Each type of Fantasy Setting began with writers who were to some extent romanticizing the period they are drawing inspiration from, the Fantasy stories with more cynical takes on those time periods came later in response to the stories that first popularized it. 

And in the modern world the kinds of people who romanticize Classical Antiquity do so in a way that is functionally mutually exclusive with telling stories where real Supernatural stuff happens. Classic Antiquity is romanticized by principally New Atheists/Reddit Atheists who pretend the values of rationalism and empiricism were more popular in ancient Greece and Rome then they actually were, that it was a Golden Age of Science and Reason destroyed by the rise of Abrahamic Religion.

Now you may think “Christianity was born during Classical Antiquity so wouldn't Christians romanticize it?” but you'd be wrong. The world view of modern Right Wing especially High Church Christians is that Christianity was born into a broken world that needed fixing and the Medieval World was the product of Christianity fixing it.   Liberal Christians (especially Low Church Protestants) believe Christianity was born into a broken world and modern Liberal Democracy is the result of Christianity eventually slowly fixing it.  And a Leftist Christian believes Christianity was born into a Broken world and still hasn’t fixed it yet.  The point is that the context of The Gospel demands that Jesus wasn’t born into the best period of time to be alive Civilizationally speaking. The option I’ve been more willing to consider then most Christians is that there was value in the Hellenistic Civilization that was lost when it fell to the Romans, and the fall of the Hasmonean Kingdom was certainly lamentable. Ultimately though I am a Leftist with Liberal characteristics.

Atheists however, not all Atheist but the really devout ones who build their personality on being Atheists, have a world view built on inverting the Catholic view and appropriating the Puritan view.

And The Bronze Age is more popular than the Iron Age because it has the quality of being what was Ancient History already to the people of Classical Antiquity.

But another factor is the Western Bias, every time I said Classical Antiquity both you and I were first and foremost thinking of the Greeks and Romans more than the Persians or Carthaginians or Parthians or Late Period Egypt or Kushites or East Asia or Mesoamerica and certainly not the “Barbarians” of Western and Northern Europe.  And when we do we kind of think of them as being aesthetically still in the Bronze Age. 

The plot twist I've been building to is that perhaps a different style of Ancient World Fantasy has been hiding in plain sight this whole time.  That Tolkien’s legendarium was actually more Ancient than Medieval all along but pop culture perception has just run with faulty assumptions. 

When early Rings of Power images started coming out I saw one person on Twitter not at all inclined to say nice things about Rings of Power say that at least its costume design is more inline with Tolkien’s actual intent then the Peter Jackson films. Peter Jackson’s costume design went all in the High Middle Ages when the Third Age of Middle Earth really was Early Middle Ages at the latest. Literally the Norman Conquest is when Tolkien felt everything went wrong.  Eomer shares a name with a 5th century king of the Angles for a reason, the Rohirrim and Rhovanion are meant to be ancestors of the pre-migration Anglo-Saxons. 

Even if the Third Age is Medieval, it’s not just Western Europe, Gondor is kind of Byzantium, the rump in South Eastern Europe of the fallen Empire of the West.

The First and Second Ages however are definitely Ancient, they are basically imagining that the Celts had a “Civilization” before the Greeks and Romans. And in so doing it results in Numenor feeling very Roman and Eregion feeling a little Athenian, and I would even call Mordor kind of Sparta how Anti-Spartan Athenians saw them. The Fall of Golodin was partly based on Troy as many have written about before. 

And capturing all of that is part of why I love Rings of Power, especially season 2. 

Biblical Israelite Fate/ Servants

There is in my view only one real Biblical Israelite Servant in Canonical Fate/ material still, that being David.

Solomon and Martha are nominally Biblical Characters but everything about who they are in Fate/ lore is defined by Extra Biblical traditions about them.  

There is nothing in The Bible to support Solomon being any kind of Mage nor does he perform any miracles. The only Biblical basis for Solomon potentially being a Caster would be the same logic by which Shakesphere and Alexandre Dumas are Casters, apparently just being a sufficiently influential writer can make you a type of Caster and Solomon is the traditional author of some of The Bible, Proverbs, Ecclesiastes, Song of Songs and two of the Psalms. Yet even that is far from what he's mainly known for.

And Martha in Fate/ is even more divorced from who she is Biblically, she’s basically a French Hero given the role she plays in FGO. I have to admit what defined her character in her Gospel appearances is being a House Wife, hard to see how taming an Ankylosaurus/Euoplocephalus naturally extends from that. But also since she’s New Testament she’s someone Jewish players of the game would feel hesitant to say represents them.

So the thought has entered my head of what if we made an effort to give the Ancient Israelites a true Servant for each Class like so many other cultures have? 

The Archer Class is the one already filled, and Archer is the correct classification for David. A slingshot being the same class of weapon as a Bow and Arrow has been burned into my thinking since Ocarina of Time. 

I would have Joshua be the Lancer.  Joshua 8:18-26 tells us he had a Spear, and one popular Christian Card Game has a Joshua’s Spear card so people besides me have considered it notable. His Noble Phantasm could be called Wall Breaker.

For the Saber I am going to stretch the definition of Biblical a bit and say Judas Maccabeus.  The books of Maccabees are considered Canonical by only some Christians and no Jews, but all Jews celebrate Hanukkah so his accomplishments are revered in Judaism more than in Christianity.  1 Maccabees 3:12 refers to Judas taking the Sword of Apollonius and fighting with it for the rest of his life. And 2 Maccabees 15:15-16 refers to Maccabeus being given a Golden Sword.  

Also Judas Maccabeus is the person mentioned in this post I’d be most fine with Fate/ doing their typical Gender Bend thing with. Because I have my own theory about this Judas already being made a Judith as the title of another Deutercanonical book based on his relationship with Nicanor/Holofernes. 

Since the Berserker Class is associated with being more brawn then brains the natural choice for that one is Samson the main character of Judges 13-16. 

For the Assassin Class my first instinct was Jael from Judges 4:17-22 and 5:24.  But she’s called a Kenite meaning she might not actually count as an Israelite???  She’s clearly considered part of the Israelite tradition by most readers so she’ll work fine.

The Caster class could be given to any of the Prophets, Moses, Samuel, Elijah, the title characters of the Prophetic books. Moses is the most important obviously. 

The Rider Class is actually the most difficult. The Ancient Israelites were not known for their Calvary, that’s part of the reason they conquered the mountainous regions first while the Canaanites held out longest in the plains according to Judges 1:19, it was the Canaanites who had Horses and Chariots. It was during the Kingdom period that changed, both Solomon and Rehoboam had Chariots but that isn’t central to what they are known for. 

There is a famous Chariot linked to Elijah, but he’d be a caster first and since he never died I would argue maybe shouldn’t be in the Throne of Heroes. Jehu rides a Chariot in 2 Kings 9:16. 

That’s the seven main classes, but there are also the non standard ones to think about. 

For the Ruler Class I’d easily pick Deborah of Judges 4-5 since the initial precedent for what kind of person would be a ruler is Jeanne d’Arc.

Shielder seems to be the least well defined class besides what you can guess from the name. I’m kinda thinking of Nehemiah, who rebuilt the Walls of Jerusalem. 

Avenger feels like the most controversial class to apply to anyone. I could see the Character Arc needed to become an Avenger fitting chiefly Saul but perhaps also Jeroboam. Saul definitely feels more over all important. 

Years should begin and end around the Spring Equinox rather than the Winter Solstice.

This is as many know The Biblical Reckoning, the year begins with the month Aviv later named Nissan and ends with Adar. All the traditions about alternate New Years including the popular Tishrei New Year are Extra-Biblical, the only Biblically ordained reckoning for the year is the one that starts with Aviv. 

Weebs also eventually learns that while Japan nominally uses the Gregorian Calendar a lot about how they do things is clearly built around years that begin with April and end with March. Including their School Year. 

As a former fan of Wrestling I miss the days when the WWE’s calendar truly revolved around WrestleMania, that event in late March or early April was a culmination of many months of build up and then the Raw the day after felt like a new beginning. 

I feel like everyone intuitively, subconsciously, knows this way of thinking about years is what actually makes the most sense. 

Spring feels like a time of birth, of beginnings, or fertility. 

While Winter is poetically a time of Death, it clearly feels like the night time of the year.  Only the start of Winter is ever a time we feel like celebrating, after that it’s three months of waiting for Spring to arrive. 

For the last few years I’ve been buying Calendars built around screen shots from classic Video Games to use.  And I keep noticing that the ability to make the Levels associated with each month match the vibe of that month is hindered by the natural impulse to start with World 1-1. 

Video Games usually open with Levels that feel like the embodiment of Spring, Grass Land, Green Hill Zone, Green Greens.  Even when they aren’t named something like that just look at them, Bob-Omb’s Battlefield is a very Greek stage. 

Meanwhile Ice worlds are usually saved till late game, yes technically mainly because they are so difficult.  But it winds up creating a theme. 

This observation about Video Game design won’t pan out when applied to everything, clearly they aren’t usually consciously thinking of building the game around going through a Biblical Year.  And not all popular Level themes are as easy to pin to a time of year. I could say Desert Levels are summer because deserts are hot but also winter because they’re barren. 

The point however is that it feels natural to begin in a setting that looks like Spring.

How to Watch Evangelion

 Don't.

Don't watch Evangelion, it's overrated and countless newer shows have done what it did better.

Watch Sumphogear

Symphogear

Symphogear G

Symphogear GX

Symphogear AXZ

Symphogear XV

I finally watched Majuu Senshi Luna Varga and it was pretty good.

This is the OVA that Trixie The Golden Witch once described as revolving around the protagonist's Vagina transforming into Godzilla.

I initially suspected that she might have been exaggerating how much the creature actually looks like Godzilla.  Then the first time I looked at clips from it I went "yeah Toho could probably have sued them".

Now finally watching the OVA proper I'm back to thinking maybe he isn't quite that identical to Godzilla.  In episode 4 another Kaiju shows up, they are called Varuga, and it in some ways looks more like Godzilla and in some ways less.

All that was just the matter of if these Varugas look like Godzilla.  I was not expecting episode 4 to also possibly imply some Lore that makes the Godzilla resemblance perhaps thematically relevant.

Game of Thrones Universe Watch Order Post.

When it comes to adaptations there are more potential watch orders then just Release Order vs Chronological order (or purely individual preference made up order), there's also the idea of watching the Adaptation in the Release Order of the source material which may not be the same.

I only recently learned as it was airing that The Hedge Knight, the first book of the Tales of Dunk and Egg series, was first published between the first two A Song of Ice and Fire books.  Meaning for future reference when it's done season one of A Knight of The Seven Kingdoms would perhaps by be watched right after season 1 of Game of Thrones and before season 2.

Of course this would become less useful in this example as the shows tend to depart from the books more as they go on.

So here's the release order of The Books

A Game of Thrones (Game of Thrones Season 1)

The Hedge Knight (A Knight of The Seven Kingdoms Season 1)

A Clash of Kings (Game of Thrones Season 2)

A Storm of Swords (Game of Thrones Seasons 3-4)

The Sworn Sword (no adaptation yet, will be season 2 of AKotSK)

A Feast of Crows (kinda seasons 5-6 of Game of Thrones)

The Mystery Knight (no adaptation yet, will be season 3 of AKotSK)

A Dance with Dragons (kinda season 5-6 of Game of Thrones)

The Princess and The Queen (House of The Dragon, but not really)

The Rogue Prince (House of The Dragon, but not really)

Sons of The Dragon (House of The Dragon, but not really)

Fire and Blood (House of The Dragon, but not really)

BookTuber reviewing classic Fantasy Novels.

The name of the YouTube Channel is The Everyman Reads.

The idea is he's going to review 500 major Fantasy Novels in the order they were written.  He's still very early in the project having just reviewed George MacDonald's Lilith.  And it's a very good video everyone should watch it. 

In this video he defines how he divides Fantasy into 6 Eras. He's probably about right in what his divisions are, but the Pedantic in me can't help but be annoyed my labels he choose, the point of naming eras after precious Metals is to repeat the Greek Mythological format, Gold then Silver then Bronze and then Iron.  His timeline goes Bronze, Silver, Classic, Golden, Modern and the current recently started not definitively named era.  Which is the other pedantic complaint, Modern is by definition current, if we aren't in the same era as 2005-2020 anymore then that era needs a new name. 

Now as I said when talking about Eras of Anime that The Golden Age is the first full era of greatness, but there cna be a proto or pre history. So I would call his Bronze Age the formative years, then his Silver Age The Golden Age, then his Classic age the Silver Age and his Golden Age the Bronze Age and his Modern Age the Iron Age.

The 500 books he's selected are naturally biased towards the English speaking canon. And that's fine actually, there is a lot to cover just there. I just want to use this framing as a jumping off point for mentioning some foreign works I feel deserve more credit and attention.  Because what foreign language country's fiction I'm interested in changes depending on the era. 

The first two eras line up well with my Froncophilic interests I hold thanks to CoolFrenchComics.com and BlackCoatPress.

Paul Feval wrote only one book I'm confident can be considered Fantasy enough to definitely count, La Ville Vampire translated into English by the late Brian Stableford as Vampire City, first serialized in the 1860s.  Stuff straddling that transitional line would include some of the works in Anne of The Isles. Some of his books set in modern Paris I would draw inspiration from when writing Urban Fantasy though they wouldn't actually count since the Supernatural element is always left ambiguous, The Vampire Countess, Revenants, Knightshade and The Blackcoats saga whose 6th volume The Companions of The Treasure is in my view the most Tolkienesque thing written before Tolkien. 

In 1908 and 1909 Gustave Le Rouge wrote two novels that directly anticipate the Barsoom series, these were Translated and published together as Vampires of Mars. 

1919's L'Atlantide is like She in some ways but not in others, the author Pierre Beniot had not read She. But it has had a similar if more forgotten cultural impact, for awhile being directly adapted every decade but also in the name of it's Femme Fatale Antinea influencing even more films.

As far as arguing that 1990-2004 was the best era of Fantasy Prose Novels,  this wouldn't be the only time where what I call The Bronze is also the age I would argue is the best, that's certainly the case with Anime and kind of is for some DC characters. And that is where my Weeb interests come in.  

I haven't read these books, I haven't even seen all the Anime based on them, but I know a lot about their cultural importance.  And these are only stories that were originally Prose Novels which Light Novels count as, I won't be including anything that started as a Manga, Anime, Video Games or Visual Novels though they certainly have plenty of their own contributions to making this an exciting decade and a half for the Fantasy genre.  

The Heroic Legend of Arslan series started in 1987 but continued all through this era. 

Majuu Senshi Luna Varga is referred to as being based on a Light Novel but I can't find any publication dates for it, it's probably the most randomly obscure thing I'm going to list here.  The OVAs came out in 91 so it could turn to be too soon for this era. 

Slayers started in 1990.

The Twelve Kingdoms started in 1992 and is one of the many GRRMs of Anime in that it's still unfinished. 

On the subject of Urban Fantasy I'm unsure what does and doesn't count but 1998 started a peak era for Japanese Urban Fantasy with Boogiepop and Others in February and the first Kara No Kyoukai in October.  I also recall Trixie The Golden Witch mentioning an anthology book of Light Novels like these from this era called Faust. 

Scrapped Princess was from 1999 to 2003.

Legend of The Legendary Heroes started in 2002. 

2002 is also the same year as the original Web Novel for Sword Art Online, which isn't a Fantasy novel but has become undeniable important to the history of Fantasy in Japanese media.

Baccano! started in 2003 as did The Melancholy of Haruhi Suzumiya if you count either as Urban Fantasy.

The year 2004 was the start of at least three important Light Novel sagas. 

The Familiar of Zero was very popular and a website that started as a fan site for it would go on to be the main incubation chamber for modern Isekai.

And then two more where I'm unsure if they count as Urban Fantasy for now.  Durarara!! and A Certain Magical Index.

All Art is Political, but not all art is Partisan.

All Art is Political in the sense that all Art will reflect the politics of the time and culture that created it in some way, especially if it’s actively trying not to. What is perceived as Apolitical says a lot about the politics of a given time or culture. 

The conservatives who object to that statement do so because they can only see art as political when it’s loudly taking a side on an actively contentious political issue.  Which is what I mean by “Partisan” here, might not be the best word to use but it's what I could think of. Because I am willing to count as "Partisan" here stuff that does condemn both sides depending on how it goes about it, or refuses to fully demonize the other. 

However Conservatives are not the only ones getting the true meaning of “All art is political” wrong. Because a lot of Breadtubers are often citing the true definition only to then justify their very Partisan political reading of something as objectively undeniably correct. 

This obsession with trying to tell all the reactionaries of the Internet that whatever they are nostalgic for was "always Woke actually" is very misguided. Because even when it is somewhat true it is so usually because of how what was Woke when the original Star Trek series was airing has become the mostly uncontested Apolitical Status Quo since. 

Most mass produced highly popular Art is pretty broadly Centrist in the grand scheme of things even when taking a few actually Partisan stances. And most Art that is made by Conservatives are not like the cartoonish virtue signaling content Breadtubers dunk on to “prove” all Conservative Art is bad, most of it is actually pretty good at drawing on where in theory Leftists agree with them.

As a Death of the Author believer, I firmly believe you can make a plausible Woke reading of just about anything. And I believe we should make those readings and keep making YT videos based on them. But those are not objectively the only correct way to read them and we shouldn't pretend they are.  

And the most actually Leftist stuff Hollywood has made like Andor can still be read by Conservatives as supporting their world view in ways that engage with the actual text just as much as our reading does.  We can’t call it denying reality when they do it but sophisticated analysis when we do it. 

I’ve even seen Breadtubers try to claim Tolkien was Woke actually, and I’m sorry but that’s absurd, being less Racist then the Nazis does not a Woke person create.  

If Ayn Rand hadn’t been so vocal about her politics in non fiction contexts I’m convinced there absolutely would be a group of Internet Leftists arguing her fictions were Woke actually.  Or at the very least if we only had The Fountainhead to go off, a Woke reading of The Fountainhead is absolutely theoretically possible. 

All the time I see people just using the fact that a given story has Nazis be the guys as their proof that it's Woke. And every time I feel like yelling “you know better than this”, you know that most Nazi villains in fiction are disconnected from why we Leftists consider them the ultimate Evil and are just being used as symbols of vague Authoritarianism, or purely for the aesthetic. You know full well that Conservatives are constantly calling Leftists the real Nazis. 

Sometimes just the simple fact that a Fantasy or Sci-Fi narrative is doing Rebels against an Empire is seen as an inherently Left Wing position to take  But when these same people are looking at real life they know better, they know sometimes the Rebels are the Reactionaries, The Confederate States of America, The Beer Haul Putsch, January 6th ect.

We all know full well that nominally Left Wing Dictators have also worn military uniforms and done big showy military parades.  So let’s stop pretending we don’t and that those visuals are only ever about Fascism ™.

And there is also more to Anticapitalism than just “Rich People Bad”, as someone who has heard people all over the Political Spectrum talk about their perspectives I can assure you that most Conservatives and even most Libertarians firmly believe that the vast majority of Rich People are Evil.  The political disagreement is mainly about what policies serve their interests.  And if you think that is too absurd to be true in some cases, let me give you this very enlightening example.  

I have seen Climate Change Deniers claim that it is specifically the Big Oil Companies who created the Global Warming narrative and fund environmentalist groups opposed to Fracking and Offshore drilling because it helps them control the market and drive up Oil Prices to not be drilling for Oil domestically.

Good Parodies are Affectionate Parodies

I forget where I saw this, I think it was a random YT comment or something, but I definitely recall seeing someone say "Every good parody eventually just becomes a satisfying version of what it's parodying".

In the context of Anime I feel this is particularly demonstrated by Mahou Shoujo Pretty Sammy, in particular it's 96-97 TV Anime also sometimes titled Magical Project S.  It's early episodes are very concise parodies of Magical Girl Tropes, sometimes I feel like they have Sailor Moon S in particular in mind, but never mean spirited.  However by it's final stretch of episodes it's just doing a legit sincere Magical Girl story that is simply also making jokes.

Mel Brooks has said he made Blazing Saddles as an Affectionate Parody of Westerns. What killed the old school Western during this era wasn't this parody but a general shift in how Americans thought about that era of our history reflected in the more serious Deconstructions made at the time.

Even very goofball parodies like Airplane or the 90s Wayans Brothers' films are still telling a story that on some level works independent of just being a string of Jokes at other movies expense. 

I remember a similar thought to this when Trixie The Golden Witch and Best Guy Ever talked about the Rick and Morty Episode that parodies Heist Movies.  For all the jokes at the expense of the formula, it also in it's own way provides a satisfying Heist narrative twist at the end.

The truly Cynical parodies like the ones that stretched the truth about being made by the same people who wrote Scary Movie were never liked and only remained profitable because they were so cheap to make. 

In Patrick Willems most recent video on Music Biopics he talks about Walk Hard and how dismayed he is that it didn't kill the Music Biopic Genre. But that's the thing, I haven't seen that movie but if it truly is as mean spirited as Willems describes it, a movie made by and for only the people who hate the Genre it's parodying then that's why it flopped, that's why the only people who actually found it funny were weirdos with a bizarre grudge against an entire genre.

This extends to the more Internet based styles of Parody as well.  I know that the people at Something Witty Entertainment are fans of Sword Art Online and that their SAO Abridged is an Affectionate Parody and that they are annoyed every time an AniTuber makes a Video Essay citing their parody as vindication of their SAO Hate. 

SWE do not seem to be fans of In Another World With My Smartphone in the same way which is why their one shot parody of that Anime fell flat with me, it's not nearly as funny as their SAO stuff.  Another more obscure YouTube channel called Yusho Productions has done a good Affectionate IWA Abridged that I find hilarious. 

The difficult question is, can this paradoxically apply to a Parody of something that never even existed?

I already made a post on how the Otome Villainess sub genre is based on a type of Otome Game that has never existed.  And I've since learned I'm not the only one who's noticed that.

https://mithrandirolorin.blogspot.com/2024/12/i-have-something-against-otome.html

But I've enjoyed some of these shows regardless, because for being founded on a seemingly insulting misrepresentation they still are not just basing every Joke on "isn't it messed up Otome Games are like this" instead they just do what a good Shoujo Anime always does within that framing.

The show Trapped In A Dating Sim: The World of Otome Games is Tough for Mobs commonly shortened to MobuSeka has gotten particular ire from those who are mad about this genre's mistaken premise. Because at least this is the one sub type of modern Isekai were the leads are usually Girls.  So using this premise to make another typical male power fantasy Harem feels particularly egregious to them.

But this happens to be one of the Otome Villainess shows I've enjoyed the most, so why?

What would be the appeal of this kind of story if it unironically existed? The appeal would be Romances that defy class barriers.  The protagonist in ModuSeka as he starts felling in love with the two main girls feels like he is unworthy of them, like they are the lead characters and he is just a background character. As a Romance it is in fact doing exactly what you'd expect the non existent genre to do only gender inverted and with a meta twist. 

I also find it interesting to think about in the context of my thesis about how much 21st century Otaku media has it roots in Boys in the 90s enjoying Shoujo Media and taking influence from it. 

I also really like Luxion, of every Anime character you could jokingly compare to MCU Jarvis, he might be the best. 

Another Detective Conan Netflix Dub Watch Order Post.

Why am I making another when there aren't even any new episodes up yet?

It's occurred the order the episodes originally came out in isn't the only alternative to the Order Netflix has them in.  That order I of course already discussed.

https://mithrandirolorin.blogspot.com/2026/01/and-one-more-thing-new-detective-conan.html

Because Detective Conan is an easy show to get into where the continuity of where we currently are in the overall timeline only occasionally matters.

An argument can made that, besides maybe the first two episodes, watching the entire Rivals collection before the Black Organization collection could work. Those episodes give a better idea of what the Average Detective Conan episode is like even while also including notable events and important character moments.

But one simple change that could make the jumping around between collections a bit easier would be to watch Locked Room in The Sky Shinichi Kudo's First Case before the episode that introduces Haibara, Girl from The Black Organization. Since Haibara isn't in that episode, not even the framing device, and the bulk of it is a flashback. 

Indeed the Desperate Revival six parter is the only part of the Rivals Collection that feels like it really matters where you watch it relative to the Black Organization stuff, beside Hiabara being there it also directly references events from the Reunion with The Black Organization three parter. And for reasons that could be spoilers to explain it can be deemed important to watch before the Vermouth storyline, which begins proper with The Mysterious Passenger.

So maybe watch the first two episodes in Black Organization, then watch Rivals up till you finish Locked Room, then return to Black Organization collection for 5 episode (one of them being feature length), then finish the Rivals collection and then finish Black Organization. 

My hopes for what additional Detective Conan content gets dubbed this year.

First let's talk about movies.  I have quickly come to love the Nano cast the most of all English casts I've heard for this franchise.  I do like the BangZoom cast more then enough that I'd definitely rather they continue the Films then no more films getting Dubbed at all.  But if possible I would like for the Nano cast to also take over dubbing the films, but don't redo any that already have a Dub till all with none are covered, which are movies 7-18 and then catching up on the most recent until only the last 1 or 2 still aren't dubbed.

But I'd also be fine with this year focusing on Dubbing the show itself and not getting more movies besides besides 27 and maybe 28 (and maybe release movie 18 if it's true it's already recorded).

I am optimistic that what we'll get from the Netflix Dub project is a Cour of international count episodes every 2 months or 2 cour every 3 months, meaning 6-8 cours over the course of the next year.

Speaking of movie 27, it'd be good market synergy to have a selection focused entirely on Kaitou Kid appearances to correspond with that film's English Dub getting released.  It's be nice if it could cover all of them from before the Mystery Train Arc, save the Mystery Trains Arc (episode 699-704) to be the Finale of a future cour covering the Bourban Arc.  I've done the math and there is room for a 2 cour collection to cover all of them including Shinichi Kudo's Childhood Adventure and Kobayashi Sensei's Love which transitions into The Kirin's Horn.

I'd also like to see a collection continue where the Black Organization collection left off. One where the first cour includes the 2 2-parters that introduce Eisuke Hondou, Shadow of the Black Organization and the first 4 episodes of The Clash of Red and Black, then the second cour would be the rest of The Clash of Red and Black and The Karaoke Box Case which says goodbye to Eisuke (so far).  They could call it the Red vs Black Collection.

I'd like to have a Cour that is 646-657 which happens to be 13 consecutive international count episodes that among other things introduce Sera Masumi.  It'd arguably have to be preceded by a Cour that incudes the Homes Revelation saga and maybe one with the earliest appearances of Subaru Okiya and Scar Akai. [Update: 652-655 are not as relevant to the Sera Masumi or Bourbon storylines as I initially assumed.]

The Holmes Revelation case along with episodes 398-400 could be part of another ShinRan romance focused cour.  

I'd also really like one that fills in the gaps that were skipped over during the Vermouth saga.  Principally Contact with The Black Organization 309-311 and Four Porsches 338-339 and then Hidden Bathroom Secret 340-341. Those could be covered by a Haibara centered Collection which could also include Hooligan's Labyrinth 279-280. And then episodes focused on the FBI characters like The Battle Game Trap 226-227, then 277-278 and The Man from Chicago 258-259, On The Trail of The Silent Witness 307-308 and 343-344 The Connivence Story Trap.

And then if there is time for more after covering all that, maybe drop a cour near Halloween focused on episodes that could work as Halloween episodes, a lot of the ones where the case is solved using Sonoko's voice would happen to fit into that.

This is the year for 20th Anniversaries of 2006 Anime.

Starting with January 9th being the 20th anniversary of Detective Conan’s 425th episode Black Impact! The Moment the Black Organization reaches out.  An episode I’ve discussed on this blog already and is among those you can watch Dubbed on Netflix and Crunchyroll.  January 8th 2026 is also the 30th year of the Detective Conan anime premiering, which the community at large has been more focused on talking about, Anime with 30th anniversaries I may save for a separate post, though I'm not sure 96 has enough to talk about. 

I happened to spend some time in late 2025 on social media asserting a view that 2006 is the Best Year of Anime, not even thinking about the fact that those shows are getting their Two Decade anniversaries soon.  2006 is not a year I consider either the start or end of an era, it’s more like it’s the peak of what I call the Bronze Age of Anime.

Alright technically two Anime episodes I consider of note aired before January 9th.  January 6th was the last episode of Shuffle.  And the pilot of Studio Deen’s Fate/Stay Night anime on the 7th.  But my defense of Deen/Stay Night mainly begins with episode 3 where you should start after watching UBW’s episode 0 and 1 to get the proper beginning of the VN.

Nerima Daikon Brother is a hilarious spiritual sequel to Excel Saga. Kashimashi: Girl Meets World could be the best stealth Trans Feminine Anime. Good Anime with second cours airing in Winter include, Karin, Black Cat, Mai-Otome and Blood+ which was actually still be airing for most of 2006. 

Returning to Detective Conan in February Eisuke Hondou made his Anime Debut in 429-430 Two People Who Can’ Return.

For Spring Simoun is an Anime I still haven’t seen yet but intend to, it’s an important example of Anime exploring Gender.  Another spring show I haven’t seen that I know is important is Gintama. I don't have much interest in that one. 

Shows I have seen from Spring are where we really start getting to how 2006 isn’t just a good year but could be the best.  

The Melancholy of Haruhi Suzimiya, which I shouldn't need to explain the logic of considering one of the most important Anime of all time. 

Strawberry Panic which I consider the Magnum Opus of Classic Class S style Yuri Anime.

The second season of School Rumble, which surpassed the first season, is one of the best really wild Comedy Anime, an important precursor to more modern shows like Kaguya Sama: Love Is War and DFrag. 

Nana is the best Shoujo Melodrama of all time.

Higurashi When They Cry which is still the best Horror Anime of all time.

I’ve only seen a few episodes of .hack//roots, not sure what to think of it yet. 

Though the year isn’t looking great so far in the Film department, with nothing I’ve seen from Winter and Spring having one of my personal lowest ranked Detective Conan films.

Summer had The Familiar of Zero which via a website that started as a fansite for it can be considered the Grandmother of both modern Isekai and modern Magic Academy Anime.

Le Chevalier D’Eon which is one of the year’s top forgotten Gems, a highly recommended Anime for all Francophiles. 

And Summer finally has some good movies with The Girl Who Leapt Through Time and the 9th Pokémon film, Pokémon Ranger and The Temple of The Sea. 

And in late July Eisuke Hondou made his second appearance in 446-47 The Sealed Western-Style Window.

Fall is what really seals the deal.

Pokémon Diamond and Pearl began on September 28th, which I consider the best era of the Pokémon TV Anime.

Death Note is another show that is inarguably one of the most popular and influential of all time.

Kyoto Animation’s Kanon I personally consider the best Anime based on a Dating Sims Style Visual Novel, and it's definitely an important precursor to more well know KyoAni Key adaptations that came later.

Code Geass first season which is my favorite Mecha Anime and I at one time considered it my second favorite Anime over all.  Regardless of my personal opinion, it's as widely popular among Anime fans as Death Note, if only a little less mainstream, that show’s natural rival and counterpart in a lot of ways.

Strain: Strategic Armoured Infantry is another great hidden gem, think of it as unofficially a Gundam where Sayla Mass is the main character. 

The Mai-Otome Zwei OVAs I also enjoyed. 

So a lot of important Anime turn 20 this year, and some neat bonuses as well. 

A notable non PreCure Mahou Shoujo is all 2006 lacks among what I’m already aware of. 

And one more thing: new Detective Conan episodes on Netflix

I'm pretty happy with what we got, all episodes not Dubbed before.

First to the updated original watch order for people only using Netflix.

Watch the first two episodes of the Black Organization Collection.

Then watch the first 11 episodes of the Rivals collection.

Then watch the next two episodes of the Black Organization Collection.

Then watched Locked Room in The Sky, Shinichi Kudo's First Case in the Rivals Collection.

Then watch the Reunion with The Black Organization 3 parter.

Then finish the Rivals Collection.

Then finish the Black Organization Collection.

[Update: The director of the Dub has also posted what the Watch order is.

https://matchaandmayhem.tumblr.com/post/799001080524570624/detco-dub-order]

The Detectives Gathered Together is an episode that will turn 25 years old on the same day the Pilot episode turns 30, January 8th.  The Mysterious Passenger is also from 2001.

I have to say the Rivals of The Great Detective Collection feels very misnamed.  Only some episodes involve any character who could be called a Rival to Conan, but there are few that don't feel important to the ShinRan Romance storyline. It's almost like they wanted to hide that Romance was the real focus.

This is perhaps the best this Dub has seen of Sonoko so far, still none of the episode where the case is solved using her voice, but it captures the point of her character better then the small roles she had in Kid's Debut or the Vermouth Arc's finale.

The Case from the last two episodes of The Desperate Revival is a Columbo episode though I forgot to note it as such when making my personal list of Columbo episodes, Kudo even has a "one more thing" moment, though probably for lipflap reasons the Dub didn't translate it using that exact phrase.

It's amusing how in less then two months a number of Magic Kaito supporting character went from having no English VAs to having 2 each.

The detective wearing Green in Detectives Gathered I'm pretty sure has the same VA as "Santos" from the Funimation Dubs of the first 6 movies.  A voice actor who I remember uniquely because of the Audio Commentary for the final episode of Robotics;Notes, I think it was the last episode I'm thinking of.

Looking Forward to Anime in 2026

The first day of the year a new batch of Dubbed Detective Conan episodes are dropping on Netflix, I may be in the process of watching those already when I post this, or about to start them. And then we’ll get the Episode Zero special on Saturday with the first movie The Time-Bombed Skyscraper going up on YouTube that night as the climax of Cinema Saturdays.  The first new Manga case we get in 2025 should be a new Kaito Kid appearance, but we can sometimes go over a month with only Anime Original episodes. 

The Simuldubs for Watari-Kun and Spy x Family season 3 should be finished sometime in January. 

For the Winter season the only show I know for certain I’ll be making an attempt to watch as it airs (or as it’s Dub airs) is Fate/Strange Fake. I’ve been hyped for it for over two years now.  I’ve been holding off on doing any Fate/ rewatching so that I can do that while this airs like I did watching Gundam stuff while GQuuuuuuX aired. So I intend to make it a Fate/Full winter. And maybe I'll watch some other Narita shows too.

Frieren is a show I’ve already concluded I prefer binging by arc, and according to some rumors it sounds like the new season may have only one arc, so I’ll likely wait. 

Spring is going to have 4th seasons for three shows Re:Zero, SlimeReincarnation and Classroom of the Elite. Each of these are ones I also know I tend to prefer Binged, especially with Slime’s penchant for doing multiple Council of Elronds. But I feel less dogmatic about it then I do for Frieren. 

Liar Game looks like it could have the potential to remind me of why I loved Liar Liar back in Summer 2023. 

Summer will have a new season for Magical Luimierre. I liked season 1 but I’m not sure I liked it enough for the show to maintain my interest. 

The upcoming Detective Conan movie will be released in Japan in April but as usual we who need English Subs probably won’t be able to see it till between Thanksgiving and Christmas. 

There is a lot of stuff that may or may not drop this year, it’s uncertain.  The new Raildex shows being Darkside Item and season 4 of Railgun, the new Nanoha project, new Code Geass project, new seasons for Mushoku Tensai, Boochie The Rock, Alya speaks Russian. Maybe new seasons for Skeleton Knight and Deadliest Assassin and MobuSeka, and for non sequels I’m interested in Girl Crush and Ruri Dragon. 

It almost feels like "Looking Forward" is a misleading title when I’m mentioning so few truly completely new shows.  But that’s the thing, the New shows I wind up liking are not usually what I was hyped for going in but something which catches my attention in the moment, or even after it’s done airing. That’s the point of being a New show, they’re the pleasant surprises while the sequels and spin offs to shows I already like are what I rely on. 

Update January 6th: I forgot to mention the Gundam Hathaway sequel, that's something I've been excited for. 

There is also the matter of Dubs for things that have been out in Japan, Girls Und Panzer Das Finale 4 and Lupin The IIIrd Immortal Bloodlines is confirmed to be getting a Dub already, I'm hoping Zenigata and the Two Lupins will as well.

Update January 18th: I had more or less given up on trying to follow anymore PreCure shows, I respect the franchise immensely but a stretched out episodic show to nail thing just right to engage me.  But then I learned the new 2026 PreCure starting in February will be in part a Detective Show with a Detective Conan reference in the trailer, and so I figure I should give it a show.